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The comedy Plan B hits the road with a pair of young women as they scour the South Dakota badlands for a morning-after pill. If Plan A is not getting pregnant, Plan B is… you follow. Lupe (Victoria Moroles) and Sunny (Kuhoo Verma) are two smart, funny, best buds from strict families – Lupe’s is Hispanic … Read more
Le Cercle Rouge, Jean-Pierre Melville’s 1970 gangster-heist movie, starts with a quote from the Buddha about all men eventually finding themselves inside the red circle. Regardless of what they think they’re up to, or how self-determined their actions are, human beings cannot outwit fate. The quote is entirely bogus, having been written by Melville himself, … Read more
“A Homosexual Film by Samuel Van Grinsven” is how the Sydney-based writer/director describes his feature debut, Sequin in a Blue Room, in the space where the usual “A film by” card comes up. Not “Gay”, not “Queer”. And “Homosexual” as if the film itself were homosexual, which is impossible. Perhaps Van Grinsven is staring down … Read more
Wrath of Man is director Guy Ritchie and actor Jason Statham’s fourth collaboration since they both broke through in 1998’s Lock, Stock and Two Smoking Barrels. It’s a remake of the 2004 French movie Cash Truck and opens with the Metro Goldwyn Mayer logo emblazoned in orange lettering against a hazy cityscape. All very 1970s … Read more
Seven films by seven different Chinese directors comprise My People, My Country, a portmanteau film about key moments in the history of the People’s Republic, all overseen by Chen Kaige (who contributes one of the short films), director of My Beautiful Concubine. At 150 minutes running time that’s a 20-25 minute running time for each … Read more
Dominik Moll’s latest film, Only the Animals (Seules les Bêtes), opens with a striking shot of an African man cycling along the road wearing a live kid goat on his back much as you would a rucksack, arms and legs for straps. But from there we leave the titular animals behind and enter the all-too-human … Read more
A very familiar whodunit with an unfamiliar setting, The Dry sees Eric Bana on home Australian turf as a cop investigating the case of a man who killed his wife and kid before turning the gun on himself. How familiar? How about: cop returns to old stomping ground, drawn back by a case which also … Read more
The Night Eats the World is a detail-rich zombie procedural ingeniously set in one house, with one main guy as its focus, a couple of “names” doing the sort of walk-on you’d have thought they were above and a lot of extras stumbling about and moaning. Director Dominique Rocher’s feature debut spends a few minutes … Read more
Anders Thomas Jensen is amazingly prolific. Riders of Justice (Retfærdighedens ryttere in the original Danish) may be only his fifth film as a director in 22 years but in that time he’s also written around 40 feature-length movies. You might have seen Brothers (starring Jake Gyllenhaal, Tobey Maguire and Natalie Portman), or the underrated western … Read more
The Killing of a Two Lovers starts, unusually, with a climax, backs off quite a bit to let us work out what’s going on, before returning with another climax at the end, exactly where we’d expect one to be. It opens with two people in bed asleep. Hovering over them is a bearded man with … Read more
The Man in the Hat is a weird whimsical hybrid: a homage to Jacques Tati and a semi-musical travelogue in a fantasy version of France. In The Man in a Hat‘s France there is no fast food, no Japanese cars, no smartphones. The car The Man drives is a Fiat 500, the original, tiny, tin-boxy … Read more
A strange and evocative film, Undergods is a portmanteau fantasy horror with the seams sanded flat and then caulked in an attempt to hide the joins. Even so, it falls into clearly discernible distinct chunks, which seemingly bear little relation to each other. First up, K and Z, a pair of post-apocalyptic dealers in humans, … Read more
