How to Start a Revolution

Gene Sharp and his book, From Dictatorship to Democracy in How to Start a Revolution

 

A movie for every day of the year – a good one

 

 

25 January

 

 

Police Day, Egypt

Today is Police Day in Egypt. It is held annually to commemorate the day when 50 police officers were killed, more wounded, after a spat between local Egyptian policemen and the colonial ruler, Britain, got out of hand. The officers refused to hand over their weapons; the British sent in the army and surrounded the police station where they were holed up. Result: nasty. It was possibly just another day in the life of a colonial power and its variously contented subjects, but the event got wider currency when a local man photographed the melee and got his snaps published, which led to riots throughout the country. Fast forward more than 50 years to 2009, when Hosni Mubarak was now the overlord and his police were seen as the villains, not the heroes, of the day. It was in that year that Mubarak decided to dedicate the 25 January as National Police Day, in memory of the dead from 1952, as a way of getting the country behind something they could all agree on, and as a thank you to a branch of the state Mubarak had relied on entirely – a state of emergency which suspended all constitutional rights, abrogated the rule of law and extended the powers of the police had been in force since Mubarak had become president in 1981. Inspired by events in Tunisia, it was also on this day, two years later, that activists chose to start protests against the actions of the police, in front of the Interior Ministry in Tahrir Square. The Egyptian Revolution was born.

 

 

 

How to Start a Revolution (2011, dir: Ruaridh Arrow)

A documentary about Gene Sharp, the world’s leading expert on nonviolent struggle. Sharp’s 198 techniques have been used all over the world in a variety of coloured uprisings (purple, velvet and orange). Number 32 is taunting officials. Number 30 is rude gestures. Number 44 is mock funerals. Number 133 is reluctant and slow compliance. Sharp, now in his 80s, physically doddery but still sharp as a tack, runs his Albert Einstein Institution with the help of Jamila Raqib, a passionate young Afghani woman who has been there since 2001. Before then it was pretty much just Sharp, on his own, since 1983. They’re a complementary couple – he’s self-effacing, gentle; she’s fiery, and the camera loves her a bit more. Also worth mentioning is Bob Helvey, the plain-speaking Vietnam veteran and retired US Army Colonel who has found common cause with Sharp (and who provides a bit of red meat for those worried the documentary is going to be all lentils and bran). Did Sharp’s book lead to the Arab Spring, or the downfall of Mubarak in Egypt? It is hotly contested in Egypt, and the film does not go there. But there were certainly people in Tahrir Square who had read Sharp’s work. Sharp wrote it at the request of Burmese who had spent 20 years fighting their military junta to no avail. And since then From Dictatorship to Democracy has become the standard work on nonviolence. But others might foreground Skype and Facebook (which director Ruaridh Arrow does mention). If the documentary struggles to make it towards the magical 90 minutes, and never really offers an argument against the activities of this genial genie, if it’s also a touch shady on who is funding Bob Helvey’s international jaunts (it’s one of those government backed organisations, the International Republican Institute – expanding “freedom throughout the world”) it’s hard to take issue if you’re as new to Sharp as I was when I first saw this film. And even if you don’t credit his book with causing the Arab Spring, at the very least it is full of hard-won insights. A codification of possibilities rather than a tactical A-Z, it’s a workbook rather than a blueprint. To take one point by Srda Popovic, one of the Sharp-o-phile activists who organised against Slobodan Milosevic’s Serbian regime, you don’t throw stones at the police, you co-opt them. Another of Sharp’s techniques. Number 148 is mutiny. Number 18 is displays of flags and symbolic colours…

 

 

Why Watch?

 

  • A portrait of a little-known Nobel Peace Prize nominee
  • A self-effacing man with a huge global influence
  • Puts some international perspective on the Arab Spring and other struggles
  • Who knows when you might need the techniques yourself?

 

© Steve Morrissey 2014

 

 

How to Start a Revolution – at Amazon

 

 

 

 

Pussy Riot: A Punk Prayer

Nadia Tolokkonikova, Yekaterina Samutsevich and Maria Alyokhina of Pussy Riot

 

A movie for every day of the year – a good one

 

 

26 December

 

 

USSR formally dissolved, 1991

And suddenly, on this day in 1991, the Soviet Union suddenly simply ceased to exist. No nuclear bombing by the USA, no internal revolutionary rupture, it just shut up shop. The previous day President Mikhail Gorbachev had unfussily declared his office extinct and handed over the launch codes of the USSR’s nuclear weapons to Boris Yeltsin, the President of Russia. It was the logical final step of the process of glasnost (literally: openness) and perestroika (restructuring) initiated by Gorbachev in 1985, which had led to the increase of nationalist movements in Warsaw Pact states. This led to the revolutions of 1989 and finally declarations of independence of states incorporated into the USSR, starting with Estonia in 1990. The leaders of Russia, Ukraine and Belarus had met secretly on 8 December 1991 and signed the Belavezha Accords, which were an agreement to dissolve the USSR and replace it with a Commonwealth (the CIS). Within two weeks eight of the remaining nine of the USSR states had agreed to join the CIS. At which point the Soviet Union was effectively in existence in name only. Russia became the inheritor state of the USSR. The Cold War officially ended.

 

 

 

Pussy Riot: A Punk Prayer (2013, dir: Mike Lerner, Maxim Pozdorovkin)

This documentary tells the story of the Pussy Riot women, who were sent to prison for making a noise in church. The noise they made was a punk song, with lyrics which denounced the connections that the established Russian Orthodox Church had with the state, and in particular Vladimir Putin. And the church they made the noise in was the Cathedral of Christ the Saviour in Moscow, a building which had been razed to the ground by Stalin, and whose rebuilding was seen, especially by believers, as one of the signs of the return of freedom to the former USSR. “They walked into Russia and took a shit,” says one angry babushka, protesting against the actions of the Rioters, whom this documentary clearly supports. Directors Mike Lerner and Maxim Pozdorovkin go into the story of the three who were caught and arrested, most notably of Nadia Tolokonnikova, the situationist artist who we see, at one art event, naked, pregnant and being fucked from behind. If this sort of thing raises the suggestion that the Rioters are getting some silly juvenile urges out of their system, the glimpses we see of them behind bars, eloquently stating their case in court, and refusing to repent, even though they know that it means prison, redresses the balance. Whether their protest was ultimately effective, or possibly even damaged the cause of liberalism in the former USSR is another question that co-directors Lerner and Pozdorovkin tackle with some skill. These young women, who yoked Spice Girls’ exuberance with deeply held misgivings about the way their country was going, are the product of the new era that Gorbachev hustled in – the youngest, Nadia, was born as the Iron Curtain came down. For a snapshot of a country trying to come to terms with what that epoch-changing event meant, and still not sure just how much it wants to embrace the West, Pussy Riot: A Punk Prayer makes a useful primer.

 

 

Why Watch?

 

  • Meet the Pussy Rioters
  • A brief history of Russia since the USSR ended
  • It’s not afraid to tell the other side of the story
  • It has access to the people who matter

 

© Steve Morrissey 2013

 

 

Pussy Riot: A Punk Prayer – at Amazon