Steve

Our Last Tango aka Un Tango Más

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Nieves and Copes face to face

“There will never again be another tango couple like us,” says María Nieves, best known for her long-standing partnership with Juan Carlos Copes. You’ll never have heard of the pair of them if you’re not interested in tango, but Our Last Tango (aka Un Tango Más), German Kral’s film about them, works just fine whether you’re a newbie or an aficionado of these Argentinian dancing giants, largely thanks to its emotional core. “If I could do it all again, I’d do it all the same. Everything… except being with Juan,” says María at one point. At just shy of 80 when this was made in 2015, she’s about to hang up her shoes and … Read more

The Dead Don’t Hurt

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Vivienne and Holger sitting together under a tree

How much of The Dead Don’t Hurt could you cut out without hurting it? Quite a bit, I’m guessing. It’s a slow and steady western, and that’s at least partly the point of it, an exercise in style and genre that could be quite a bit shorter but also a fair bit longer without changing its complexion. The story it tells is archetypal as are the characters in it. But the focus is on the woman, unusually, which brackets this alongside Kelly Reichardt’s Meek’s Cutoff, another distinct and handsome movie with a female focus. It’s directed by Viggo Mortensen, who also takes a key role (he stepped in at the last second, apparently, … Read more

The Blue Gardenia

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Norah on the phone

A young woman whose soldier boyfriend has just dumped her goes out for a drink with a known “wolf”. Drunk and vulnerable, she then heads back to his place, where, he tells her, there’s a party going down, only to discover that the party consists of just her and him. The next morning the very handsy Harry Prebble (Raymond Burr) is dead, beaten to death with a poker. Did sweet Norah (Anne Baxter) do it? Of course she didn’t – we know how these things go. But for the rest of this underwhelming thriller’s 85-minute running time we watch and wait for energetic journalist Casey Mayo and lacklustre cop Sam Haynes to arrive … Read more

Beetlejuice Beetlejuice

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Michael Keaton as Beetlejuice

Having paused for 38 years to catch its breath, Beetlejuice Beetlejuice reminds us what we loved about the original 1988 movie… and what we found slightly less than satisfying. 1988 was when some of today’s biggest actors were born – Emma Stone and Glenn Powell for instance. It was the year of Seoul Olympics. And it was around then that Tim Berners-Lee started messing about with a concept that would become the World Wide Web. So, yes, a while ago. Clicking right through back to the present, there’s no sign of Alec Baldwin or Geena Davis in this sequel but a lot of the cast and crew are back – most crucially Michael Keaton … Read more

Key Largo

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Nora and Frank

If you liked Humphrey Bogart’s cynical romantic Rick in Casablanca, Key Largo gives you another go around the track with him. And if you liked the dynamite pairing of Bogart and Bacall in To Have and Have Not, The Big Sleep or Dark Passage, they get another outing too, in the last of the films they’d make together. He plays a major back from the war and in the sweltering Florida Keys on a courtesy visit to the father of one of his men, who died in the Italian campaign. But when Major Frank McCloud gets to the hotel owned by James Temple (Lionel Barrymore), he discovers that it’s been taken over by … Read more

The Outrun

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Rona on a windswept Scottish island

The Outrun is the latest from director Nora Fingscheidt, whose edgy, urgent System Crasher opened doors in 2019 that she largely closed again with her follow-up, 2021’s The Unforgivable, which many critics indeed found unforgivable, even though it starred Sandra Bullock. She’s on the upswing again here, with the jumbled-up story of a young woman from the Orkneys who goes to London, becomes a terrible alcoholic and then returns to the wild islands off the coast of Scotland to seek balm for the soul and a new start in life. The arc is not unlike the one for Wild, the brilliant Jean-Marc Vallée film starring Reese Witherspoon as a wild child recapturing her … Read more

Thieves’ Highway

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Mike Figlia, a haggling customer and Nick

Jules Dassin is so associated with Rififi (aka the best heist movie ever) that his other films tend to get eclipsed. Here’s 1949’s Thieves’ Highway, one of his run of great movies, which had got underway with Brute Force two years earlier. It’s the story of a guy who comes back from the war to find that his immigrant dad Yanko, a truck driver, has lost his legs in an accident and been swindled out of all of his money by an unscrupulous wholesaler. Determined to find answers, Nick buys a truck and takes to the road himself. Dassin gives us a movie that’s three things simultaneously. At one level a movie about … Read more

Scarygirl

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Scarygirl in person

Smart eight year olds might go a bundle on Scarygirl, an Australian animation visually targeted more at their parents, though its bounce, straightforward storytelling and bold (ok, simplistic) messaging says young. There’s a touch of Finding Nemo in the plotting. Actually it’s more Finding Dory, the sequel, the one in which little Dory goes on a big long undersea quest to find her parents. Here it’s Arkie, a strange cross between an octopus and a human, with a patch over one eye and a mouth held together at the edges with stitches, setting off to find her dad, Blister, who’s been kidnapped by the despicable Dr Maybee. Blister is a big yellow/green octopus … Read more

Let’s Scare Jessica to Death

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Jessica hugs a floral pillow

1971’s Let’s Scare Jessica to Death was originally titled It Drinks Hippie Blood and was a satire on 1960s counterculture. And then John Hancock got involved and, one rewrite later, out popped this much more straightforward but rather superior horror movie setting out to unsettle rather than amuse. Hancock also directs, in his feature debut, and as in the best horror movies (this is one of Stephen King’s faves) he spends plenty of time establishing mood, so when the bad stuff arrives it’s got something to stand out against. There are two interwoven stories here. In one, Jessica (Zohra Lampert) is a troubled woman recently released from a mental asylum who is trying … Read more

Magpie

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Annette looks into a broken mirror

All sorts of klaxons are sounding, red lights flashing and warning bells ringing at the beginning of Magpie, a neo-noir which, by the end, has triumphed in telling a story which Roald Dahl (wearing his adult hat) might be proud to call one of his own. It’s a screenplay written by an actor and it’s his first one – two amber signals right there. What’s more writer Tom Bateman is the husband of the film’s star, Daisy Ridley. And the story is “based on an original idea by Daisy Ridley”. There are are so many potential bear traps there that trepidation is understandable. And yet. A small, dark, exquisitely formed thriller-ish story is … Read more