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The guy who wrote Taxi Driver is at it again. Master Gardener, as so often with Paul Schrader, is a film about humans in need of redemption, a worthless humanity rather than a wicked world. Schrader, it comes as no surprise to learn, was raised in the Calvinist Christian Reformed Church. Joel Edgerton’s Narvel Roth … Read more
French neo-noir at its most stylish, Mauvais Sang (confusingly it also goes by the titles The Night Is Young and the more literally translated Bad Blood) was Leos Carax’s second feature, the enfant terrible of French cinema still only a youthful 26 in 1986 when the film was made. The majority of his cast are … Read more
Films that watch poor people having a bad time aren’t everyone’s idea of fun and while A Thousand and One walks a familiar path, it does so with a keen knowledge that misery is a turn-off, and even throws in some firecracker performances to help sweeten the pill. Chief among those is Teyana Taylor, in … Read more
Arsène Lupin, Fantomas and James Bond all come together in Danger: Diabolik, the first screen appearance of the Italian masked master criminal. A flop on its initial release in 1968, it’s now regarded as something of a cult classic. The reasons for that are hard to ignore. This is prime mid-1960s kitsch, a psychedelic, phantasmagoric, … Read more
The Blackening is an amiable throwback to who-dies-next? horror movies of yore, with a take on race trying to ignore the fact we live in the post-Get Out era. There is what you would expect from a cabin-in-the-woods horror, including a pre-credits death or two, followed by the traditional re-establishing shot of a new batch … Read more
A froth of noir, romance and melodrama aerated using Rita Hayworth as a whisk, Gilda exploits the star’s status as the number-one pinup girl for American troops fighting overseas during the Second World War. It’s the Rita Hayworth movie, not just in the eyes of posterity but according to its own estimation of itself. “Starring … Read more
Three stories fight for space in Devotion. Most obviously the Korean War, which turns up so infrequently it’s almost as if film-makers have taken a vow of silence on the subject (Robert Altman’s Mash, while set in the Korean War, was really about Vietnam – and it was 50 years ago). Second up, the trials … Read more
The older it gets, the better 1946’s The Big Sleep looks. When it was new, Howard Hawks’s adaptation of Raymond Chandler’s famously unfathomable story was rooted in reality – the clothes, the cars, the language, the streets of LA. Since then, as it’s become detached from the everyday, it has risen unimpeded into the mythic. The … Read more
What makes a person commit suicide – is it bad genes, bad luck or a bad attitude? Peppermint Candy doesn’t answer the question but it has a good hard look at it. One man, an extreme case when we meet him, angry, disoriented, drugged-up maybe, crashing a 20-year school reunion in the town where he … Read more
Tragedy destroys but maybe it can also heal. Paris Memories kicks off with a terrible terrorist attack in a Paris restaurant. A man, school-shooting style, wandering through the place and putting a bullet into everything that moves. It’s a grim and powerful opener directed with an eye for maximum shock by Alice Winocour, whose films … Read more
Here’s Kiss Me Deadly, the American film that gave birth to the French New Wave, or so said both Jean-Luc Godard and François Truffaut, so that’s a claim made with some authority. It starts with a terrified woman flagging down a car containing private eye Mike Hammer and ends with another woman who opens a … Read more
Films about falling in love have been done so often that the way the characters in them declare their love has become incredibly important. How does “I love you. You complete me” compare to “Do I love you? My God, if your love were a grain of sand, mine would be a universe of beaches…” … Read more
