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John and the Hole is a story written by Nicolás Giacobone, so there’s a weird element along with the everyday. He also wrote Birdman, which interspersed familiar scenes of an actor in crisis preparing for a show with moments where he’d be transformed into the superhero he’d played years before. In Biutiful, the 2010 movie … Read more
If you love beige and taupe, can’t get enough fawn, dun and khaki, you’ll have an extra affection for Tobruk, the 2008 Czech movie written and directed by Václav Marhoul. It’s his second, after the Philip Marlowe-spoofing Smart Philip (Mazany Filip) of 2003, and has little in common with the 1967 film of the same … Read more
An alien from the fifth dimension lands in Hollywood (with a camera, handily) and takes a fact-finding tour with a skanky seller of psychedelic mushrooms. Mondo Hollywoodland is the result, a weird survey of the territory that makes half-hearted claims towards being a documentary. Bizarre points to note before the tour gets underway: it’s exec-produced … Read more
Director Dan Mazer edges further into the mainstream with The Exchange, an update on all those Michael Cera/Jon Heder-flavoured films from about 15/20 years ago – the geek shall inherit the earth. Tim (Ed Oxenbould) is the Canadian nerd and self-styled teen intellectual with a love of films with subtitles, existentialist novels by Camus etc, … Read more
The Suicide Squad, not to be confused with Suicide Squad from five years ago, fixes the mistake made by the 2016 movie, which got bogged down in plot. The Suicide Squad does that by not really having one. Or if it does it treats it as something to be vaguely referred to now and again, … Read more
In The Velvet Touch, a Broadway star accidentally kills the impresario who made her a star after arguing with him about whether she should abandon frothy comedy (and him) and pursue a noble career in serious theatre. That’s the opening scene dealt with. The rest of the film concerns itself with the actress’s fate. Will … Read more
The Collini Case is a courtroom drama adapted from a book written by Ferdinand von Schirach, a laywer-turned-novelist in the John Grisham mould, though being German and having been born in 1964, von Schirach has a different set of concerns. He would have been about 13 when the murder of industrialist and former Nazi SS … Read more
Welcome to sex. The Boy behind the Door is the sort of film that a Freudian shrink could go to town on, being all about two boys cusping puberty who are abducted and taken to a remote property where they have to fight for their lives to get free. “Friends to the end,” Bobby (Lonnie … Read more
The 1948 thriller Sleep, My Love has a Chandler-esque title reminiscent of Farewell, My Lovely, and opens in strong Freudian style with a train in the night screaming towards the camera. It’s a solid piece of work directed by Douglas Sirk with style and pace but he can’t do much with Leo Rosten’s too-familiar story. … Read more
Surge is one of those films that make a nonsense of star ratings. It’s undeniably brilliantly conceived, played and made but whether you actually want to watch it is another matter. Compelling and entertaining are not the same thing. The IMDb charmingly calls it a “thriller about a man who goes on a bold and … Read more
The 1947 noirish thriller Lured stars Lucille Ball and is directed by Douglas Sirk, neither of them names you’d associate with this sort of thing. Ball was a comic actor, Sirk is now chiefly remembered for big, overheated and florid dramas like All That Heaven Allows, but both show their breadth of talent in this … Read more
There’s an extended version and a moviehouse version of The Hitman’s Wife’s Bodyguard. I watched the longer one, which seemed padded by about 15 minutes, which is exactly the amount of time that the extended version has been extended by. So if you’re after a more concentrated hit of action comedy – or don’t have … Read more
