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As is often the case with sequels, “the same but different” is the big idea in the musical Les Demoiselles de Rochefort (The Young Girls of Rochefort), the 1967 follow-up to The Umbrellas of Cherbourg (Les Parapluies de Cherbourg). Largely it’s the same production team as on the 1964 movie – writer/director Jacques Demy, composer … Read more
The Fifth Thoracic Vertebra is about mould, not backbones. So why the weird title? Because, I’m guessing, debut writer/director Park Sye-young thought it had the right effect. This is a film that’s all about effect, mood, and Park conjures like a master right from the opening seconds, where a removal guy is talking on the … Read more
Ride the Pink Horse? Strange title. A gay slur, perhaps? Like “playing the pink oboe”, maybe? But as the title music comes up, all clippity cloppity, this unusual movie from 1947 sends us off in yet another direction. Because this isn’t a cowboy movie either, or even something more esoteric, it’s an unusual slice of … Read more
Following on from the brilliant Sybil, Justine Triet double-taps it with Anatomy of a Fall, another rangy drama with rare psychological depth. Written expressly for Sandra Hüller by Triet and her partner Arthur Harari – and you only hope that it doesn’t reflect their own relationship – it’s the old “did he fall or was … Read more
Here’s the set-up to 1949’s The Set-Up. On one side Stoker, an ageing boxer convinced he has one more shot at glory. On the other Tiger, an upcoming young fighter in the pocket of a local gang boss. The boss, via an intermediary, asks/commands Tiny, Stoker’s manager/trainer, to get Stoker to throw the fight. Tiny … Read more
A change of gear for Kenneth Branagh’s third Agatha Christie adaptation. A Haunting in Venice isn’t as starry as Murder on the Orient Express or Death on the Nile, doesn’t start out with a captive roster of possible murderers and murderees and, to an extent, abandons the strict rationality of previous Hercule Poirot adventures for … Read more
Full of guys with nicknames like Mutt, Shivvy and Whitey, 1948’s The Street with No Name is your tough, streetwise crime drama making many claims to authentiticity. It was one of a run of “semi-documentary” movies made around this time, often by Twentieth Century-Fox, and shot out on the streets, in the bars and at … Read more
A James Bond who takes his orders not from M but from Him? The Man from Rome is an action thriller with an ecclesiastical twist set in photogenic Italy and Spain. Interesting, even if, by the end things have bogged down so badly that there’s the distinct impression of presentee-ism. Things are still happening on … Read more
In many ways an atypical Sam Fuller film, House of Bamboo does conform to Fuller type in one specific way – strong performances by his two leads. They are Robert Ryan and Robert Stack, as two guys involved in different ways in crime in post-War Japan. Doing almost nothing at all, Ryan acts Stack right … Read more
In any fight for the top slot in the “humanoid monsters of the movies” competition, zombies and vampires fight it out to be number one, while werewolves lope along way behind. It could be worse – the mummies in their tatty bandages get barely any attention and even further down the field are invisible men … Read more
Le Dernier Tournant (The Last Turning) was the first screen adaptation of James M Cain’s novel The Postman Always Rings Twice. The novel, a best-seller and a critical hit, was published in 1934 and Pierre Chenal got his hot, fast and lyrical interpretation of it into cinemas in 1939. There have been many other versions … Read more
After two documentaries in 2010 and 2018 that did the same, Cassandro tells the story of Saúl Armendaríz, a lucha libre fighter in Mexico in the 1980s, and his transition from being one of masked luchadores to being an altogether rarer creature, an exótico. As a gay man on the macho lucha libre circuit, Saúl … Read more
