Popular Reviews
House of Hummingbird
Why is House of Hummingbird called House of Hummingbird? I’ve got no idea, and watching this South Korean coming-of-ager hasn’t enlightened me. Can anyone help? Answers below if you can. Maybe I missed something. Odd in a way, because the film itself is as clear as day and is told in a bright, clear manner, by actors with open, honest faces, particularly Park Ji-Hu, who plays schoolgirl Eun-hee. This is her story. She’s an average kind of schoolgirl with an interest in comics and drawing. Life at home is a bit tense. Her brother bullies her a bit, her older sister is skipping out at night to see her boyfriend, mum and dad … Read more
The Avengers: Series 5, Episode 19 – The £50,000 Breakfast
The £50,000 Breakfast is a Cathy Gale-era episode (Death of a Great Dane) originally written by Roger Marshall and then reworked here by Brian Clemens into an Emma Peel-era one. And though it’s tempting to do a compare and contrast – as if to definitively nail the differences between the two eras – that can’t quite be done because Death of a Great Dane really marked the beginning of classic-era Avengers with its mad plots, people with odd names, extras thin (ish) on the ground and a general air of unreality all-pervading. The same opener launches both – a man dies (here it’s a ventriloquist) and his stomach is found to contain a … Read more
Prayers for the Stolen
Writer/director Tatiana Huezo drops us straight in to Prayers for the Stolen (Noche de Fuego). As a dark screen accompanied by rapid breathing yields to a daytime scene of two females digging what looks like a shallow grave, the internal interrogation starts – Who are these people? Where are they? Is it a grave? Why do they both look so frantic? No voiceover tells us, no “useful idiot” arrives on the scene to act as a conduit from screen to viewer. Huezo forces us to work it out. She’s a director with a background in documentary-making and this adaptation of Jennifer Clement’s best-seller uses a classic technique of the observational style. What makes … Read more
Dune
“Dreams are messages from the deep,” it says right up at the front of Denis Villeneuve’s 2021 adaptation of Dune, possibly a nod to David Lynch, whose hazy 1984 version crashed and burned in spectacular, almost sci-fi fashion. Other nods – the design of the stillsuits and the sandworms for instance – also hark back to Lynch, a magnanimous gesture on the part of Villeneuve who, after Arrival and Bladerunner 2049, has nothing to prove in the realm of sci-fi. Lynch was being pulled in two directions when he was making his version of Frank Herbert’s novel. He wanted to make a David Lynch film, all dreamy and out there. But there was … Read more
Italian Studies
The (mis)adventures of a writer who suddenly loses her memory in New York City, Italian Studies boldly tries something original with the old “movie amnesiac” formula and swerves the usual mechanics: loss and recovery. Instead, writer/director Adam Leon sets out to explore what it actually feels like to suddenly have no idea of who or what you are. Vanessa Kirby plays the amnesiac author in search of character, a Brit in New York who wanders into a hardware store to buy something, having first tied her dog up outside. Nothing obvious happens while she’s in there, but on leaving, this pretty blonde walks away from the store, leaving the dog behind. She has … Read more
Bloody Nose, Empty Pockets
A day in the life of a Las Vegas bar, Bloody Nose, Empty Pockets is also a portrait of the lifestyle of the professional barfly. It’s actually the last day in the life of this bar, because the Roaring 20s is about to shut up shop for good. So there’s perhaps more of a celebratory air than usual as beers are downed and shots upended in farewell. Michael is the first and last figure we see – weaving his way shakily across a road and towards the bar as it opens up in the morning. He downs a hair of the dog, has a shave and freshen-up in the toilets and then instals … Read more
City Lights
Charlie Chaplin started making his film City Lights in one era and released it in another. In the three years the picture was in production, an epochal shift occurred as Hollywood abandoned the silent movie and went wholesale over to talkies. When Chaplin started shooting what was intended to be his biggest picture to date in 1928 he was the king of the hill – and of the world, its biggest ever star before or since – in a world of silent movies. By the time he finished, Keaton and Laurel and Hardy and Harold Lloyd were all talking and the world was going crazy for the likes of Fredric March snarling his way … Read more
Brother 2
The gang’s all back together for the sequel to Brother – Brother 2, unsurprisingly. That includes the writer/director Aleksey Balabanov, star Sergey Bodrov, key members of the support cast, notably Viktor Sukhorukov as the titular brother, plus cinematographer Sergey Astakhov, editor Marina Lipartiya, composer Vyacheslav Butusov and even the chunky knit sweater that Bodrov wore through most of the first film. Amusingly, Balabanov starts off his sequel with a direct callback to the first film – a scene in which Bodrov’s Danila, an ex-soldier and hitman of the cool, unassuming sort, wanders on to a film set, just as he did first time out. This time, though, Danila is in Moscow rather than … Read more
Palm Springs
So great is the Groundhog Day idea that Palm Springs can squeeze a whole other film out of it… and there’s enough conceptual space for it to be great too. Writer Andy Siara knows he can’t get away with a straight retread and so tweaks the Groundhog Day idea a bit. When we first meet Palm Springs’s Bill Murray – Brooklyn Nine Nine and Saturday Night Live guy Andy Samberg – he’s already inside his own endless time loop. Siara takes things one stage further by imagining that Andie MacDowell and Chris Elliott (the GD camera guy) also somehow made it into the loop too, with all the possible extra complications that would have. … Read more
A Perfect Enemy
Keeping its cards close to its chest, almost until it’s too late, A Perfect Enemy is one of those low-budget Euro-thriller co-productions that also (eventually) makes some sense of its transborder elements, particularly its cast. There are only really two people, in a “starring” sense, in any case. The Polish actor Tomasz Kot you might know from Pawel Pawlikowski’s Cold War. He plays Jeremiasz Angust, a onetime high-flier architect who’s cashed in the status jobs and become even more of a somebody by taking on work that’s strictly humanitarian – hospitals in Rwanda, and the like, he tells the audience at the Ted-style talk he’s giving as the film opens. And Athena Strates, … Read more
First Cow
Kelly Reichardt’s films often operate at two levels. At the surface one story plays out, while somewhere to one side, and often as a comment on the first story, something different is going on. First Cow could really be called First Love, since it’s the story of two men who meet in difficult circumstances and then form a bond that lasts until death. What it looks like, though, especially at first, is a western, a story of a cook who’s travelling with hard-bitten fur trappers. They’re all out in the forest and there isn’t enough food. And even if there was, the trappers don’t seem to like what the cook’s been serving. There’s … Read more
American Utopia
David Byrne’s American Utopia show, essentially a greatest hits package plus plus, was getting towards the end of its run in 2019 when Spike Lee arrived to film it. Part of Byrne’s wider Reasons to Be Cheerful project aimed at spreading good vibes, it had become, like Bruce Springsteen’s Broadway shows in 2017, a must-see event by that point. Both Byrne and Lee are New Yorkers and there’s a definite Big Apple sensibility to this show – smart, dry, liberal, culturally catholic. Another way to see it is as Stop Making Sense Part II. That, if you remember, was Jonathan Demme’s great 1984 concert movie of Talking Heads in their pomp, and kicked … Read more
