Heading South

Charlotte Rampling and Ménothy Cesar sit on a bed

Charlotte Rampling often gets a free pass in films. Sometimes that’s for all the right reasons, such as her association with great directors such as Visconti, Lelouch or Ozon. Sometimes for the wrong ones – the more generalised cultural cringe before the French, with whom she’s also had a long association. The films she’s in often get the free pass too. Let’s take this drama, ostensibly something very daring about matronly white women heading to Haiti to be boned by the local black youth. There are many ways of describing this film but in all honesty it is an interminable drag and actually at its most boring while Rampling and fellow harpies (including … Read more

The Omen

Amy Huck as the nanny obeying Damien's orders in The Omen

Thirty years on, a pointless remake of the film that put quite a few bums on seats in 1976. Back then Gregory Peck was playing the American diplomat slowly realising he’s bringing up the spawn of Satan, and Lee Remick (an expert in lip-tightening panic) was the wife. This time Liev Schreiber and Julia Stiles have the dubious honour. In spite of the disaster movie craze and the example of the late career of Bette Davis, it was still quite unusual in the mid-1970s for a big star like Peck to appear in a horror movie – genre was for wimps. But the studios were realising that the likes of Jaws were changing … Read more

Forty Shades of Blue

Dina Korzun in Forty Shades of Blue

An oblique drama which appears to be about a retired Memphis music producer and ends up being more about his much younger Russian, possibly cash-up-front, wife. Rip Torn plays Alan, the legend, blustering egomaniac and serial boozer whom everyone appears to idolise, on the surface at least. The remarkable Dina Korzun is Laura, the Russian import whose eyes tells us she’s dealt with far worse than Alan, but even so she wishes he’d treat her with a bit more respect. The film does little more than observe them as they go about their muted life… until Alan’s son, Michael (Darren Burrows) turns up to throw a metaphorical hand grenade into the mix. There’s … Read more