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Jamie with baseball bat
Totally Killer

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As a capsule description Totally Killer sounds totally familiar. A nice white-picket American town in 1987. Three 16-year-old females murdered, stabbed 16 times by the same masked mystery assailant. The murderer never caught. Now, 35 years later, on Halloween, it’s happening again. A Nightmare on Elm Street? Friday the 13th? Most obviously Halloween – the … Read more

John Mills in bed and Michael Caine standing over him
The Wrong Box

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Lovely wallpaper. It’s not the highest praise you could give to a film, but The Wrong Box is one of those British films of the 1960s that’s so fundamentally terrible that you are left scrabbling to find something good to say about it. It’s a bad picture but isn’t the frame lovely? It’s one of … Read more

Agathe and Tomas dance
Passages

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Writer/director Ira Sachs’s fascination with asymmetric power relations and love of French film-maker Éric Rohmer come together in Passages, a very French, oblique and bohemian tale full of characters who have space to breathe and yet somehow manage to box themselves in. People stuck in passages. It’s a frustrating film full of great scenes, connected … Read more

Tolik and Chizhov
Ku! Kin-dza-dza

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Let’s hear it for animated sci-fi comedy from the Russia. Anyone? Ku! Kin-dza-dza is a strange film whichever way you slice it, starting with its title, and the fact that it’s a remake of a live-action movie from 1986, also made by Georgiy Daneliya (here directing alongside Tatyana Ilina), who decided in 2013 that he … Read more

Eric, Maggie and Rachel
The Adults

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The Adults will resonate with anyone who’s ever left home – to go to college, take a job, whatever – flown the parental nest, and then started returning periodically on visits that are more duty than pleasure. Eric, played by Michael Cera at a level of diffidence that’s very Michael Cera, is the guy back … Read more

Mr Gondo with the ransom money, a cop looks on in the background
High and Low

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Akira Kurosawa’s High and Low – one of a run of successful movies from him in the late 1950s and early 1960s – is something of a surprise. It sets off in one direction, with a moral dilemma, only to wind up in a different place entirely, as a police procedural the likes of which you … Read more

Jeremy Thomas and Mark Cousins en route to Cannes
The Storms of Jeremy Thomas

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The Storms of Jeremy Thomas is a documentary for people who enjoy the sort of films that Jeremy Thomas gets involved with. The likes of The Sheltering Sky, Sexy Beast, Crash, High-Rise, 13 Assassins or The Dreamers. Smart, good-looking, slightly offbeat stuff, not arthouse exactly – his films are too starry for that. But not … Read more

Antonio Banderas and Rebecca Romijn-Stamos face to face in a publicity shot
Femme Fatale

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Brian De Palma’s films are a treat for people who watch a lot of movies, and Femme Fatale is no exception. Starting with an excerpt from Double Indemnity – the bit where Barbara Stanwyck is telling Fred MacMurray that she’s “rotten to the heart” – it then replays a similar scenario, with a tweak, in the modern … Read more

Veronica on a bed
Lust Life Love

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Not to be confused with a 2010 film by feminist pornographer Erika Lust with a very similar title, 2021’s Lust Life Love (NOT, I repeat NOT, Life Love Lust) has its own hold on raunch, being a grungey tale of a polyamorous New York woman whose hitherto free-and-easy glide through various sexual relationships in the … Read more

Opening credits written on the school building
Because That Road Is Trodden

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Because That Road Is Trodden is included as a bonus item on the BFI’s release of Here We Go Round the Mulberry Bush. It’s a strange extra, not thematically linked, no personnel in common. Both were shot in the UK towards the end of the 1960s, this at Bryanston School, a fee-paying private school in … Read more

The sloth hides among the toys
Slotherhouse

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“It all started,” Slotherhouse co-writer Brad Fowler said in an interview, “when a little old man in Florida asked, ‘What is the dumbest idea you can come up with?’ ” After about five minutes of “joking around”, Slotherhouse had emerged – a concept and a title in one fell swoop. Sloths. The least predatory creature … Read more

Helmut Berger as Ludwig
Ludwig

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As mad and excessive as the king it portrays, Luchino Visconti’s Ludwig – about the “mad” King Ludwig II (1845-1886) of Bavaria – is a vast, sprawling and sumptuous catalogue of the excesses of a monarch clearly off his chump. It got hammered by the US critics when it opened there in 1973 – the … Read more

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