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Thirty years on, a pointless remake of the film that put quite a few bums on seats in 1976. Back then Gregory Peck was playing the American diplomat slowly realising he’s bringing up the spawn of Satan, and Lee Remick (an expert in lip-tightening panic) was the
How odd. For the fourth entry in the Ju-On cycle, Takashi Shimizu, the director of the original Ju-On: The Grudge, has almost entirely ditched the muted ethos of the original in favour of a British Hammer Horror approach. “In America,” he says in the production notes, “people tend
Oddly, quite a few people hated this atmospheric ghost story when it came out. It’s a tale with a twist, set just after the end of the Second World War and it’s directed by the Spaniard Alejandro Amenábar. He was a cult name back then, thanks to Tesis and
When you buy a Bentley – as you do – you’re not looking for a holographic dashboard, an in-car virtual chauffeur, or an ejector seat. You want walnut and leather everywhere. The same is true of some horror movies. House on Haunted Hill was originally directed in 1958
Remember The House of Wax or The Abominable Dr Phibes and the highly elaborate ways Vincent Price would off his victims? Films in the decades that followed had budgets running into squillions, yet the victims always seemed to die the same way: sharp knife, sharp billhook, sharp what-have-you.
If each era has its own horror film, then the lucky 1970s got both The Exorcist and The Texas Chain Saw Massacre. Tacked on to the end of a Walter Matthau film for its San Francisco debut, The Texas Chain Saw Massacre drove the cheesecloth-wearing crowd to
Somewhere around 1984 it seemed that Kevin Bacon might become a matinee idol, a prettyboy star. But he had a few things going against him. The name Kevin, for instance. Not to mention Bacon. After starring in Footloose, he went through film after film pitching his voice low,
We’ve had them all – alligators, piranhas, anacondas, killer bees and most famously birds and sharks. So what’s left? Insects, of course. In They Nest, the time is the present, the scene is the island of Maine off America’s east coast, and the action kicks off when
The last thing you want when it comes to scary films is something that’s had money lavished on it. You don’t want a famous director, and you certainly don’t want a big star, their exec-producer-status ensuring their make-up never gets smudged. You want something that looks cheap, smells
