Movies | TV | Reviews
The Master Minds was episode six in series four in transmission terms, but only the second episode that Diana Rigg and Patrick Macnee had made together. Hence the not-quite-thereness of their relationship – notice throughout how rarely Rigg actually looks at Steed. By series five the two of them were
Three Bond movies had been released and a fourth was just around the corner, when Castle De’ath was broadcast on an autumnal Saturday night in 1965. It’s a mini-me version of Bond, with Scotland standing in for myriad exotic locations, a mini-sub standing in for all the 007 tech
Charles Crichton directed one of the best Ealing comedies, 1951’s Lavender Hill Mob, and the highest grossing British comedy of the 1980s, 1988’s A Fish Called Wanda – both crime capers – so is just the man for an episode of The Avengers. And the first shot of
The sixth of the Diana Rigg episodes to be made, though the third to be shown, The Cybernauts looks vaguely back to the Honor Blackman era – Mrs Peel still in leather and a bit helmet-haired – but in other respects it’s the most forward-looking episode we’ve yet seen. Perhaps
Like a classic album that warms us up with an opening track before hitting us with a doozy, episode two of series four of The Avengers, The Gravediggers, is vintage entertainment that gets just about everything right. The plot is a mix of proper spy stuff and the
And so, drum roll, The Town of No Return and the beginning of series 4. And with it the arrival of Diana Rigg as Mrs Emma Peel, the story going that the new partner for Steed would have to have “man appeal” or M-appeal for short. Hence the name.
