Movies | TV | Reviews
Out in the UK This Week Leviathan (Artificial Eye, cert 15) Not to be confused with the clankingly atmospheric 2012 documentary about trawler-fishing, this Leviathan is something like a retelling of the story of Job – a man who has the lot being tested in his faith
Otis, the barnyard bull, has udders. Because, kids, that’s what bulls have, isn’t it? Voiced by Kevin James, and with a first name that is generally appended to a male, it’s clear that either Otis is a transgender animal or cowardice has taken hold somewhere at the design
Out in the UK This Week Serena (StudioCanal, cert 15) After Silver Linings Playbook and American Hustle, Jennifer Lawrence and Bradley Cooper clearly have decided they can do no wrong, and so overreach themselves with a Depression-era Gone with the Wind-level epic about a wilful woman
The story behind this film is that it was made for buttons (£3,500) by 20something Londoner Greg Hall, and was then beginning the long slow slide towards festival obscurity when Mike Leigh saw it, started championing it, and hey presto, it has a cinema release. The story at its
Out in the UK This Week The Babadook (Icon, cert 15) The Babadook is a horror story about a nervous lone mum with a hyperactive and emotionally fractious six/seven-year-old child who was born the day his father died… in the car which crashed rushing his labouring wife to
The career of Kevin Costner seems to have come and gone. After having a run of mad popular success with The Untouchables, Field of Dreams, Dances with Wolves, JFK and The Bodyguard (even the Robin Hood movie: Prince of Thieves did pretty well), he followed up with two epic
Out in the UK This Week Dracula Untold (Universe, cert 15) Dracula gets the superhero treatment, bagging an origin story that places him somewhere between Batman and Superman – Batman’s damaged psyche (the Turks want to take his son) and Superman’s special powers (thanks to a “gift” from an
Out in the UK This Week Gone Girl (Fox, cert 18) Authors are often not the best adapters of their own work for the screen, because they’re too close to the original – Norah Ephron’s Heartburn (a novel and film about her disintegrating marriage to journalist Carl Bernstein) being
