Reviews
London theatre director Sam Mendes’s debut as a movie director has been treated by some critics as if it were a missive from the gods. Perhaps it was the opening scene which showed Kevin Spacey jerking off in the shower which did it for them – so bold, so adult. The film locks straight in … Read more
Stunt casting gave Paper Moon an extra publicity push when it came out in 1973. Ryan O’Neal and his nine-year-old daughter Tatum were the headline-grabbing coupling, and the PR machine was glowing white hot by the time of the 1974 Academy Awards, when Tatum won the Oscar for Best Supporting Actress. This propelled the movie … Read more
The French New Wave, film noir and sci-fi all collide in Alphaville, Jean-Luc Godard’s mad mash-up of all three genres. If it does nothing else it demonstrates that as long as you have imagination you don’t need any budget at all to make an impressive movie. Godard shot it all in Paris, with no sets, … Read more
Slow cinema? Not quite, but there’s definitely an aspect of slow cinema in the exquisitely paced The Eight Mountains (Le Otto Montagne), an Italian-language boys-to-men journey through the decades. They meet as 12-year-olds, Pietro a blow-in from the city with his parents, Bruno the local lad and only kid left in this dying village, where … Read more
What is that little asterisk doing at the end of Thunderbolts*? Yes, that one there. By the end of the Marvel Cinematic Universe’s 36th adventure all has been revealed. Or maybe not. Thunderbolts is both a sequel and an origin story tonally harking back to the MCU when Joss Whedon had a hand in it. … Read more
There aren’t many straight arrows in the British thriller It Always Rains on Sunday. Most of its characters are schemers or chisellers, people on the make or on the take, they’re liars, crooks or worse. When the film debuted in 1947, the people of Bethnal Green, where it’s set, objected strongly to the way it … Read more
If youth is a party weekend, what happens when the fun stops? The answer is Monday – Argyris Papadimitropoulos’s glum follow-up to Suntan, another detailing of the goings-on in a “fun” place where not much fun was happening. I warn you, this is a slog, but it’s an instructive one, reminding one and all that … Read more
“Her soft mouth was the road to sin-smeared violence,” runs the blurb on the poster for Killer’s Kiss. Well, yes and no. The title of Stanley Kubrick’s second feature’s isn’t really that accurate either – which killer? which kiss? – but we get the idea. Film noir. The lone individual dwarfed by circumstance and environment became … Read more
Buster Keaton’s masterpiece Sherlock Jr. wasn’t that successful when it debuted in 1924. Audiences didn’t laugh that much. Critics also didn’t think it was that hilarious – “far and away about the most laughter lacking picture that “Dead Pan” Buster has turned out in a long, long while,” said Variety. Even Buster Keaton seemed rueful … Read more
Before we start, not the Red Sun from 1971, directed by Terence Young and starring Charles Bronson. Most emphatically not that one. Instead, the Red Sun from a year before, a film originally called Rote Sonne, from West Germany, directed by the largely overlooked Rudolf Thome and melding the politics of the post-1968, Women’s Lib … Read more
You might not associate frivolous caper comedy with the dour Soviet Union of gulags and five-year plans, but that’s what Gentlemen of Fortune is. A larky affair that probably works best if you get all the cultural specifics, it’s perfectly entertaining even with very little knowledge of the USSR. It’s one of the most successful … Read more
At the Raindance film festival, London, UK, 27 October–6 November 2021 Formula written, if you’re feeling grouchy, inspired by Hollywood’s golden era, if you’re not, Best Sellers has two great performers at its centre – Michael Caine, still pumping out the charisma and deadly comic timing at 88, and Aubrey Plaza, who ups her ante … Read more