Black Rock

Lake Bell, Kate Bosworth and Katie Aselton in Black Rock

Three young women are chased around an island by three crazed ex-soldier guys in Katie Aselton’s boo-goes-there horror story which would slot nicely into the big book of feminist films if it weren’t for the gratuitous (oh come on) nudity. Not that there’s anything wrong with god-given nakedness. But back to the film. Directed by Aselton and co-written with her partner, Mark Duplass, Black Rock takes three old schoolfriends, Aselton, Lake Bell and Katie Bosworth, sends them off to a remote island they used to visit as kids, but not before pointing out that one of the three did something bad with another of the trio’s boyfriend some years back, and that the … Read more

A Trip to the Moon

The famous moon landing in Georges Méliès's A Trip to the Moon

A movie for every day of the year – a good one 01 September Generally speaking I’m going to choose historical events rather than movie events as a peg off which to hang the Film of the Day. But today is the first one so why not make an exception? Debut Screening by George Méliès of A Trip to the Moon, 1902 On this day in 1902, the great showman, illusionist and restless inventor George Méliès gave the first showing of Le Voyage dans la Lune. It was the Star Wars of its day and a huge international hit. If it wasn’t the first sci-fi film ever made, it was, along with the … Read more

2 September 2013-09-02

Tashiana Washington and Ty Hickson in Gimme the Loot

Out in the UK this week Gimme the Loot (Soda, cert 15, Blu-ray/DVD) A debut movie by writer/director Adam Leon, someone with something to say, Gimme the Loot is appropriately about two black kids (skin colour is an issue) who do a lot of talking as they wander around a present-day New York like Belmondo and Seberg once wandered through Paris in A Bout de Souffle. Do not be put off by reference to the French New Wave, I’m just trying to say Gimme the Loot is energetic, fresh, nervy, in love with the idea of youth, full of lip and very hip. Reinforcing the idea is the soundtrack – cool 60s R&B, … Read more

Renaissance

Barthélémy Karas, as voiced by Daniel Craig, in the Anglophone version of Renaissance

Daniel Craig, Romola Garai, Ian Holm, Catherine McCormack and Jonathan Pryce? That’s quite a cast and it’s just for starters. And for a French anime-style sci-fi too, the “French” bit being the clue that the names are actually here to revoice Gallic product for Anglophone consumption. What they’re lending their voices to looks interesting though, a futuristic story about a kidnapped geneticist (Garai) who turns out to have the key to immortality. The USP of Renaissance is its look – the actors have all been motion-captured, then converted to the harshest black and white renditions of themselves. This is unusual though hardly revolutionary: as a technique it can be traced back to Walt … Read more

Cars

Lightning McQueen in Cars

Have the wheels come off at Pixar? Mawkishness now seems to have replaced energy and invention at the studio that… no hang on, this is the studio that once gave us Toy Story. Let’s not get carried away. But if Pixar have been known for anything it’s their ability to run sentiment and energy on a twin track, the result being a film with heart and drive. The plot of Cars suggests they’ve forgotten how to do this – we’re on the case of a self-centred hotshot racing car (voice: Owen Wilson) who loses his way and gets stuck in Radiator Springs, a small town where the good locals (all of whom are … Read more

Miami Vice

Jamie Foxx and Colin Farrell in Miami Vice

So masculine it could reverse a vasectomy, Michael Mann’s feature length Miami Vice actually tells the same story that eventually ground down the TV series – Crockett (now Colin Farrell, then Don Johnson) and Tubbs (now Jamie Foxx, then Philip Michael Thomas) go undercover with a drugs gang, get so deep they’re not sure which way they’re facing any more, then refind themselves before screaming towards a guns-blazing finale, designer clothes looking immaculate. Built from what look like a series of high-end international aftershave adverts showcasing the very pinnacle of fast living, it is an out and out exercise in cool glamour. So was the 1980s TV series, of course, but Mann (who … Read more

Three Times

Shu Qi and Chang Chen in Three Times

Shu Qi and Chang Chen are the actors playing three different sets of lovers, in 1911, 1966 and 2005, in this unusually  beautiful film from director Hou Hsiao-hsien. All three stories take place in Taiwan and focus on love in different manifestations – love in its glorious first flush, love thwarted, and love carnal – to show how milieu and mores affect what is usually seen as an immutable, timeless emotion. In 1911 a republican activist gets caught up in the world of a concubine. In 1966 a military conscript falls for a hostess at a pool hall. In 2005 a photographer loses his heart to a singer. Hou places the 1911 story in … Read more

The Alibi

Steve Coogan and Rebecca Romijn in Lies and Alibis aka The Alibi

Also known as Lies and Alibis, this is one of those “who’s zooming who” comic thrillers – a bit of Tarantino dialogue, some swish Soderbergh camerawork, a twisty LA Confidential-ish plot. And Steve Coogan’s in it too. Yes, that does seem like a slightly odd casting decision – a Brit actor best known in the UK for his portrayal of gauche local DJ Alan Partridge. As with the best Coogan performances there’s a touch of Partridge in his portrayal of Ray Elliot, the head of a company which provides alibis for players in the game of sexual infidelity. Ray’s only rule is that his company won’t provide an alibi if a crime has been … Read more

Neil Young: Heart of Gold

Neil Young on stage in Jonathan Demme's Heart of Gold

Jonathan Demme’s Talking Heads film, Stop Making Sense, is one of the best concert documentaries ever made. Now he’s done the same favour for Neil Young, who was just recovering from a brain aneurysm when he delivered this two-part country set in Nashville. The title itself is something of a misnomer, or a hard sell (take your pick) since the first part of the concert is Young’s Prairie Wind album in its totality. It’s only in part two that Young gets the back catalogue out, mostly songs from Harvest, After the Gold Rush and Harvest Moon, his slight return to the acoustic-y banjo-y style of Harvest. As with Stop Making Sense Demme starts … Read more

Enemy at the Gates

Jude Law takes aim in Enemy at the Gates

Here’s a mixed bag of European war movie that is trying to be Saving Private Ryan in its impressive opening scenes, but looks as if it realises it doesn’t have the budget and so scales back the action to concentrate on two lone snipers. One German, one Russian. It’s set during the battle of Stalingrad, in which more than two million people died – yes, two million – and so the decision makes some logistical sense, even if it shortchanges the Russians and their epic level of sacrifice. The fact that it does that is what got the goat of a lot of historians masquerading as film critics, who suggested that the film … Read more