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Thomas hiding behind Jessie

Talking of movies that got lost down the back of the Covid sofa, how about My Heart Can’t Beat Unless You Tell It To, the debut feature by Jonathan Cuartas and as good a modern take on the vampire genre as you’ll see. A homeless man is picked up by a guy with a beard. … Read more

Alain Delon, Vanessa Paradis and Jean-Paul Belmondo

1 Chance Sur 2 (renamed Half a Chance for English speakers) is almost a thought experiment. When France’s biggest stars of the 1960s, Alain Delon and Jean-Paul Belmondo, were being courted by Hollywood, imagine that instead of deciding “non”, they’d accepted the offers and moved Stateside. What sort of films would they have made? Decades … Read more

Sebastian and Salvo
About My Father

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So you thought that Killers of the Flower Moon signalled that Robert De Niro had maybe packed it in with all the crazy grandpa roles. About My Father is proof he hasn’t. And whatever you might think of De Niro’s comedy chops in War With Grandpa, Dirty Grandpa and an intermittent run of others going … Read more

Eddie Constantine in hat and trenchcoat
Alphaville

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The French New Wave, film noir and sci-fi all collide in Alphaville, Jean-Luc Godard’s mad mash-up of all three genres. If it does nothing else it demonstrates that as long as you have imagination you don’t need any budget at all to make an impressive movie. Godard shot it all in Paris, with no sets, … Read more

Ben Mendelsohn as the marsh king
The Marsh King’s Daughter

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Languid is a strange way to go for a psychological thriller, an even stranger way to go for an action thriller. But that’s how director Neil Burger plays it in The Marsh King’s Daughter, a misfire that looks like a bold experiment gone wrong. There are a wedge of people in the cast, among them … Read more

Major Cabot meets Joe Thanks at gunpoint

Supposedly the last western Sergio Leone worked on, 1975’s A Genius, Two Partners and a Dupe (aka Un genio, due compari, un pollo) has a ramshackle spaghetti western charm and an opening section which strongly recalls the beginning of Once Upon a Time in the West – it’s operatic, dramatic, largely silent and at the … Read more

Jakub Gierszal as Michael
Beyond Words

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The immigrant experience. Be honest, your heart just sank a little. Possibly because you’ve seen a few movies about it and you imagine you know what you’re about to be served when you hear that Beyond Words (Pomiędzy słowami, in the original Polish) is just such a thing. The tale of a sweet and blameless … Read more

Francesca Annis and Suzanna Leigh
The Pleasure Girls

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Misrepresenting itself cheerfully, The Pleasure Girls is an early arrival at the Swinging Sixties party that’s only partly what the poptastic theme song and energetic trailer claim it to be. Youth! Girls! Fun! Sex! Yes, but… For a while the story sticks close to Swinging expectations – young, pretty Sally (Francesca Annis) arrives in London … Read more

William Hale in a car and Ernest Burkhart listening to him
Killers of the Flower Moon

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It turns out that one of the many uses of Killers of the Flower Moon is as a film for baby-friendly screenings. My daughter-in-law takes her new son to these on Tuesday mornings and recently reported back that the great thing about Martin Scorsese’s latest is that she could take the baby out of the … Read more

Kathleen Byron and David Farrar with heads together
The Small Back Room

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So how do you follow a grand Technicolor extravaganza like The Red Shoes? With The Small Back Room, if you’re Michael Powell and Emeric Pressburger. A war movie set in 1943, even its title is telling us that this isn’t more of the same. And it really isn’t. A mid-grey hodgepodge in which nothing quite … Read more

Josie and PJ
Bottoms

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How do you follow Shiva Baby, a breakthrough comedy of exquisite embarrassment? Bottoms is the answer. Put another way – you don’t follow Shiva Baby, you head off in a different direction. So Emma Seligman, who wrote and directed Shiva Baby, has made a high-school comedy this time around, with Rachel Sennott now as a … Read more

Sally Gray as Sally and Trevor Howard as Clem
They Made Me a Fugitive

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Exactly why the 1947 crime drama They Made Me a Fugitive was renamed I Became a Criminal for its US release is something of a mystery. One is more passive, the other more active, yup, understood. But the original title is better, punchier and asks a question – who made who a criminal? Whereas the … Read more

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