New Order

The bride and groom kiss

Michel Franco’s latest movie, New Order, opens with a scene of sick people in hospital being forcibly removed from their beds so that people who have been seriously injured in some affray out on the streets can take have them instead. Up come the credits, and the title and the actors’ names are all jumbly – backwards lettering, everything out of place – but then we settle into what looks like a familiar scene. A high end wedding. The bride and groom (to be, the ceremony hasn’t quite happened) kissing, their parents clucking about, drinks being handed around. Guests arriving and being greeted. Small talk. Behind the scenes the staff beaver away. And … Read more

Quo Vadis, Aida?

Aida with Colonel Karremans

Jasmila Zbanic’s powerful drama Quo Vadis, Aida?, about the Srebrenica massacre in 1995, starts with a sad irony. As the production company idents come up, and various “with the support of” and “in collaboration with” credits list all the European and international organisations involved, remember that when the events in this flm were playing out in real life actual international collaboration seemed to consist of a collective looking the other way. Ask most people, most Europeans even, what the last war in Europe was and they’ll likely refer you to Adolf Hitler. That’s to forget the Bosnian war in the aftermath of the fragmentation of Yugoslavia – familiar as a holiday destination to so … Read more

Shorta aka Enforcement

Mike and Amos face off

Shorta (this film’s original Danish title) is the Arabic word for police. Enforcement is how it’s being sold in the rest of the world, as in “law enforcement”, but the truncation adds an extra shot of aggressiveness that’s entirely right for a boiled-in-piss drama all about the grrr. The opening shot sets the tone – a close-up of a black kid struggling to survive a chokehold administered by the cops. When the kid later dies, the no-go estates where kids like him live erupt and two cops find themselves in enemy territory as tension boils over into violent unrest. Jens Høyer (Simon Sears) and Mike Andersen (Jacob Lohmann) are the two cops, on … Read more

The Disciple

Sharad with a sitar

If you want it enough you can have it. Believe. Be passionate. Follow your dream. Movies are often insistent on this point. The Disciple begs to differ. You wouldn’t guess from his face, but Sharad (Aditya Modak) has it all. He plays raags, as this Mahrathi-language film calls them, ragas, most likely, if you’re an English speaker. His guru (Aran Dravid) is highly respected, deeply knowledgeable, kindly and technically supremely skilled. And as we can see in The Disciple’s opening scene, he also has talent. In flashback to Sharad’s childhood we see a supporting, nurturing home life, with a loving mother. And if Sharad’s passionate, inspiring father is a touch cajoling in his … Read more

Stalker

Stalker and companions in the Zone

Time to rewatch Andrei Tarkovsky’s Stalker, I thought, having recently seen Abel Ferrara’s Siberia (2019) and Gan Bi’s Long Day’s Journey into Night (2018), and noticed how influenced both were by the 1979 film. As so many films are. Going backwards in time, just grabbing almost at random, there’s Stephen Fingleton’s amazing The Survivalist (2015), Alexey German’s Hard to Be a God (2015), Lars Von Trier’s Melancholia (2011) and Andrey Zvyangintsev’s The Return (2003). Almost all of Terrence Malick’s films owe a lot to Tarkovsky in general and Stalker in particular. Seminal, an overused term, is appropriate here. Let’s also mention Blade Runner, which appeared in 1982, three years after Stalker. While there … Read more

The Outside Story

Charles and Isha at home

Brian Tyree Henry goes from second string actor to star in The Outside Story. He’s probably best known from the TV series Atlanta, which has acted as a finishing school for talents including LaKeith Stanfield and Zazie Beetz. More recently you might have seen Henry’s face in Godzilla vs. Kong, as a nerdy conspiracy theorist. Writer/director Casimir Nozowski also gets an upgrade, having made a number of New York-centric shorts and directed a reality foodie show – and you can see the influence of both in The Outside Story. After a year of various levels of lockdowns, Henry is playing a character who’ll be familiar to many, as the video editor whose laptop-based … Read more

Bill & Ted Face the Music

Bill and Ted in the teleporter

Quick show of hands, did anyone actually ask for Bill & Ted Face the Music? Thought not, though here it is, around 30 years on from Bill & Ted’s Excellent Adventure and their Bogus Journey, back with its original stars, Keanu Reeves and Alex Winter, a good comedy director at the helm (Dean Parisot of Galaxy Quest fame), and with two talented draftees in there to provide new blood. In fact Reeves expressed an interest in a new instalment as long ago as 2005. Original writers Chris Matheson and Ed Solomon climbed back on board soon after, and the project was ready to go for about ten years – the studio wasn’t convinced a … Read more

Rising Phoenix

Wheelchair fencer Bebe Vio

As the documentary Rising Phoenix makes clear, the rebranding of what were previously regarded as “disabled” people as a kind of army of X-Men type characters was what transformed the Paralympics. Before London 2012 the Paralympics had been a tacked-on event, the Cinderella of the Olympics. But suddenly the stadiums were full and the crowds were eager to see these remarkable people do their thing. Working like an extended version of one of those montage clips that big broadcasters like the BBC are so good at making when a big sporting event is in full roar, it’s a film of two parts. One tells the inspirational story of individual athletes and how they … Read more

The Mitchells vs the Machines

The Mitchell family

A cross-pollination of Deadpool and The Lego Movie might result in The Mitchells vs the Machines, a mad, meta-referential animation full of smart ideas and packed with enough jokes for repeat viewings. It’s refreshing, also, for a big Hollywood movie to be such a hymn (if hymns can be this busy) to weirdness. That’s largely down to co-writer/director Michael Rianda, who makes clear in the exit credits – with a big picture of his own family tagged “the real life Mitchells” – that this is a personal project. Perhaps idiosyncrasy is a better word than weirdness, let’s not get carried away, because in the telling of a story about a teenage movie-mad girl … Read more

Class Action Park

On the deadly alpine slide

Class Action Park is a punning title for a reasonably even-handed documentary about Action Park, Vernon, New Jersey, a trailblazing theme park when it opened in the 1970s, which later became infamous on account of the number of accidents and deaths that happened there. It was the brainchild of Gene Mulvihill, a disgraced Wall Street trader who realised there was money to be made from a park that varied its offer with the seasons – by winter a ski resort, a water park in summer. “Uncle Gene” is what the teenagers in his employ affectionately called him, and it’s their testimony that forms the bulk of Seth Porges and Chris Charles Scott’s film. … Read more