Popular Reviews
The Avengers: Series 4, Episode 16 – Small Game for Big Hunters
Two weeks after a coup in the Central African Republic, one day after a forcible change of regime in Nigeria, Small Game for Big Hunters had something of the topical about it – and the tropical – when it first went out in mid January 1966. Prime Minister Harold Macmillan made his Wind of Change speech in 1960 after a monthlong tour of the African colonies. It still had enormous currency two prime ministers down the road when this episode aired. In fact you’ll hear the phrase used at least once, possibly twice. But we’re not in Africa. Instead, TV budgets being what we are, we’re in the Home Counties just outside London, … Read more
Forty Shades of Blue
An oblique drama which appears to be about a retired Memphis music producer and ends up being more about his much younger Russian, possibly cash-up-front, wife. Rip Torn plays Alan, the legend, blustering egomaniac and serial boozer whom everyone appears to idolise, on the surface at least. The remarkable Dina Korzun is Laura, the Russian import whose eyes tells us she’s dealt with far worse than Alan, but even so she wishes he’d treat her with a bit more respect. The film does little more than observe them as they go about their muted life… until Alan’s son, Michael (Darren Burrows) turns up to throw a metaphorical hand grenade into the mix. There’s … Read more
The Avengers: Series 5, Episode 15 – The Joker
The creeping feeling that The Avengers is running out of puff is further reinforced by The Joker, a rewrite of the Cathy Gale-era episode Don’t Look Behind You. Except in this case it’s Emma Peel who is stalked by an admirer with a deadly agenda. It was a very good episode first time round and works its magic this time too. But before Mrs Peel can be sent off for a weekend at the house of bridge-playing Sir Cavalier Rusticana – Steed jokes that it sounds like an opera (hardly surprising since the joke name is modelled on the opera Cavalleria Rusticana) – first we see a mystery hand cutting a picture of … Read more
Oliver Twist
The sort of film that most of us have slept through a few times. No, not the one with “Consider Yourself” and all those other fabulous Lionel Bart songs. Instead, it’s the David Lean version of Dickens’s story of a nice young lad all at sea in bad old London, completely song-free and freighted with baggage – Alec Guinness’s Semitic schnozz for starters, his wheedling manner for another – as thiefmaster Fagin. But beneath Fagin’s hard shell and stereotyped Jewish image (based on the Cruickshank drawings, that’s Lean’s and Guinness’s defence) there beats a heart of gold, while around him operates his gang of reasonably well-cared-for ne’er-do-well pickpockets. It’s Robert Newton’s Bill Sykes who’s … Read more
Neil Young: Heart of Gold
Jonathan Demme’s Talking Heads film, Stop Making Sense, is one of the best concert documentaries ever made. Now he’s done the same favour for Neil Young, who was just recovering from a brain aneurysm when he delivered this two-part country set in Nashville. The title itself is something of a misnomer, or a hard sell (take your pick) since the first part of the concert is Young’s Prairie Wind album in its totality. It’s only in part two that Young gets the back catalogue out, mostly songs from Harvest, After the Gold Rush and Harvest Moon, his slight return to the acoustic-y banjo-y style of Harvest. As with Stop Making Sense Demme starts … Read more
Parallel Mothers
“Transgressive” is a word bandied about a fair bit when it comes to Pedro Almodóvar, but Parellel Mothers (Madres Paralelas) again shows that for him it’s a two-way street. His films are different, unusual, unconventional – yes. And yet in the relationships they portray not that far from the everyday, not that far from what we’re used to, unfrightening. At least since his international breakthrough with 1987’s Women on the Verge of a Nervous Breakdown, it’s been one of his main concerns to show how like the rest of us his exotic hothouse creatures actually are. They love, they laugh, they cry, they’re human. Which is particularly the case with this ripe melodrama … Read more
Duel in the Sun
Martin Scorsese reckons Duel in the Sun was the first film he ever saw and one of the reasons he became a director. It was made in the mid 1940s when David O Selznick was still basking in the glow of Gone with the Wind, in terms of bums on seats the biggest film ever made. The legendary producer was also feeling pretty pleased with himself at having tempted Alfred Hitchcock to Hollywood, Rebecca and Spellbound being the result of that bit of handiwork. Selznick was riding high. The stocky fortysomething was also riding a new starlet, 25-year-old Jennifer Jones. In a case of extreme hubris – those whom the gods wish to … Read more
Borat
A movie for every day of the year – a good one 13 October Sacha Baron Cohen born, 1971 On this day in 1971, Sacha Noam Baron Cohen was born in London, England. While studying history at Christ’s College, Cambridge, Baron Cohen started to appear on stage in productions by the university’s Amateur Dramatic Club, whose past members include the actors Rachel Weisz and Ian McKellen and the director Richard Eyre. After leaving university, Baron Cohen worked as a model and as a presenter on local TV stations, before developing a character called Kristo, a gormless TV reporter (and forerunner of Borat). By 2002 he had developed the Super Greg character, a useless … Read more
Titane
How to approach Titane, Julia Ducournau’s follow-up to her bold debut Raw, without entering spoiler territory? It’s not so much a story as an exercise in shock reveals, of inappropriateness and transgression, delivered in the sort of cine-literate style that gets festival juries salivating. It won the Palme D’Or at Cannes. What can be said is that it starts off soberly enough, with a man driving with his daughter in the back of the car. Alexia is humming loudly, to Dad’s irritation. She makes things worse by kicking the back of his seat. Then she unhooks her seatbelt, causing him to swivel round from the front and… disaster. Alexia winds up in hospital, … Read more
Interrogation
It took real courage to make Interrogation. Known as Przesluchanie in the original Polish, it looked like career suicide for everyone involved in the making of it. Even given the easier political situation in Poland once the Solidarity union had started making headway from 1980 onwards, the film’s message – that the regime was inhumane, Nazi even – was never going to be tolerated by the authorities. And it wasn’t. Banned before it appeared in 1982, it was nevertheless widely seen in Poland, thanks to pirate tapes played on VHS machines, which had only recently been introduced to Poland. When the Iron Curtain fell in 1989 it finally got its official release and … Read more
Zizek!
The media’s love-in with “the wild man of theory”, the Slovenian philosopher Slavoj Zizek, continues with this documentary about the bear/clown himself. Starting with Zizek’s rhetorical question, “What would be my spontaneous attitude towards the Universe”, Astra Taylor’s film continues in a playful vein through a US lecture tour and ends up back in Zizek’s Ljubljana home, where he waxes philosophical from the bedroom, the kitchen, even the bathroom on whatever pops into his wildly fermenting head – Hitchcock, plastic water bottles, the state of toilets in the US. This sort of photogenic posturing explains why Zizek has become the pin-up philosopher of our time – he’s not only the most media-friendly thinker, … Read more
Ennio
Whether you call this long and detailed documentary Ennio: The Glance of Music or Ennio: The Maestro, or just plain old Ennio – all three titles seem to be out there – one thing remains constant. It’s a love letter to one of the most famous film composers who ever lived. It’s directed by Giussepe Tornatore, a master of the billet doux – see Cinema Paradiso – and he brings a picturesque film-maker’s eye to bear on his subject. There’s lovely lighting, a breezy narrative structure and rhythmic editing, and Tornatore carefully montages together the standard-issue clips and reminiscence elements to lift this documentary onto another level. It’s a labour of love. It’s … Read more
