Steve

100 Years of… The Cabinet of Dr. Caligari

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Caligari wakes up Cesare

Released in Germany in 1920 but not given an international debut until April 1921, in New York, German director Robert Wiene’s The Cabinet of Dr. Caligari has gone down in history as one of the most important films of the era, and the most important German expressionist film of all time. You can see its influence everywhere, in Citizen Kane, The Third Man and Shutter Island, to grab a trio of obvious borrowers, but though it’s much talked about, how many people have actually seen it? What might come as a surprise 100 years on is that it didn’t meet universal acclaim at the time. Cultural historians still argue about whether it was … Read more

Shock Corridor

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Peter Breck with Hari Rhodes

Shock Corridor is a great example of the indie writer/director Sam Fuller’s ability to make films with a social subtext that weren’t overwhelmed by worthiness. Not being a studio movie it’s got no famous names in it, and isn’t shot in colour (apart from a few drop-ins). Instead Fuller and DP Stanley Cortez (who was instrumental in making The Night of the Hunter so memorably sinister) opt for a breezy film noir style of harsh lighting that’s quick to set up, effective and cheap – together they turned the film out in ten days. It also looks great in the Criterion Blu-ray I watched. A look at the plot tells us where Fuller’s real … Read more

Dazed and Confused

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Rory Cochrane, Jason London and Sasha Jenson

Dazed and Confused is Richard Linklater’s 1993 film doing for 1976 what George Lucas’s American Graffiti (1973) did for 1962. That is, it looks back fondly at a group of teenagers on the cusp of adult life on their last day/night of high school, while also observing how long ago it now all was, and in more than plain old years. Like Lucas’s gang, Linklater’s crew are a mixed crowd of jocks and nerds, lookers and plain-Janes and Johns, sensitive souls and bozos, cool kids and the terminally awkward, kids whose best days are to come and those whose lives have already peaked. The style builds on the loose, superficially disorganised approach of … Read more

The Father

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Olivia Colman and Anthony Hopkins

There’s a very watchable YouTube video in which, playing the publicity game, Anthony Hopkins and Jodie Foster discuss his most recent film, The Father, hers, The Mauritanian, and in between share a few memories of The Silence of the Lambs, among other things. During the half hour Zoom call Foster asks Hopkins, in so many words, about his “process”, how he approached his character in The Father, what preparation he did. “None… really,” says Hopkins, blowing what’s left of Method acting out of the water with a couple of words. They’re even more impressive once you’ve seen the film, which is not an easy watch, be warned, unless you’re the sort who cheers … Read more

Godzilla vs. Kong

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Godzilla fights King Kong

It’s Godzilla vs. Kong but in all honesty it could almost be any Godzilla movie. There’s just something so interchangeable about them all. Grasping for a differentiator you might seize on “cult indie director” as a search filter – but that could be this one (director: Adam Wingard) or 2014’s Godzilla (director: Gareth Edwards). Or how about “the one with Kyle Chandler and Millie Bobby Brown”? Well that could be either this one or 2019’s Godzilla: King of the Monsters (they played the same characters). Or how about “the one with Michael Dougherty’s name on the writing credits?”. That could also be this one or Godzilla: King of the Monsters. Unsurprisingly, perhaps, since they … Read more

Sound of Metal

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Ruben at the drum kt

Sometimes a film gets up a head of steam that’s inexplicable. Sound of Metal is one such film, garlanded in critical buzz, a Twitter favourite and six Oscar nominations, only one of which I understand. Perhaps it’s the actor, perhaps it’s the story. This is Riz Ahmed’s moment. Having been remarkable since coming to prominence in the Michael Winterbottom film Road to Guantanamo in 2005, Ahmed has been blisteringly good in one thing after another (The Night Of, The Sisters Brothers, Mogul Mowgli to name but three). He’s again remarkable here, as Ruben, the drummer in a metal duo suddenly losing his hearing. One moment it’s crystal clear, the next it’s about three … Read more

Shiva Baby

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Danielle at the buffet

Shiva Baby is a failure-to-launch comedy of aspirational anxiety and adds writer/director Emma Seligman’s name to the list of 1980s-born New York(ish) women working the seam – Lena Dunham, Greta Gerwig and Desiree Akhavan. Seligman adds her own distinctive twist, though, a genre switcheroo as screwball comedy morphs into something darker and tenser, an almost Hitchcock-y vibe emerging as main focus Danielle (Rachel Sennott) works herself into terrible situations entirely of her own making. What’s more impressive is that the action takes place all on one set, inside the house where a shiva (the Jewish wake/mourning period) is taking place after the death of someone – the obligated Danielle isn’t actually sure who – … Read more

Midnight Sky

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George Clooney and Caolinn Springall in Arctic gear

Midnight Sky continues George Clooney’s fascination for sci-fi, a rocky relationship that’s only really yielded one proper old fashioned hit – Gravity. Both Solaris and Tomorrowland seemed to fall into the dark hole between reviewer favourite and audience hit. Unbowed, Clooney plugs on, directing here, and trying something rather bold as he attempts to weld the thoughtful meditative mood of Solaris to the gut-churning action dynamics of Gravity, a bold and some might say doomed endeavour. The postmodern futurism of Tomorrowland is nowhere to be seen. The action takes place out in space and here on Earth – out there is a ship returning from scoping out a new planet to colonise, down here … Read more

Throw Down

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Tony and the bouncer square off

Johnnie To’s baffling Throw Down, from 2004, is a hell of a good-looking film. It’s a homage to Akira Kurosawa a dedication at the end tells us – “the greatest film-maker”. And though you might find influences from the great Japanese director, who had died only six years before, you’ll search in vain for coherent storytelling, one of Kurosawa’s strengths. What the hell is going on, in other words. Three characters who have little obvious connection band together: Sze-To (Louis Ko), the drunken manager of a Hong Kong nightclub; Tony (Aaron Kwok), a figure of wild impetuosity who wants to fight everybody; and Mona (Cherrie Ying), a skank living on her wits, doing and … Read more

Lovers Rock

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At the party

Lovers Rock is the second in the sequence of Steve McQueen’s Small Axe series of films for the BBC, stories from the frontline of the West Indian immigrant experience in the UK. Unlike its predecessor, Mangrove, which featured Letitia Wright, and Red, White and Blue, its successor, which starred John Boyega, Lovers Rock is not speckled with big names and would be bent out of shape if it were. It’s a “day in the life” kind of affair, bookended by Martha (Amarah-Jae St Aubyn) climbing out of her bedroom window on a Saturday evening and eventually winding up back in her bed just in time for her mother to bang on her door … Read more