Popular Reviews
Favolacce (Bad Tales)
Grim and matter of fact, Favolacce follows up the D’Innocenzo brothers’ Boys Cry, a grim and matter of fact mafia drama with a tale, a bad tale (it’s also released as Bad Tales) of kids cusping on teenagerdom living in intolerable family situations. Asshole dads, toxic family relationship and cowed kids make for a film that’s tough going and yet oddly through-the-fingers watchable. Perhaps because, like frogs being gradually brought up to a simmer, we are introduced to the awfulness by stealth. To start with it looks like we’re in the world of Raymond Carver. There’s even what looks like a reference to that Carver story Why Don’t You Dance, the one about … Read more
Defamation
A movie for every day of the year – a good one 25 June Anne Frank’s Diary published, 1947 On this day in 1947, a book originally called Het Achterhuis. Dagboekbrieven 14 Juni 1942 – 1 Augustus 1944 (The Annex: Diary Notes 14 June 1942 – 1 August 1944) was published by Contact publishing in Amsterdam. The annex being the place where the 13-year-old Jew Anne Frank and her family, along with another Jewish family called the Pels, hid in order to avoid arrest by the Nazis. The annex was in the upper, hidden rooms of Anne’s father’s business premises and the family hid there from 6 July 1942 until their discovery and … Read more
8 July 2013-07-08
Out in the UK This Week Shell (Verve, cert 15, Blu-ray-DVD) This is a hell of a feature debut for director Scott Graham, whose eye for poetic desolation is the key feature of his drama about a lonely girl working at a struggling petrol station in the Scottish Highlands. Graham’s camera dotes on Chloe Pirrie, who has one of those faces that can flash from knowingly beautiful one second to fairly ordinary the next, depending on how much wattage its owner is generating. Shell is a simple, succinct drama with the tension of a thriller – is our heroine going to do something stupid with one of the rare regulars whose tanks she … Read more
Armageddon
A movie for every day of the year – a good one 7 November The Ensisheim meteorite hits Earth, 1492 On this day in 1492, a large meteorite landed in a field outside the walled town of Ensisheim, in Alsace (present-day France). The flaming passage of the meteorite through the sky was visible from over 150km away. It was one of the earliest instances of a meteorite fall on record. The stone can still be seen today in the town’s museum, though it is now nowhere near the original 127kg it weighed when it fell – the locals, having dug it up from a metre down in the soft arable land, started prising … Read more
9 September 2013-09-09
Out in the UK this week Iron Man 3 (Disney, cert 12, Blu-ray/DVD/VOD) Drawing a veil over the fact that Avengers Assemble was in effect Iron Man 3, the official Iron Man 3 arrives with Jon Favreau bumped from directing duties and Shane Black in the writing/directing chair. Black wrote the Lethal Weapon films and, blow me, if he hasn’t turned Iron Man – one of the best superhero franchises of recent years, thanks to its understanding of the sheer exhilaration of being able to do cool stuff – into a leaden, clanking 1980s action movie. Yes, Black can fashion a quip, and Robert Downey Jr is certainly the man to deliver them, … Read more
Three Days of the Condor
The Bourne movies lifted a lot of their MO from Three Days of the Condor, one of the key political conspiracy thrillers of the 1970s. Behind the scenes the way the film was financed – sold before it was even made – would change the way the film industry worked in the 1980s, but Sydney Pollack’s loose shooting style and fast edits intercutting action with depictions of slickly professional characters doing what they do, that looks even further into the future. This is also peak Robert Redford, who plays a desk jockey for some branch of the secret service who goes out to lunch one day and comes back to find that everyone … Read more
Yannick
Just when it looked like Quentin Dupieux had hit a creative wall, out comes Yannick, a swerve from his more surreal outings towards something a touch more political. If it’s not entirely plausible, it mostly is, and for Dupieux – the man who gave us a sentient truck tyre in Rubber and a chase comedy involving a gigantic insect in Mandibles – it’s probably as normal as it’s ever going to get. It’s also short, which Dupieux films tend to be, this one clocking in at only 67 minutes. It was short enough that Dupieux was able to film it on the hoof while preparing for his next official movie, Daaaaaali! (about surrealist … Read more
Tár
Tár, not Tar – even in the title of this drama about a world-famous conductor’s epic fall from grace there are hints as to what exactly caused it. Writer/director Todd Field, in his first film since 2006’s Little Children, structures this grand return like a symphony, with a big opening statement à la Mahler’s Fifth, introducing conductor extraordinaire Lydia Tár (Cate Blanchett) on stage in conversation with Adam Gopnik of The New Yorker. This is the full data-dump of personality – a glamorous, garrulous, driven, intellectual, unapologetic, combative internationally feted conductor at the top of her game. Tár’s self-satisfaction is almost unbearable to watch. After that a series of sketches dip slightly behind the … Read more
The Avengers: Series 6, Episode 7 – False Witness
An episode of The Avengers with the name of director Charles Crichton on it is usually a good sign. A claim borne out by False Witness, a permutation on a favourite of showrunner Brian Clemens – mind control – scripted by Jeremy Burnham in such a way as to keep us guessing what’s going on for a quite a while. But back to Crichton, whose Ealing films like The Lavender Hill Mob show a fondness for getting out of the studio when possible. He satisfies his urge here, adding a layer of fascination for anyone keen to have a look at London’s streets in the 1960s. So much of The Avengers was shot … Read more
Brute Force
Time has diluted the impact of Brute Force, but this prison drama from 1947 remains a good film, largely because it doesn’t live up to the title. There is brutishness, but not too much. For much of its length, in fact, it’s a study of character, of how men who are all packed together in an overcrowded prison get along together, or don’t. Richard Brooks wrote the screenplay and Jules Dassin directs. This was the first of Dassin’s run of great movies – The Naked City, Thieves’ Highway, Night and the City and Rififi would follow. Burt Lancaster is the star, in his first film since his breakout in The Killers, and slots … Read more
Zeros and Ones
Zeros and Ones starts with a to-camera introduction by Ethan Hawke expressing how honoured he feels to be working with director/writer Abel Ferrara. After namechecking Willem Dafoe, who’s been Ferrara’s go-to for the past few years, and asserting that an actor’s greatest gift (a well known actor, he means) is being able to champion talent, he reaches forward and clicks the switch on the camera to the off position. The movie proper starts. This gush is all written by Ferrara, of course, as is the concluding epilogue Hawke also delivers, just the first instance of Ferrara messing with the mind of his audience, which isn’t about to get an easy ride. Zeros and … Read more
Theodora Goes Wild
Almost a commentary on Hollywood’s transition from Pre-Code licence to Post-Code moralising, 1936’s Theodora Goes Wild is a breezy screwball comedy that straddles the decades with its opposition of conservative smalltown standards and liberal big-city values. Irene Dunne is the go-between, playing Theodora Lynn, a compliant daughter of the founding family of the small burgh of Lynnfield, but secretly also Caroline Adams, author of a work of racy fiction currently scandalising her staid puritanical aunts. Life for Theodora/Caroline continues on this twin track – dutiful mouse at home, sophisticated woman of the world on her visits to the city – until smoothie-chops New York book illustrator Michael Grant (Melvyn Douglas) takes a shine … Read more
