Category: IMDB Post

Charles Berling as film director Georges Figon in I Saw Ben Barka Get Killed

I Saw Ben Barka Get Killed

    Ben Barka was a prominent revolutionary activist from Morocco who was “disappeared” by the French authorities in 1965. Co-writers/directors Serge Le Péron and Saïd Smihi tell his story as a dramatic reconstruction of what probably happened and cast the suave Charles Berling as the crooked film producer who

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Brenton Thwaites in The Signal

The Signal

  Well, I loved this. A confident exercise in genre and genre misdirection that has the balls to invoke The Matrix, Close Encounters, and Vincenzo Natali’s Cube. So, yes, it’s about aliens and a gigantic conspiracy and there’s a lot of white light bathing its clinical setups, and it cost not

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John Hurt, Chris Evans and Jamie Bell in Snowpiercer

Snowpiercer

  That sound? The plane taking off from LAX taking a great Asian director back home, sobbing with disappointment. It happened to John Woo, who did at least manage to crank out Face/Off, but his sad run of Hollywood films include Windtalkers, Mission: Impossible II and Hard Target. To the

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1. Jesus is condemned to death – Lea Van Acken and Florian Stetter in Stations of the Cross

Stations of the Cross aka Kreuzweg

  A powerful and formally austere German drama that does exactly what it says on the label, Stations of the Cross charts the sad journey of one vivacious Catholic girl to an early grave in 14 grim instalments which echo those of Jesus Christ on the way to Calvary. The

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Michael Caine, Scarlett Johansson and Hugh Jackman in The Prestige

The Prestige

    After Insomnia and Batman Begins, big Hollywood numbers taken on to show studio willing – or so it seemed – Christopher Nolan is back to being master of his own destiny, writing with his brother Jonathan and also producing this lavish smoke and mirrors cat-and-mouser. Clearly an attempt to

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Mads Mikkelsen takes aim in the western The Salvation

The Salvation

    Anyone for a Danish western, a great one? Made by one of the Dogme boys? If you look up Dogme in the Wikipedia, it will tell you that this particularly austere style (no music, no lights, no effects) was founded by two Danes, Von Trier and Vinterberg, who

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Doug Jones as the pale man in Pan's Labyrinth

Pan’s Labyrinth

It’s not every fantasy film that comes complete with a scene of a brutal fascist captain sewing his own face up, but that’s what you get in Guillermo Del Toro’s best film since The Devil’s Backbone (better, certainly, than Blade II and Hellboy). It’s a dark fantasy reminding us that

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Leonard Coen and U2

Leonard Cohen: I’m Your Man

    For decades Cohen’s music has been misrepresented as the soundtrack to suicide. In fact the old (now 73) groaner is something of a comedian, though his wit is so dry it’s taken non-aficionados decades to catch on. He’s also something of a master of self-mythology, the sort of

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Ben Affleck and Diane Lane in Hollywoodland

Hollywoodland

    Looking on paper like something better than it actually turns out, Hollywoodland is one of those films purporting to lift the lid on Hollywood, LA Confidential style. It tells the lightly fictionalised story of George Reeves (Ben Affleck) the man who played Superman on 1950s US TV, and

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Eva Green and Daniel Craig in Casino Royale

Casino Royale

    You only live twice, or so they say. Casino Royale is the old Bond song incarnate. Because we have been here before. Not titularly – though we have, in the 1967 spoof made by a gaggle of writers and directors (John Huston, Billy Wilder, Woody Allen and Joseph

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