After Godsend and Meet the Fockers, Robert De Niro continues bumping along the bottom with this sub-Sixth Sense frightener. He plays the new widower with a ten-year-old traumatised daughter (Dakota Fanning) whose imaginary friend Charlie starts muscling in on the domestic action. Is Charlie a manifestation of the
How odd. For the fourth entry in the Ju-On cycle, Takashi Shimizu, the director of the original Ju-On: The Grudge, has almost entirely ditched the muted ethos of the original in favour of a British Hammer Horror approach. “In America,” he says in the production notes, “people tend
When you buy a Bentley – as you do – you’re not looking for a holographic dashboard, an in-car virtual chauffeur, or an ejector seat. You want walnut and leather everywhere. The same is true of some horror movies. House on Haunted Hill was originally directed in 1958
Remember The House of Wax or The Abominable Dr Phibes and the highly elaborate ways Vincent Price would off his victims? Films in the decades that followed had budgets running into squillions, yet the victims always seemed to die the same way: sharp knife, sharp billhook, sharp what-have-you.
Somewhere around 1984 it seemed that Kevin Bacon might become a matinee idol, a prettyboy star. But he had a few things going against him. The name Kevin, for instance. Not to mention Bacon. After starring in Footloose, he went through film after film pitching his voice low,
The last thing you want when it comes to scary films is something that’s had money lavished on it. You don’t want a famous director, and you certainly don’t want a big star, their exec-producer-status ensuring their make-up never gets smudged. You want something that looks cheap, smells