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Steed throttles a clown

Tight direction is the saving of Conspiracy of Silence, episode 23 of the second series of The Avengers, a mix of the confusing and the humdrum. Why, for example, is Steed being targeted by a killer while he’s out walking his dog? The imdb brief description tells us it’s because he interrupted a drug-trafficking op … Read more

Venus photographs a dead man

At this stage in the game – we’re at episode 22 now – we more or less expect someone to be dead before the opening credits have rolled. But Man in the Mirror rings the changes a touch – there’s a dead body in the opening shot. The plot is slight and utterly fanciful and … Read more

Mrs Gale reads a children's science book

A top astronomer dies before the opening credits in The White Dwarf, the 21st episode broadcast in series 2 of The Avengers. Turns out that a large astral body might be heading towards Earth and we’re all toast if it does in fact arrive. And Professor Richter was the only man who knew absolutely for … Read more

Florence and a dead deer
Cold November

MovieSteve rating:

The family that slays together stays together is the surprisingly sweet message of this undoubtedly controversial film about a family’s hunting trip in the Minnesota woods. A rites-of-passage tale seen through the eyes of Florence (the rather talented Bijou Abas), a 12-year-old on holiday with her mother and grandmother, aunt and uncle, it works hard … Read more

Venus Smith and John Steed

Mrs Gale takes a rest and Venus Smith gets another outing in an episode set at an elite Oxbridge-style university and kicking off with a death (again) before the credits (again). Steed is sent in to find out what happened to the man he was meant to have been keeping an eye on, after a … Read more

Steed, Gale and Dr Ashe

Because The Avengers were not broadcast in production order*, you do get the odd anomaly. Fore example, the getting-to-know-you dialogue between Steed and Mrs Gale in Warlock, the 18th (broadcast order) episode of series 2, makes more sense when you know it was designed as the Series 2 opener, introducing Steed’s new sidekick. There’s another … Read more

Peter Arne as Cosmo Gallion

Woo hoo, the suggestion of nudity and all sorts of pagan goings-on are all over the screen in the opening sequence of Warlock, as groovy hipsters gyrate themselves into a frenzy around a photo of… a middle aged man. All is soon explained as we join John Steed, arriving at the home of scientist Peter … Read more

Smith and Steed examine a box

A thin, confusingly plotted and frankly rather dull episode is only emphasised by the terrible picture and sound quality (on the old box set I’m watching this series on, anyway). And it’s a Venus Smith episode, which means a song from the chanteuse, but not until after the opening credits. Before they roll, we watch … Read more

Steed is briefed by One-Ten in a steam room

By a gigantic stroke of luck, it seems, while Mrs Gale is being given a guided tour of a ceramics atelier, she stumbles across a dead body in the room where the raw clay is kept. Doubly handily, it seems that the company is engaged on cutting edge research to produce an indestructible tile to … Read more

Mrs Gale and the Intercrime gang

Twelve high level robberies in the last few weeks “and not one of them the work of an Englishman,” Steed says in the opening minutes of Intercrime, both the title of this episode and the name of a criminal outfit, a dark flipside of Interpol organising nefarious goings-on “all over Europe”. This case for Steed … Read more

Dr King and John Steed

The Avengers might just as easily have been called The Amateurs, since that was the original premise of the show – a bunch of freelance helpmeets called in to assist gangmaster John Steed in the solving of various cases too tricky to be handled by the usual agencies. No, it makes no real sense, but in … Read more

Steed and One-Ten

John Steed and Cathy Gale’s party trick, a duet working variations on the theme of the invincibility of the British upper class, really comes into its own in Death Dispatch, the 13th broadcast episode of series two. We’re off in the sort of colonial landscape described by Graham Greene – of swarthy thugs, Freudian dictators … Read more

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