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There aren’t many films called El Cochecito. That’s the Spanish title. In English it goes by the title The Wheelchair. There aren’t many films with that title either. A wheelchair is not aspirational, it’s not something people covet. (As for The Little Coach, which the film sometimes flies by, no one even knows what that … Read more
Not much happens in The Girl and the Spider (Das Mädchen und die Spinne) but that doesn’t mean nothing’s going on. Superficially the story of one young woman moving out of the apartment she’s been sharing with another, beneath the surface it’s a roiling stew of emotion, lust, jealousy, neediness and isolation. There’s are Bergmanesque … Read more
Robert Sigl was about 25 when he started making Laurin (aka Laurin: A Journey into Death), his remarkably atmospheric feature debut. It did well at the festivals when it came out in 1989, and Sigl picked up a rake of awards. More personal movies should have followed. But since the distinctive 1994 TV mini-series Stella … Read more
Leigh Whannell started as an actor, became a writer – of the horror franchise Saw and its sequels most notably – became a producer, then eventually a director. Upgrade is his second film behind the camera, having familiarised himself with the controls on Insidious: Chapter 3. Here he wears all the hats apart from the … Read more
Cecil B DeMille’s The Ten Commandments, so good he made it twice. This is the original 1923 version, which came about after DeMille held a public competition asking for suggestions as to what he should make next, maximum shock and awe being the big idea. The winning entry started with the line “You cannot break … Read more
Men are mostly lurking presences rather than characters in Looking for Venera, Norika Sefa’s film which she says is about showing the world that life in Kosovo isn’t all about poverty and exotica. Sitting in London, it looks pretty poor and exotic to me. Sefa opens with a shot of a teenage female having pounding … Read more
The last man standing at the surrealists’ party, Czech animator Jan Svanmajer is as good as his tag in 2005’s Lunacy (aka Sílení), a blend of live action and trademark stop-motion, using two Edgar Allan Poe stories and the life of the Marquis de Sade as inspiration. Svankmajer himself pops up just before the story … Read more
An admission. Medusa: Queen of the Serpents isn’t the film I was after. I was aiming towards plain old Medusa, Anita Rocha da Silveira’s follow-up to Mate-Me Por Favor (Kill Me Please). Both films came out about the same time and when you type Medusa into Amazon, the covers of both films come up. Both … Read more
It’s only towards the end of The Executioner (El Verdugo) that it becomes really obvious what writer/director Luis García Berlanga is up to. Released in 1963 during the Franco era in Spain, when to criticise the regime was to court disaster, it looks to all intents and purposes like a light comedy, maybe like Italian … Read more
Sam and Mira are a Palestinian couple back in the village where he grew up. They’re at the wedding of his brother, a big, rowdy affair, with the extended family out in force, music, dancing, kids running around, it’s a lot of fun. It’s being held in his father’s half-built house and as Sami wanders … Read more
Scan the most recent (2022) of Sight and Sound magazine’s polls of the greatest films of all time (critics are polled every ten years) and you’ll see films you know intimately (Singin’ in the Rain or Vertigo, maybe), films you might have seen once or twice (The Searchers, Playtime) and films by directors you’ve heard … Read more
“Find out who you are and then do it on purpose.” Seriously Red starts out with this pithy aphorism from Dolly Parton then dives into the story of Raylene “Red” Delaney, an Australian property valuer who really really wants to be the Tennessee country star herself. Red is a lovely woman but a terrible valuer, … Read more
