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Named after the New York to Chicago train and designed to be just as sleek, fast and modern, Twentieth Century is a brilliant Howard Hawks screwball comedy that’s been slightly overshadowed by other brilliant Howard Hawks screwball comedies, like Bringing Up Baby and His Girl Friday. In art-imitates-life style, it tells the A Star Is … Read more
Nocebo is director Lorcan Finnegan and writer Garret Shanley’s follow-up to the massively stylised Vivarium. It’s another horror movie, a much more conventional and familiar one this time, though driving it is something not so often encountered in horror – a “the empire strikes back” tale of capitalist overlords sucking a big one. In a … Read more
A man with a spare ticket to a show invites a random woman to go with him. He’s been stood up, he explains and this is a geniune “shame to waste it” offer. She, wary of this stranger but distraught about something and needing distraction, half-heartedly agrees. No introductions, she insists, no names. To emphasise … Read more
Triangle of Sadness is Ruben Östlund’s third dance with essentially the same ideas that powered Force Majeure, his force majeure of a drama from 2014, and The Square, his Palme d’Or winner from 2017. Triangle of Sadness also won the Palme d’Or, so Cannes obviously likes Östlund’s take on role-playing and status. But first, Östlund … Read more
When it came out in 1934, everyone knew that The Scarlet Empress was a reference to a scarlet woman, a sexual libertine. Doubly so once they learned that it was a biopic about Catherine the Great, the Russian royal who notoriously died while making love to a horse, or so the story went. Things are … Read more
François Ozon’s Peter von Kant is both a remake and a restoration of Rainer Werner Fassbinder’s The Bitter Tears of Petra von Kant. A remake because it takes exactly the same story and retells it in pretty much the same way, except with the genders flipped. A restoration because it peels away a layer of … Read more
The six-part TV series Private Schulz was a hit when it first aired and has become something of a cult since it was first broadcast in 1981. Made by the BBC in collaboration with the Australian ABC, it was the last outing for the great TV writer Jack Pulman, whose I, Claudius adaptation had been … Read more
Exactly what it’s meant to be, Jungle Cruise is the walking, talking, filmic version of the Disney theme park ride it is based on. No one gets hurt, or wet, or even scared, no one laughs at the jokes, which are deliberately weak. It’s fun, in that slept-through-half-of-it way. Christmas afternoon, here it comes. The … Read more
Doubles and doubling feature a lot in Sleuth, the cockeyed comedy thriller from 1972 written by Anthony Shaffer, the identical twin of brother and fellow writer Peter Shaffer. Anthony also wrote Frenzy, for Alfred Hitchcock, and The Wicker Man. Peter wrote Amadeus, Equus and Royal Hunt of the Sun, so no slouch either. They also … Read more
A gimcrack romance decked out in film noir finery, They Live by Night is a “kids on the run” story, the child of Fritz Lang’s You Only Live Once and parent of Bonnie and Clyde and Badlands. Three escaped prisoners on the run are holing up at the secluded cabin of the brother of their leader, … Read more
Black Adam is the superhero film for people who’ve had enough of them. Or it wants to be. Full of familiar elements given a dry witty twist, it stars Dwayne Johnson as an immortal creature who returns to his native city of Kahndaq to save the citizens of a brutally colonised Middle Eastern city in … Read more
The film equivalent of the collateralised debt obligation, the portmanteau movie generally bundles together stuff of questionable quality then sells it on using a big name or a big star to help it achieve a decent credit rating. In Spirits of the Dead (aka Tales of Mystery and Imagination), three adaptations of Edgar Allan Poe … Read more
