Popular Reviews
I Am Toxic
If you’d never seen a modern zombie film (ie something made since George Romero relaunched the genre in 1968 with Night of the Living Dead), the Argentinian film I Am Toxic would be a good place to start. It’s a distillation, a jus, of all the elements you might expect to see, with none of the flim-flam. A man (Esteban Prol) wakes up among a loose pile of bones and bodies. He’s surprised he’s alive. He hauls himself upright and blunders off in a daze, striking out across the scorched earth in the harsh sun. It’s a post-apocalyptic world and he’s a survivor in it, this we know because we’ve seen a lot … Read more
Goodbye Gemini
Sometimes known as Twinsanity – a title that promises way too much – Goodbye Gemini is a peculiar British film from 1970, and is perhaps best bracketed with Performance, which came out the same year. It’s a 1960s Swinging London film with a hangover, the day after the night before, and stars Judy Geeson and Martin Potter as a pair of blond fraternal twins who arrive wide-eyed in the big city and are then plunged into a maelstrom of metropolitan hipness, where they struggle to keep their heads while everyone around them parties like it’s the end of times. Of the two of them, Julian (Potter) struggles more. Jacki (Geeson) isn’t burdened with … Read more
Late Spring
Late Spring is the title and late spring is the condition of its central character, a woman who, at the advanced age of 27, is almost too old for marriage – she’s in the late spring of her adult life. It’s 1949 and in Japan the American occupiers are running the show after the end of the Second World War. 27-year-old Noriko is the smiling, gracious, pretty and dutiful daughter of kindly widower Shukichi (Chishû Ryû). As far as he’s concerned she’s perfect in every way except one – she really doesn’t want to marry. When Noriko meets one of her father’s old colleagues, a man who has recently remarried, she tells him that … Read more
Tár
Tár, not Tar – even in the title of this drama about a world-famous conductor’s epic fall from grace there are hints as to what exactly caused it. Writer/director Todd Field, in his first film since 2006’s Little Children, structures this grand return like a symphony, with a big opening statement à la Mahler’s Fifth, introducing conductor extraordinaire Lydia Tár (Cate Blanchett) on stage in conversation with Adam Gopnik of The New Yorker. This is the full data-dump of personality – a glamorous, garrulous, driven, intellectual, unapologetic, combative internationally feted conductor at the top of her game. Tár’s self-satisfaction is almost unbearable to watch. After that a series of sketches dip slightly behind the … Read more
Eiffel
“Librement inspiré de faits réels,” it says at the beginning of Eiffel. Not a mere “inspired by real events”, often used as an apology for serving up historical fact laced with made-up stuff, but “freely inspired”. Turn to Wikipedia if what you want is the actual factual, in other words. That’s what I did, and can tell you that the background to this story is pretty much all true, depending on what you call the background, which Eiffel isn’t entirely sure about either. In opening scenes Gustave Eiffel, engineer extraordinaire, stares out at Paris from the tower he gave his name to – handy if you’ve no idea who he was – before Eiffel cycles … Read more
The Beast in the Jungle
Henry James on the dancefloor! La Bête dans la Jungle (aka The Beast in the Jungle) sees the old Edwardian master throwing some pretty fly shapes in this fabulous and slightly mad adaptation of a James novella from 1903. The action may have shifted from London to France but the characters and plot are largely intact. It’s 1979 when May first meets John in a Paris discotheque. In what looks like May making a clumsy move on him, she claims she and John have met before. He isn’t sure they have. She insists. He reluctantly goes along with her insistence, though quite why this nice-looking but not exceptionally attractive guy isn’t reacting more … Read more
The Transformers: The Movie
As a new multi-squillion-dollar Transformers movie directed by Michael (Pearl Harbor) Bay comes down the pipe, someone obviously thought a quick cash-in was in order. So here’s the old Transformers from 1986. On the upside: the voice talent is of the “well I never” variety. In what other film would you get Robert Stack, Eric Idle, Leonard Nimoy and Orson Welles all working together? On the other hand, just what the hell is going on? The plot is pretty much unfathomable – Welles described it as being about “a big toy who attacks a bunch of smaller toys”. The title music helpfully tells us the movie is about “Robots in disguise”, fighting Stunticons, Aerialbots … Read more
The Avengers: Series 4, Episode 26 – Honey for the Prince
Mystical, mad and rather weird, Honey for the Prince was the last episode in series four of The Avengers, in terms of both production and transmission, and puts an exclamation mark on what has been an increasingly unreal and self-referential show. The script is by Brian Clemens, and in very Clemens style he layers eccentric characters over a plot that is ahead of its time. The story opens with a couple of unfortunates breaking in to a house decorated in an Arabian style. Finding a “magic lamp”, one of them gives it a jokey rub and – alakazam – a genie appears, a genie with a machine gun to be precise, and shoots … Read more
The Avengers: Series 5, Episode 3 – Escape in Time
Escape in Time is a good chance to see what the great documentary maker John Krish can do when handed an episode of The Avengers to direct. The results are a mixed bag: visually interesting but dramatically a little flat, though the premise – a time-travelling bolthole into another era to aid escaping master criminals – is a fascinating one if you’re on board with the whole time-travel idea. And it gives the production team at The Avengers a chance to get the fancy-dress box out – a sure sign of a series that’s jumping the shark. On the upside, Peter Bowles is in it, and we meet him very early on after … Read more
I’m No Longer Here
There’s a hint of early Jim Jarmusch in I’m No Longer Here (Ya no estoy aqui originally), a spicy Mexican drama with an offbeat attitude and a strong sense of place. Early Jarmusch often featured distinctive characters floating around in a world outside their control. Stuff happens, but very little of it is at their instigation. They react to events rather than act upon them. So it is with Ulises (Juan Daniel Garcia Treviño), a creature of the barrio in Monterrey, a big fish in a small pond, a member of a loose cadet wing of a gang – everyone’s in one – who is marked out by his remarkable hairstyle, as if … Read more
Love Me Tonight
1932’s Love Me Tonight is one of the best comedy musicals of the 1930s, a light-as-air confection designed to show that the talkies, only four years into the new era of sound, could be as nimble as the silent movies, which could shoot anywhere there was light – background noise, whether from traffic, thousands of extras or the weather, not an issue. Director Rouben Mamoulian lays out this stall with his opening sequence, a “Paris wakes” dawn sequence which shifts from a workman pickaxing the cobbles on a street, to a man snoring asleep against the wall, a woman sweeping her step, a shutter creaking, a baby crying, a woodworker filing, children marching … Read more
Anatomy of a Fall
Following on from the brilliant Sybil, Justine Triet double-taps it with Anatomy of a Fall, another rangy drama with rare psychological depth. Written expressly for Sandra Hüller by Triet and her partner Arthur Harari – and you only hope that it doesn’t reflect their own relationship – it’s the old “did he fall or was he pushed story” spun out at tantalising length. Did Sandra (Hüller’s character’s name too) push her husband to his death off the balcony of their swish chalet in the French Alps or was she asleep at the time, oblivious to everything with ear plugs in, as she claims? We follow Sandra from the film’s opening moments to the … Read more
