Reviews
On Easter Monday 2019, at 18:17hrs, a smoke alarm goes off in the small room occupied by a security guard working at Notre-Dame cathedral in Paris. He calls the relevant functionary, who zips up to the roof to see if anything up there is burning. Nothing. The system’s always doing this, the guard is told, … Read more
“This is the new Dick Powell,” the trailer insists. “Rougher. Tougher than in Murder, My Sweet.” Cornered is indeed the “new Dick Powell”. Audiences in the late 1930s and early 1940s knew him best as a crooner. But 1944’s Murder, My Sweet changed all that, when Powell became the first screen iteration of Philip Marlowe, … Read more
After a year off working out what to do next, Jean-Paul Belmondo returned in 1968 with Ho! (sometimes called Ho! Criminal Face). Having been courted by Hollywood, he’d decided he wanted to stay in France and stick with what he was best at – films that emphasised a moody masculinity. It’s got to be said … Read more
Towards the end of Lars Von Trier’s second film, Epidemic, a film producer is handed a “finished” screenplay by Von Trier. It is only 12 pages long. “Is that it?” the producer asks, a hint of exasperation flickering across his face. Viewers of Epidemic may feel his pain. To explain: in meta-film-making style, Epidemic is … Read more
Charles Crichton directed one of the best Ealing comedies, 1951’s Lavender Hill Mob, and the highest grossing British comedy of the 1980s, 1988’s A Fish Called Wanda – both crime capers – so is just the man for an episode of The Avengers. And the first shot of the first of five episodes he’d direct … Read more
Often described as a neorealist film, Roberto Rossellini’s second collaboration with Ingrid Bergman, Europa ’51, is more a Hollywood melodrama with a breakaway neorealist moment. More than that it’s a vehicle for the rehabilitation of Bergman by getting her to suffer on screen – her forte. It’s the story of a high society woman who’s … Read more
And so, Lucky, a gigantically ironic title for a film about a woman being stalked night after night in her own home. It stars Brea Grant, who also wrote it, and until recently I’d not heard of her. But there she was just a few weeks back in After Midnight, Jeremy Gardner’s cute, smart, smallscale … Read more
A half-hearted, second-rate vehicle designed to help carry Matt Damon to stardom, in which he takes his shirt off to play a principled rookie lawyer taking on a big bad medical insurance company. It’s written by John Grisham and while it’s in legal territory Grisham’s thrusting plot dynamics carry it forward. But that wouldn’t have … Read more
Take-Over it was called in 1969 when it first aired. In the intervening decades the word takeover has lost its hyphen but this episode of The Avengers remains fresh and watchable precisely because of its antique quality. But first a bit of a prelim – man being escorted to prison makes a run for it … Read more
After new opening titles – a mix of the medieval (Steed’s swordplay with his brolly) and the modern (Tara King in sophisticated black evening dress and then action-girl attire) – we’re off into Game, the first proper Tara King era episode of The Avengers. The excellent Robert Fuest (director of The Abominable Dr Phibes) is … Read more
Another tale of female self-actualisation from William Oldroyd, who follows Lady Macbeth with Eileen, a low-key melodramatic adaptation of Ottessa Moshfegh’s best-seller. Lady Macbeth made a star of Florence Pugh, who had been a star-in-waiting since her debut in Carol Morley’s The Falling, in 2014. The transformation isn’t quite so marked here, since Thomasin McKenzie … Read more
I’m not sure why there aren’t more movies like Tribulation 99: Alien Anomalies under America. To make one all you need is some found footge – real found footage, not stuff you faked – an edit suite and a voiceover. Plus ideas. This strange movie from 1992 is a collage of bits and pieces that writer/director … Read more