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Michael Haneke’s The Piano Teacher came out in 2001, just about halfway through his remarkable 20-year run of films starting with 1992’s Benny’s Video, ending with 2012’s Amour and taking in Funny Games, Time of the Wolf, Hidden and The White Ribbon. All of them have a pitiless, lidless-eyed quality to them, and The Piano … Read more
Like some sort of cosmic ordering service, romances and romantic comedies work to put together people who deserve to be together. But what happens if the people concerned don’t deserve to be together? That’s what Alison Brie and Dave Franco’s Somebody I Used to Know sets out to discover. Married couple Brie and Franco co-wrote … Read more
The cheap and cheerful Cannon Group were ready for the big time in the mid 1980s. Having made a decent amount of money out of various barrelscrapers – Death Wish sequels, Chuck Norris actioners and assorted Ninja movies – they decided to move upmarket. Lifeforce was the result, a big-budget (for them) sci-fi movie and … Read more
Like Carla Simón’s previous film, 2017’s Summer 1993, Alcarràs is an intimate family drama shot in an unobtrusive semi-documentary style with performances so good you wonder how come actors like these get overlooked at awards time. There’s a feature idea – too good for an award (quietly files away idea only to forget it). Not … Read more
The lesbian boarding school classic Mädchen in Uniform generally seems to be in the mix in Dario Argento films, and so it is with 1985’s Phenomena, another instance of a naive teenager at a girls school being monstered by staff, pupils and other forces. In this case it’s Jennifer (Jennifer Connelly), a new arrival at … Read more
In classic Hollywood triumph-over-adversity style, Argentina, 1985 deals with weighty events in a superbly accessible way as it tells the story of the lawyer who put the dictatorial Argentinian Junta on trial and saw that they got their judicial just deserts. It was a big film in Argentina, understandably, but also got nominated for an … Read more
Loved by Truffaut, borrowed by Spike Lee, strangely overlooked today, A Face in the Crowd is a prescient film from 1957 that uses the word “influencer”, is worried about demagogues in public life, the corrupting effect of the media and the weird lives of celebrities. It’s directed by Elia Kazan, a man with an eye … Read more
Revered arthouse director Claire Denis starts Both Sides of the Blade with an almost subliminal reference to Jaws. A couple wade into the sea. The soundtrack growls ominously. But only for maybe half a second. Then it pivots spectacularly into something gooey, gentle and romantic. We see the faces of the couple. It’s Juliette Binoche … Read more
If you’ve ever wondered where to start with Jean-Paul Belmondo but have no taste for the French New Wave, The Professional might be the film for you. Released in 1981, it’s a pacy, light-hearted action movie not unlike a 1970s Bond movie, though Belmondo is more Sean Connery than Roger Moore. Belmondo plays the French … Read more
Lush and lovely and slightly empty, The Forgiven is the clockwork toy that fails to march. And it all looks so promising to start with. The opening moments alone really get the hopes up – that saturated colour red of the scrolling credits seems to be offering a vast 1960s-style epic à la Lawrence of … Read more
There’s something about 1963’s Les Tontons Flingueurs as a title that sounds wackier, funnier, just better than the usual English translation – Crooks in Clover. The film also goes by the name Monsieur Gangster but the original French literally translates as Gunslinging Uncles. Tontons Flingueurs is better because it sounds a bit ridiculous, and that’s … Read more
Iremar (Juliano Cazarré) is a bull handler who travels from one Brazilian rodeo to another. It’s a life lived on the road, with a small gang of fellow nomads. They pitch up, do their job, then move on. Iremar is the guy who puts chalk on the bulls’ tails, so the guys on horseback out … Read more
