Latest Posts
Genre collision is the dish of the day in The Untamed (La Région Salvaje) as the most down-to-earth drama, the soap, meets the most out there – sci-fi. The result probably shouldn’t work but it really does, thanks to writer director Amat Escalante’s decision to keep the sci-fi stuff in the background for most of … Read more
The Landlord is a remarkable film dealing in an unusually nuanced way with entitlement, white-saviour complex, gentrification, poverty tourism and cultural appropriation decades before the rest of the pack got there. It was made in 1970 by Hal Ashby in his first film as a director, but it’s Bill Gunn’s flexing, unflinching screenplay that makes … Read more
A country basks in the reflected glow of a single man’s redemption in Godzilla Minus One, the 33rd outing for Toho Studios’ big bellowing beast/god and a contender for best of the bunch. Writer director Takashi Yamazaki wants to tell a story of shame and salvation rather than wang on about a big lumbering beast … Read more
“The pinnacle of Hungarian cinema,” is how István Szabó described Merry-Go-Round (Körhinta), and since he directed Mephisto and Colonel Redl, he’s worth listening to. But what of Zoltán Fábri, director of Merry-Go-Round, two of whose later films were Oscar nominated, which is quite a feat considering the deterrent effect of the Iron Curtain when he … Read more
Structured like a game of tennis, pinging back and forth over a chronological net, Challengers tells the story of three people locked together in an unsavoury menage. A big, panting melodrama of the sort Douglas Sirk would recognise, it’s thrillingly conceived, ingeniously constructed and plays out impressively but overstays its welcome like a tie break … Read more
Lumumba tells in grimly appropriate bullet points the story of the rise and fall of Patrice Lumumba, the prime minister of Congo-Léopoldville from its moment of independence in 1960 to Lumumba’s ousting and killing in a coup less than three months later. If you don’t know anything about Lumumba, Raoul Peck’s film will tell you … Read more
Food, Inc. 2, it won’t surprise anyone to hear, is the follow-up to Food, Inc., the 2008 documentary which usefully summarised what you might call the anti-Big Food position. Bad, in a word. Food, Inc. 2 doesn’t have much that’s positive to say in this update, not at first anyway. It also starts with an … Read more
Donald Sutherland died the day before yesterday, so I thought I’d rummage around and see what I had of his. Turns out I have Klute in Criterion’s 4K restoration. And, having now watched it, I can report that it delivers on many levels, not least Sutherland’s performance, which is a thing of minimalist wonder. It … Read more
For a while you couldn’t escape Ryan Gosling and Emily Blunt banging the drum for The Fall Guy. They were everywhere, doing Herculean amounts of publicity, usually a sign that a big-bucks movie isn’t quite as good as everyone expected. Which turns out to be true. But The Fall Guy is not bad. It is … Read more
Everyone involved was having a bit of a moment when Basic Instinct was being made in 1991. Sharon Stone had just had her breakthrough in Total Recall. Michael Douglas was peaking as the go-to guy for reptilian charm – Fatal Attraction, Wall Street and The War of the Roses were in his recent past, Falling … Read more
Can you have a boyfriend if even the thought of kissing someone distresses you? Turtles All the Way Down is the film equivalent of a Billie Eilish song, a tale of teenage angst written by John Green, who also did The Fault in Our Stars. And, as the Amazon algorithm puts it, if you liked … Read more
James Coburn’s time as an A list star lasted only… how long? A year? Three? 1966’s Dead Heat on a Merry-Go-Round is emblematic of the series of films that took Coburn to the top rung and then pulled him off it again. Key exhibit here is Our Man Flint, also from 1966 – a bona-fide hit … Read more
