Locke
Steven Knight’s movie track record so far: when he only writes (Dirty Pretty Things, Eastern Promises) very good; when he also directs (Hummingbird), not so good. For his latest film, Locke, he directs, and the results are enough to make you forgive Hummingbird, the misguided attempt to inject soul into Jason Statham. Because Locke is very very good indeed. And it’s so simple, a high-concept piece – perhaps what you’d expect from one of the brains behind the quiz format Who Wants to Be a Millionaire – which simply sticks a man in a car and has him drive and answer phone calls, drive and answer some more. One man, one car, some … Read more
