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Have you ever wanted to see a man being fed into a log-splitting machine? Yes? Then In a Violent Nature is for you. No? There’s still something for you, if you enjoy (wrong word) well crafted films with an innovative approach to sound and a sharp eye for a visual. Imagine The Texas Chain Saw … Read more
A film about truckers that doesn’t quite deliver – bum tish – They Drive by Night is also very much a story heading off up one road only to take a sharp turn onto another. George Raft (top billed) and Humphrey Bogart (fourth billed) play Joe and Paul Fabrini, brothers who drive as a team … Read more
Red Rooms (Les Chambres Rouges) started life as a drama about the sort of women who befriend or become romantically attached to men accused of terrible, heinous crimes, but ended up being about something else entirely. That initial idea is still in there, though, in the character of Clementine, a short, nervous young woman who … Read more
“Completely preposterous,” is how the Chicago Tribune described Dark Passage in its 1947 review. No argument here. But did Delmer Daves, who wrote the screenplay and directed this bizarre noir, simply make a bad film, or was he saying something about the latent absurdities of the genre, in particular the way fate operates in it? … Read more
There’s nothing wrong with Ghostbusters: Afterlife at all, apart from its strange reluctance to reference Ghostbusters, the 2016 reboot directed by Paul Feig. The one that exercised a lot of bedwetters with its “controversial” cast with a lot of women in it. It wasn’t very good, but not because it starred Kristen Wiig, Melissa McCarthy, … Read more
1940’s The Ghost Breakers is one of the most successful comedy-horror movies ever made. Critically and at the box office it did well and it’s still regularly on the all-time-best shortlists when they’re being drawn up. It’s a haunted house/ghost/zombie movie with some random bad humans in the mix and stars Paulette Goddard as Mary … Read more
Neo noir of a particularly minimal sort, Lake George gets better the longer it’s up there on the screen, and by the time it’s hitting its closing scenes it’s almost in a zen state. It’s largely a two-hander centred on two actors who are generally more support players than leads. Shea Whigham, brilliant in any … Read more
Party Girl reminds us that director Nicholas Ray wasn’t just a master of noir. Alongside the stark monochrome of great dramas like In a Lonely Place and They Live by Night, there’s this insanely lush, ridiculously colourful offering, often bracketed with Ray’s other colour movies of the era – Johnny Guitar or Rebel without a … Read more
I saw Vicky Knight being interviewed around the time Silver Haze came out in 2023. She is its star, as she was in Sacha Polak’s previous film, Dirty God, and is once again hellishly good as a woman in search of a better life being tripped up by her circumstances. The jaw-to-the-floor moment of the … Read more
In 1947’s swift noirish crime drama Crossfire a bunch of Army guys in the process of being demobbed meet a guy in a bar. By the end of the evening the guy is dead. But who did it and why? Director Edward Dmytryk opens with the death happening in shadowplay against a wall, as the … Read more
How to describe Abigail without ruining it? It starts out looking very much like a heist thriller, except it’s not money the gang in question is trying to lift, but a young girl called Abigail, the daughter of a very rich man, we later learn, who is expected to pay out $50 million to get … Read more
A prequel of sorts to Cat People, 1943’s The Seventh Victim is also something of a warm up for Rosemary’s Baby – Satanists in New York! – as well as the debut of Kim Hunter, who plays the little girl lost in the big city. It’s a bit of a mad film and doesn’t quite … Read more
