Reviews
That sound? The plane taking off from LAX taking another great Asian director back home, sobbing with disappointment. It happened to John Woo, who did at least manage to crank out Face/Off, but his sad run of Hollywood films include Windtalkers, Mission: Impossible II and Hard Target. To the Pang brothers too, whose The Eye … Read more
Latvian animation phenomenon Gints Zilbalodis follows up his extraordinary debut, Away, with more beautifully rendered imagery in Flow, an Apocalypse Now-style quest, but with animals instead of people. They’re in a boat, in other words, sailing up a waterway and having adventures on the way, none of which ever look like they’re going to be … Read more
French neo-noir at its most stylish, Mauvais Sang (confusingly it also goes by the titles The Night Is Young and the more literally translated Bad Blood) was Leos Carax’s second feature, the enfant terrible of French cinema still only a youthful 26 in 1986 when the film was made. The majority of his cast are … Read more
For anyone convinced post-apocalyptic movies are a recent phenomenon, here’s Deluge, a remarkable film from 1933. It’s got all the stuff you might expect from a big disaster movie and some thoughtful stuff you might not. Some of it you might even recognise – the makers of The Day After Tomorrow paid direct homage to … Read more
I.S.S. is a thriller set on the International Space Station where Russians and Americans are co-operating happily until a nuclear war breaks out down below. First up, why haven’t more films been set on the ISS? What a golden opportunity. Second up, did you realise (as I didn’t) that missions continue to be flown to … Read more
Lacking the crackle and wit of the usually fairly mad Joe Carnahan movie, Shadow Force is full of charismatic performers angling for a moment in the sun. Which, for most of them never comes. Gunplay and banter are there, but they’re swamped by slack verbiage and scenes full of characters never properly introduced. So when … Read more
My dictionary defines “aporia” (from the Greek) as “an irresolvable internal contradiction or internal disjunction in a text, argument or theory”. In sci-fi movies such an internal, irresolvable contradiction – like a man who is his own father – is called a time paradox. Ironically, Aporia, a fascinating attempt to weld one aesthetic to another, … Read more
Femme has a really powerful premise – a black drag artist in full cross-dressed glory is beaten up one night by a white tattooed thug for being a “faggot”, then months later happens upon the same guy in, of all places, a gay sauna. The angry closeted homophobe clearly doesn’t recognise the meek black guy … Read more
Familiar Touch is Sarah Friedland’s gruesomely poignant feature debut, about a woman going into care because she’s old and losing her mind. Depending on your age it’s about people in your generation, or your parents’ or grandparents’. But no matter how far removed you feel from the events on screen, there’s a very good chance … Read more
“A bit crap,” is what I wrote in my notes towards the end of watching The Avengers episode Legacy of Death. Perhaps I was being too harsh. My memory of it now is of being a pleasingly entertaining episode, and that’s largely down to the work of Stratford Johns and Ronald Lacey, who do a … Read more
A romance, a noir and a whodunit all in one, Deadline at Dawn is the only film Harold Clurman ever directed. A theatre director by background, Clurman wisely keeps it between the rails here with solid functionality. He shows us the stuff we need to see and nothing more. There’s no flash, no tricksiness. The … Read more
The films of Robert Eggers can get a bit overwrought and Nosferatu is no exception. Both The Northman and The Lighthouse (The Witch not so much) overdid it. All well and good if you subscribe to the view that too much gothic is still not enough. And you’ll be doubly re-assured by Eggers’s decision to … Read more