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Sci-fi costs money. All those sets, all that tech. But there’s an honourable tradition of good lo-fi sci-fi that Lapsis fits into neatly. Films like The Signal, Attack the Block, Timecrimes and Monsters are only low budget in movie terms. Others (Skeletons, Thale) somehow get made for the sort of money most people could lose … Read more
In January 2011 the US Gypsum plant in Empire, Nevada, shut down. By July of the same year the town’s zip code had been discontinued. Nomadland makes personal a phenomenon that’s been going on for decades but has accelerated since the big crash of 2008. Of displaced older blue-collar workers who lose their homes and … Read more
Remember when Disney princesses just lay about in glass cases waiting to be kissed? Raya and the Last Dragon gives us the latest iteration of the new style of Disney female, joining Mulan, Merida (from Brave) and Moana in a kick-butty world of smarts where any obvious interest in looking glasses or clothes is deeply … Read more
The Intruder examines, in the sort of lurid, semi-deranged way you’d expect from a horror movie, something that’s actually rather subtle. How a house becomes a home. How any prospective buyer, looking around someone else’s home with a view to purchasing it, is an intruder. And how the seller, once the deal is complete, still … Read more
A few years ago Jeremy Gardner wrote, directed and co-starred in The Battery, a criminally underrated zombie movie that just had two guys in it… and a horde of zombies. It examined a relationship that had gone on too long – two guys who’d played together in a baseball team and who were then thrown into … Read more
The Japanese writer/director Kiyoshi Kurosawa (no relation to Akira) first made his name with horror movies, but even though he’s moved away from the genre at a superficial level, there’s often something dark lurking beneath what often looks like a bright and clean surface. Exhibit A: To the Ends of the Earth. It looks like … Read more
Rudolph Valentino had two big films in 1921. The Four Horsemen of the Apocalypse, by far the biggest grossing film of the year, was the one that made him a star. But The Sheikh was even more important. It made Valentino so famous that we still talk of him today, long after the auras of … Read more
Part history lesson, part undercover thriller, Judas and the Black Messiah takes it as read that the audience knows the bare-bones facts about the Black Panther movement. And just in case they don’t, there are three powerful performers in key roles to help bounce over the gaps. These are the shapeshifting Daniel Kaluuya as Black … Read more
The Dig re-imagines the events around a discovery so fabulous it needs no re-imagining – the excavation of the Sutton Hoo hoard. First unearthed in the 1930s, and originally thought to be Viking, the hoard turned out to be much older, Anglo Saxon, and eventually yielded up remarkable treasures made of gold, plus examples of everyday … Read more
Gerard Butler is a fine actor capable of great nuance, a line usually guaranteed to get a laugh. No, but he is. It’s just that he’s chosen the action-guy route in films like the (Olympus, London, Angel) Has Fallen series rather than the sensitive thespian path he could have taken after 2004’s Frankie (plenty of … Read more
So great is the Groundhog Day idea that Palm Springs can squeeze a whole other film out of it… and there’s enough conceptual space for it to be great too. Writer Andy Siara knows he can’t get away with a straight retread and so tweaks the Groundhog Day idea a bit. When we first meet Palm … Read more
