Latest Posts
Kiss Me Deadly
Here’s Kiss Me Deadly, the American film that gave birth to the French New Wave, or so said both Jean-Luc Godard and François Truffaut, so that’s a claim made with some authority. It starts with a terrified woman flagging down a car containing private eye Mike Hammer and ends with another woman who opens a box containing nuclear material and bursts instantly into flames. In between one of the most abjectly nihilistic of the noirs, with not a smidgeon of light relief, not a smile, very little in the way of social nicety, and a detective who takes on a case not because he’s crusading for justice but rather, we sense, because there’s … Read more
Nude Area
Films about falling in love have been done so often that the way the characters in them declare their love has become incredibly important. How does “I love you. You complete me” compare to “Do I love you? My God, if your love were a grain of sand, mine would be a universe of beaches…” or “I’m just a girl standing in front of a boy asking him to love her”? Top marks for spotting Jerry Maguire, The Princess Bride and Notting Hill. Love stories depend for success on a lot of things – but emotional plausibility and the romantic stars aligning need good writing and chemistry to take things over the line. … Read more
Night at the Crossroads aka La Nuit du Carrefour
There are three competing theses for what went wrong with Jean Renoir’s Night at the Crossroads (aka La Nuit du Carrefour), a 1932 whodunit of the old school but with some very strange jumps, bumps, gaps, leaps of logic and filmic equivalents of handbrake turns. Number one is that Renoir was depressed while making it and so was often drunk. He simply made a mess of it. Another is that he ran out of money and so never really finished it. The third is that somewhere in the process a reel of film got lost, the one that would have gone a long way towards tying everything together. Whatever the reason, the film … Read more
Fast X
The word “family” is uttered 56 times in Fast X, number ten (there’s a clue in the title somewhere) in the series whose focus on interpersonal relations threatens to scupper it. And yet it keeps on going. The latest outing is not so fast, not so furious, maybe, but in a jimjams-and-pizza-and-beer kind of way, it’s a decent enough piece of entertainment – 1950s-melodrama acting with obsessively planned Buster Keaton-style stunts. There is a plot, there really is, of a disavowed, Mission: Impossible flavour, with Dominic Toretto (Vin Diesel) and gang being accused of some dreadful atrocity and then being pursued by the Agency it used to work for. The atrocity – a bouncing … Read more
100 Years of… Coeur Fidèle
The first thing to say about Coeur Fidèle (aka The Faithful Heart) is how brilliantly good the image is on this 100-year-old movie. I watched the Eureka Masters of Cinema version and it’s excellent. It’s important that it’s good because this is a highly visual movie. It certainly won’t win awards for storytelling. Wikipedia says it was written in a day, to which the response is surely “you don’t say”. Marie is an orphan girl who skivvies at the bar of her foster parents. She is in love with Jean, a local docker, but is being courted by Petit Paul, a brutish drunkard. After her adoptive parents give her to Paul, Jean and … Read more
The Forgotten Battle
War dramas are often held to a higher standard than other movies, and it’s a rare one that doesn’t bring generals – active, retired and armchair status – out into the open to condemn some appalling misrepresentation of the facts or other. A fate The Forgotten Battle largely dodged when it debuted in 2020. That’s mayb ebecause for the most part it kept its background (the facts) and its foreground (the fiction) separate. The facts: after the D-Day invasion of Normandy in 1944, the Allies started pushing the Germans back out of France, Belgium and the Netherlands, eastward, ever eastward. But progress eventually started to be held back by overstretched supply lines. Cherbourg, … Read more
The Maltese Falcon
Not a bad way to start. The Maltese Falcon, one of the most highly acclaimed films ever made, was John Huston’s directorial debut. He also wrote the screenplay, adapting Dashiell Hammett’s hard-boiled thriller into a lean piece of cinema that stands the test of time. In the 21st century if you want to watch something that’s a piece of surefire entertainment from front to back, The Maltese Falcon will not let you down. It’s a simple story, not really a story at all, more a contrivance just sturdy enough to hold together a series of interactions between people, about three desperados all in search of a fabulously ornate bejewelled bird – the so-called … Read more
Splendid Isolation
At first, Splendid Isolation, Urszula Atoniak’s latest film, looks like it’s going to be a retread of 2009’s Nothing Personal, her first one. Nothing Personal might even have been called Splendid Isolation and its MO was the same – a couple of people, a female focus, a remote location, self-sufficiency, personal histories mired in mystery, with flat grey skies and the whole thing shot on a 16mm film camera with half an eye on the picturesque. Here we start with two young women on beach. One of them appears to be rolling around in the waves on what looks like a cold day. Are they playing or have they just washed ashore? The … Read more
The Sound of Fury aka Try and Get Me!
A beacon of decent acting in a sea of ham and cardboard, Frank Lovejoy is the main reason to watch The Sound of Fury (aka Try and Get Me!), a dull, sanctimonious drama boosted by an incendiary finish. Fritz Lang had already turned the original true story into a film, Fury, but this is Cy (billed as Cyril) Endfield’s version. The plot: decent, hard-working family man Howard Tyler is the everyday sucker who can’t get a decent break and so takes up with flash Jerry Slocum (Lloyd Bridges), a smalltime criminal. Things go OK for Howard and Jerry for a while, and Howard’s blubby wife (Kathleen Ryan) is particularly happy that Howard is … Read more
The Five Devils
A close relative of Celine Sciamma’s Petite Maman, The Five Devils (Les Cinq Diables in the original French) starts off with a one two three of scenarios which, if you’re coming to this movie cold (as I did) are designed to make you wonder just what you’ve signed on for – a horror movie, something at the luxe James Bond end of film-making, or even something much more ordinary, workaday, as those two opening impressions give way to a third. An aquarobics class, run by Joanne (Adèle Exarchopoulos) who, when not exhorting her “girls” (senior citizens) to give it some heft, spends her spare time wild-water swimming in a wintry alpine lake that’s … Read more
The Wrong Man
Atypical and yet very typical, 1956’s The Wrong Man is Alfred Hitchcock’s tilt at those noirish ripped-from-the-headlines crime dramas that were all the rage when people still said “all the rage”, films sold on authenticity and with a dedication to telling it how it was. That’s what’s behind Hitchcock dropping his usual comedy cameo early in this movie and settling instead on a moody, backlit intro in which the man himself informs us that what we are about to see is stranger than all the films he’s made before, and yet… “this is a true story. Every bit of it.” He is pretty much as good as his word. This is the story … Read more
Nothing Personal
Working my way in no logical order through the films of the under-rated Urszula Antoniak, I come to her first feature, 2009’s Nothing Personal. And it’s nearly all here – the female focus, the quiet way of working, the absence of unnecessary detail, mood rather than plot being her primary concern, and great performances just to top it all off. What isn’t quite here is Antoniak’s sudden ta-daa moment, the moment in Code Blue (2011) or Magic Mountains (2020) when she suddenly racks all the knobs to the max, to shocking effect. It could be, of course, that those films are atypical. There are another three films, at the time of writing, to … Read more
