Popular Reviews
The Taste of Things aka La Passion de Dodin Bouffant
Tran Anh Hung has only made five films in the years between his breakthrough and The Taste of Things (La Passion de Dodin Bouffant). Not much has changed since 1993’s The Scent of Green Papaya. This is also a languid and beautiful film full of longing for a bygone time when people did things properly and (say this very quietly) they also knew their place. It doesn’t need a plot. You could watch this exquisite movie for the images alone, which are spectacular and gorgeous, like paintings by Renoir or Manet come to life. But there is one, several in fact, providing just enough thread to lead us from one elegant instance of … Read more
Never Look Away
The Lives of Others director atones for The Tourist with an era-straddling epic about about art and love I was talking to a journalist friend of mine a couple of weeks ago, about Florian Henckel von Donnersmarck’s new film. He recalled interviewing the director around the time of his triumphant debut, The Lives of Others. Von Donnersmarck, he said, was almost hyperventilating with the excitement of having been approached to direct a Hollywood caper with big stars, budgets, etc. That film turned out to be The Tourist, a vanity project for Angelina Jolie and (to a lesser extent) co-star Johnny Depp, written and re-written so many times (including by Downton Abbey’s Julian Fellowes) … Read more
Act of Violence
A man arrives in a small, neat town in California. It’s a bright sunny day but he’s brought a sliver of dark, noirish New York with him on the Greyhound bus. And also a gun. As he limps across the street away from the bus station, a band plays, veterans march and flags flutter. It’s Memorial Day. Joe is in town to kill an old Army buddy. Like those implacable, remorseless creatures from It Follows, Joe relentlessly pursues his victim. To the nice house in the suburbs that his quarry, war veteran Frank, helped build. Out to the lake where Frank has gone fishing. Back to his house after Frank realises he’s being … Read more
20 April 2015-04-20
Out in the UK This Week Annie (Sony, cert PG) The “Black Annie” this has been called. With the button-cute Beast of the Southern Wild’s Quvenzhané Wallis in the lead as Annie and Jamie Foxx in the Daddy Warbucks role and with Jada Pinkett and Will Smith producing, you could call it that, if these things matter to you. If they don’t, what you get is perhaps the epitome of the “turn that frown upside down” musical, carefully updated – Annie is no longer an orphan but a foster kid, Foxx is a cell phone billionaire, a couple of new songs have been added to the familiar ones (Hard Knock Life, Tomorrow, I … Read more
The Boy behind the Door
Welcome to sex. The Boy behind the Door is the sort of film that a Freudian shrink could go to town on, being all about two boys cusping puberty who are abducted and taken to a remote property where they have to fight for their lives to get free. “Friends to the end,” Bobby (Lonnie Chavis) and Kevin (Ezra Dewey) have pledged out in the bright, sun-dappled world where they were hanging out before being knocked senseless and bundled into the boot of a car. Waking up, Bobby is dimly aware that Kevin has been dragged off somewhere, leaving him to suffocate out in a garage attached to a house a long way … Read more
4 April 2016-04-04
Out This Week Tangerine (Metrodome, cert 15) A few weeks ago it was Tangerines, a blunt, austere Estonian/Georgian film about the conflict in Abkhazia. Now it’s in the singular, Tangerine, an over the top film about life in another conflict zone – on the crack-whorey streets of modern LA. The film is all shot on an iPhone 5S and shows that none of us has an excuse not to make a film any more, if that’s the way we’re claiming we’re pointing. Though director Sean Baker is so good at post-production and editing that you probably wouldn’t guess exactly how it was shot. The plot is simple yet ample – gender-transitioning street … Read more
The Mermaid
So, Stephen Chow, the martial-arts practitioner/actor/writer/director/producer best known outside Asia for two brilliant films, 2001’s Shaolin Soccer and 2004’s Kung Fu Hustle, hasn’t troubled western waters too much ever since. Take The Mermaid, the all-time highest-grossing movie in Chinese history barely got seen when it was released in the UK (where I live) and it didn’t fare any better in the USA. What western distributors have against a proven moneyspinner I don’t know, but Chow’s previous film, Journey to the West, also the highest-grossing movie in Chinese history when it was released in 2013, suffered a similar fate. But back to The Mermaid, a fun, fast and familiar piece of Chow excess laced … Read more
