Popular Reviews
The Many Saints of Newark
The pre-publicity for The Many Saints of Newark made much – all, actually – of the fact that this was the origin story of Tony Soprano, fictional mob boss and kingpin of the TV show The Sopranos. Take a quick look at the IMDb page and there, at the very top, the blurb says – “Witness the making of Tony Soprano.” The casting of Michael Gandolfini, son of James (who played Tony Soprano in the TV series), reinforced the idea – here’s how Tony Soprano became Tony Soprano. But. But. But. Whatever The Many Saints of Newark is, what it certainly isn’t is a film about Tony Soprano. He’s at best peripheral to … Read more
Good on Paper
With Good on Paper, a film about a comedian, written by and starring a comedian who’s done a handful of specials for Netflix, Iliza Shlesinger appears to be walking in Amy Schumer’s shoes. She’s about the same age, blonde, Jewish and deploys a scalpel wit in comedy that veers between self-deprecation and attack. The “yeh, what of it?” style. She’s also likeable, which isn’t the main difference between successful and unsuccessful comedians – that’s good material – but it helps. Like a lot of comedians moving into new territory, Shlesinger goes down the Jerry Seinfeld route, of a fictional story with cutaways to Shlesinger doing her stand-up routine, which acts as a commentary on … Read more
The Cynic, the Rat and the Fist
A good place to start if you’ve never seen one of the “poliziotteschi” films popular in Italy in the 1970s, The Cynic, the Rat and the Fist (Il Cinico, l’Infame, il Violento) is one of a series of movies actor Maurizio Merli made with director Umberto Lenzi, both leading lights of the genre that took over when spaghetti westerns lost their box-office allure. The action is set during the so-called “years of lead” of political turmoil in taly and centres on Inspector Leonardo Tanzi (Merli), a decent cop who handed in his badge in the previous outing for Merli and Lenzi, The Tough Ones. But his life as an everyday freelance sword of … Read more
Hollywoodland
Looking on paper like something better than it actually turns out, Hollywoodland is one of those films purporting to lift the lid on Hollywood, LA Confidential style. It tells the lightly fictionalised story of George Reeves (Ben Affleck) the man who played Superman on 1950s US TV, and asks the simple question – who done him in? The answer is, at least partly, he did it to himself, this being a tale of an actor who’d appeared in Gone with the Wind and yet by the mid-50s was in a TV serial aimed at kids. The ignominy. If you need a lesson in counting your blessings rather than dwelling on what might have … Read more
The Avengers: Series 4, Episode 9 – The Hour That Never Was
Mrs Peel comes of age in The Hour That Never Was, the ninth episode of series 4 and a typical classic-era Avengers based on unlikely goings-on in locales almost devoid of people. “Comes of age” because in this episode she is clearly smarter than Steed, being the first one to notice that time appears to have stood still – it was 11am when they crashed while pootling down a country road towards a reunion at Steed’s old air base, and it’s still 11am some time later as they wander around the base, which is now seemingly suddenly deserted. She’s also dressed in a style that’s hipper than usual – low-slung trousers, big fat … Read more
Little Fish
Not to be confused with the 2005 movie of the same name starring Cate Blanchett, Little Fish puts a twist on one of the those big films about two people in love told against a torrid backdrop of war
Fidelity
Fidelity (La Fidélité in the original French) is the story of a beautiful young photographer who falls madly for a decent guy, a publisher of children’s books, marries him, then falls madly for another guy, a street-punk photographer. It might also be, in code, the story of its star and her relationship with its writer/director Andrzej Zulawski. Sophie Marceau plays the sequentially amorous Clélia, a strong woman in control of her own life who turns the head of every man she encounters. At the time Fidelity was made, Marceau was in a long-term relationship with Zulawski. They had a son together. Shortly after finishing this film, the two of them split up and … Read more
Gran Torino
Old grizzled Clint Eastwood plays Shirty Harry in a film about redemption, ageing, learning to live with others, sacrifice but most of all about the myth of Clint himself. The skimpy plot concerns a grumpy Korean war veteran whose neighbourhood has gone to the dogs, evidence of which he sees in his immigrant neighbours, who are Hmong people. A view reinforced when the young son tries to steal his 1972 Gran Torino and underlined later on when he sets about “teaching the youngster a lesson”, which of course teaches him a few things he didn’t know. Like Unforgiven the tensions comes from the question “when is Clint going to strap the guns back … Read more
The Nature of Love
A cliche sits at the centre of The Nature of Love, caught by its original French title, Simple Comme Sylvain (which translates as Simple Like Sylvain). Namely, that what a nice middle class woman with a white-collar job really wants is a no-nonsense big-handed guy who knows his way around a toolbox and a woman’s body. After putting up the shelves he’ll take her roughly from behind, or from any other direction he fancies. Writer/director Monia Chokri introduces us to nice middle-class Sophia (Magalie Lépine Blondeau) at a dinner party, where she and her partner Xavier (Francis-William Rhéaume) are having a lovely evening with old friends, chatting about things in a conceptual, liberal … Read more
The Gigolos
The first feature by TV director Richard Bracewell lifts the stone on male gigolos in Money London, avoiding cliché to deliver a jagged yet humorous portrait of male/male rather than male/female relations. In seemingly aimless, freeform style we follow Sacha and Trevor, as they drop into one pre-arranged hook-up after another. Sacha is the gigolo, Trevor his aide. The cast is interesting and for two different reasons. For starters we have Sacha and Trevor, who are played by Sacha Tarter and Trevor Sather, the guys who wrote the film along with Bracewell, though much if not all of their dialogue is improvised. Next to these relative unknowns are their female clients, played by … Read more
The Green Knight
Sailing into the gap opened up by Lord of the Rings and Game of Thrones, The Green Knight is the latest addition to the crowded medieval/supernatural genre and writer/director David Lowery’s latest experiment in giving a hot genre a cool treatment. It’s Dev Patel as Gawain (emphasis on the first syllable, not the second), the would-be knight who steps forward after pagan spirit creature the Green Knight gatecrashes Christmas festivities and demands that one of the assembled satisfy his challenge – take a free pop at me, but I require that in one year from today I do back to you whatever you are about to do to me. Gawain gives this film … Read more
The Avengers: Series 2, Episode 13 – Death Dispatch
John Steed and Cathy Gale’s party trick, a duet working variations on the theme of the invincibility of the British upper class, really comes into its own in Death Dispatch, the 13th broadcast episode of series two. We’re off in the sort of colonial landscape described by Graham Greene – of swarthy thugs, Freudian dictators and minor functionaries of the Empire, a place where life is cheap and death is pitiless, as we see in the opening shots of this story where a low-level envoy newly in from Washington is quickly despatched in his hotel room in Jamaica. Cut to Steed, ogling women from his Caribbean sun lounger and meeting his control, One-Ten … Read more
