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A fairytale princess is trapped inside an ogre’s castle in Spencer, “A fable from a true tragedy” a note announces at the start of director Pablo Larraín’s film following Princess Diana over three Christmas-y days stuck with the Royal Family at Sandringham. But it’s also a story about a woman driven mad by the situation … Read more
In Iceland, on a dark and stormy night near Christmas… if that sounds like the beginning of a fairytale or nativity play, prepare for Lamb, which mixes fairytale fantasticality with a bit of Christian iconography to dark Nordic effect… eventually. It’s all a bit weird and primeval, in other words, but things get off to a rather … Read more
George C Scott, as well as acting, also directed three films. Rage, the second, was the first to get a theatrical release and is an interesting failure, unlike Scott’s first film, The Andersonville Trial, which was a critical hit. Scott’s last, The Savage Is Loose, tickled neither audiences nor critics – it was probably the … Read more
Unclenching the Fists could so easily be poverty porn but manages not to be, thanks to an ending offering a sliver of salvation, and a look that’s deliberately trying to avoid the charge that this is just another in a very long series of films using poor people to tell the same story over and … Read more
The Four Horsemen of the Apocalypse was the first of five films Rudolph Valentino made in 1921 and though it’s the film that made him a star he’s not the star of the film, which is an ensemble piece. The star is the film itself, an epic so complete and fine-tuned that it’s a reference … Read more
The film that ruined a lot of careers, Showgirls has a reputation it only partially deserves (though there is that sex scene in the swimming pool). Since it debuted in 1995 it’s been a soft target for any prurient soul looking for an easy win. Look – naked women! Its actual failings are far less regularly … Read more
Edgar Wright, born 1974, hymns the 1960s, a decade he never saw, in Last Night in Soho, a genre mash-up and nerd’s custard with looks, style and verve to spare. Eloise (Thomasin McKenzie) is a shy 1960s-obsessed girl from the sticks who comes to London to study fashion. Having got off to a bad start … Read more
A typically copper-bottomed performance by Danny Glover isn’t just the making of The Drummer, it sets the tone for the entire film. He’s been doing this sort of thing for ever – long before Lethal Weapon more or less institutionalised his shtick – and here plays the Vietnam veteran who runs a drop-in centre called The … Read more
A remembrance of Bonds past, No Time to Die is an evocative, elegiac farewell to Daniel Craig which also feels like a goodbye to the entire franchise – the familiar “James Bond will return” is there after the end credits, in case you need reassuring. It covers a lot of ground, flicks a lot of synapses … Read more
Self-important, windy, drowning in lore, full of flat characters and just plain old dull, Shang-Chi and the Legend of the Ten Rings is everything it shouldn’t be, a spectacular own goal from Marvel. It looked like an open goal, too. Moving the Marvel Cinematic Universe to China is a great idea – a civilisation with … Read more
The thing to know going into The King of Staten Island, co-written by Judd Apatow, Dave Sirus and Pete Davidson, is that Davidson’s father was a fireman who lost his life in the call of duty (at the World Trade Center on 11 September 2001, in fact). The father of Scott Carlin, the character Davidson … Read more
More tightly controlled chaos from Joe Carnahan with Copshop. Following hard on the heels of Boss Level, it’s another display of post-Tarantino buzzsaw brilliance, and again it has Frank Grillo – late to the action party but most welcome – as a badass lead. Most Carnahan films – The Grey and The A Team being notable … Read more
