Latest Posts
The History Boys
Mr Chips meets Dead Poets Society in Nicholas Hytner’s adaptation of Alan Bennett’s play, and depending on how you approach it, it’s either a fairly satisfying or a slightly disappointing event. Personally, I was disappointed, but then maybe I’d expected more from a film which as a play had garnered such critical plaudits. Or maybe it was the play-iness of the whole thing that stuck slightly in the craw. The story concerns a bubbly class of boisterous Sheffield boys in the 1980s being crammed for Oxford and Cambridge by a gaggle of teachers – Hector the advocate of the thirst for knowledge (Richard Griffiths), Mr Irwin the teacher to the test (Stephen Campbell … Read more
I Saw Ben Barka Get Killed
Ben Barka was a prominent revolutionary activist from Morocco who was “disappeared” by the French authorities in 1965. Co-writers/directors Serge Le Péron and Saïd Smihi tell his story as a dramatic reconstruction of what probably happened and cast the suave Charles Berling as the crooked film producer who is persuaded by the secret services into acting as a decoy and luring Barka (Simon Abkarian) onto French soil. It’s probably of most interest to students of the politics of the era, so the question is whether it’s of any possible use to anyone else. The answer is yes, if you enjoy stylish exercises in French noirist cool. Or if you’re a fan of Berling, who … Read more
8 December 2014-12-08
Out in the UK This Week The Congress (StudioCanal, cert 15) With Waltz with Bashir, director Ari Folman used Tintin-esque animation as the visual clothing to a set of sober taped interviews between himself and the buddies he’d served with in Israel’s war against Lebanon. The Congress does similar unusual things, propelling Robin Wright – playing an actor called Robin Wright who has elected to have herself digitised and therefore immortalised – into an animated world when she attends “the congress”, the occasional gathering of other fictional figures. The real world looks like a workaday real world, as lived by rich Hollywood, leading to the suspicion that Folman is remaking Andrew Niccol’s digitised-actors … Read more
The Signal
Well, I loved this. A confident exercise in genre and genre misdirection that has the balls to invoke The Matrix, Close Encounters, and Vincenzo Natali’s Cube. So, yes, it’s about aliens and a gigantic conspiracy and there’s a lot of white light bathing its clinical setups, and it cost not very much at all. And the first bit of misdirection comes at the very first shot – a boy, a girl, his buddy, dappled sunlight, a piano on the soundtrack. It looks like we’re in torridly romantic Nicholas Sparks territory and we can only be minutes away from someone coming down with a terminal disease, especially as Nic, our lead, is on crutches, as … Read more
Snowpiercer
That sound? The plane taking off from LAX taking another great Asian director back home, sobbing with disappointment. It happened to John Woo, who did at least manage to crank out Face/Off, but his sad run of Hollywood films include Windtalkers, Mission: Impossible II and Hard Target. To the Pang brothers too, whose The Eye was one of the attention-grabbers of 2002. They came to Hollywood, made The Messengers for Sam Raimi, then put their tail between their legs and went home. So what about the latest Asian import, the great South Korean director Bong Joon Ho, whose uniquely flavoured movies include Memories of Murder, a killer-thriller-whodunit whose cops get their man more … Read more
Stations of the Cross aka Kreuzweg
A powerful and formally austere German drama that does exactly what it says on the label, Stations of the Cross charts the sad journey of one vivacious Catholic girl to an early grave in 14 grim instalments which echo those of Jesus Christ on the way to Calvary. The Catholics also knew the Stations as the Via Dolorosa, or the Way of Sorrows, the Latin name doubly appropriate here since devout, cusping-on-puberty Maria (a remarkable Lea Van Acken) is being prepared for her confirmation by the charismatic Father Weber (Florian Stetter), a priest in a breakaway part of the Catholic Church that still uses Latin. This branch of the Church is also positively … Read more
1 December 2014-12-01
Home entertainment releases this week in the UK The Inbetweeners 2 (4DVD, cert 15) Four go mad Down Under in the “ain’t broke, don’t fix it” follow-up to the British box office hit of 2011. The initial idea behind writer/director Damon Beesley and Iain Morris’s TV series was that the four misfits were the kind of nerdy guys who aren’t cool enough to be cool, not dumb enough to be losers – they’re just inbetween. Normal. But Beesley and Morris’s great skill, as well as jokes involving sex and bodily functions, is in locating these lads socially. So when we first meet them this time around, striving Will (Simon Bird) is at Bristol University, … Read more
The Prestige
After Insomnia and Batman Begins, big Hollywood numbers taken on to show studio willing – or so it seemed – Christopher Nolan is back to being master of his own destiny, writing with his brother Jonathan and also producing this lavish smoke and mirrors cat-and-mouser. Clearly an attempt to “do another Memento”, it’s about a pair of Victorian magicians in a “this town ain’t big enough for the both of us” London, who once were bosom buddies but fell out after a trick went wrong and the wife of one of them died. And since that day they have gone on to different sorts of glory, but as deadly rivals, each trying to out-trick … Read more
The Salvation
Anyone for a Danish western, a great one? Made by one of the Dogme boys? If you look up Dogme in the Wikipedia, it will tell you that this particularly austere style (no music, no lights, no effects) was founded by two Danes, Von Trier and Vinterberg, who were soon joined by two others, Kragh-Jacobsen and Levring. And it’s possible to read this film as an announcement, shout, by the least known of those directors, Kristian Levring, that he doesn’t do that Dogme thing any more. Because The Salvation contains every big movie trick in the book – a lush score, arresting sets, cinematography snatched at the golden hour, melodramatic camera movements, sudden close-ups, … Read more
24 November 2014-11-24
Out in the UK This Week Ida (Artificial Eye, cert 12, Blu-ray/DVD/digital) Pawel Pawlikowski’s thematic follow-up to 2004’s My Summer of Love is a drama about a novice nun in early 1960s Poland, made in the style of a Polish film from the early 1960s – black and white, old-school Academy ratio (or close), bleak but pungent Eastern Bloc locations. The arthouse stylistics are really the only exception you might take to the film – brilliantly done though they are – because they introduce a barrier between the audience and what is essentially Sideways minus the wine and sunshine, a sometimes comic road trip about this young woman, who discovers she is not by … Read more
Pan’s Labyrinth
It’s not every fantasy film that comes complete with a scene of a brutal fascist captain sewing his own face up, but that’s what you get in Guillermo Del Toro’s best film since The Devil’s Backbone (better, certainly, than Blade II and Hellboy). It’s a dark fantasy reminding us that the Grimm brothers’ original tales were cautionary and soaked in violence and full of the sort of dirty psychological motivation that Disney flirted with in Snow White and Pinocchio. However this youthful experimentation wasn’t to last, and as with the pot reefer and student politicians, Disney, it seems, never actually inhaled. More’s the pity. No such cutes or evasiveness here, where things start … Read more
17 November 2014-11-17
Out in the UK This Week 22 Jump Street (Sony, cert 15, Blu-ray/DVD/digital) Since the undercover cops went to high school first time out, this time they must go to college. Directors Phil Lord and Christopher Miller and boss writer Michael Bacall clearly know the Jump Street premise is exhausted. More obviously, they know they spunked their best jokes on the first film. So a good 50 per cent of 22 Jump Street is referential humour about franchise exhaustion, things never being quite so good the second time around, including the outro credits, which push this concept to beyond funny and then back again. The rest of it is jokes about the almost … Read more
