Scene from Murnau's Faust

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Deadpool, Warlord and Negasonic Teenage Warhead

6 June 2016-06-06

Out This Week Deadpool (Fox, cert 15) From the guys who wrote Zombieland, a similarly knowing and smart play in the genre pool, though this time it’s superheroes rather than the undead who get a prolonged playful kicking. The style is Honest Trailers – YouTube fanboys with brains ((“Trailers that tell you the TRUTH about your favorite movies and TV shows”) – and follows Ryan Reynolds as the eponymous hero as he searches … actually, there is no need to recount the plot at all, since that’s why you watch the film, though I should say that it is more than just a mere peg for jokes. And they come in all shapes and … Read more
Tom Hiddleston and Tilda Swinton in Only Lovers Left Alive

15 September 2014-09-15

Out in the UK This Week Only Lovers Left Alive (Soda, cert 15, Blu-ray/DVD) Jim Jarmusch arrives in genre territory with this achingly hipsterish take on the vampire movie – finally, one for the grown-ups – full of arch jokes about eternal bloodsuckers. I went into it thinking that surely the Lou Reed of cinema, with the perfectly cast Tilda Swinton and Tom Hiddleston as Adam and Eve, a pair of centuries-old vampires, is going to make the film that 1983’s The Hunger should have been. And he has. Keats, Iggy Pop, Franz Kafka and Buster Keaton are all name-checked approvingly in a dry, drole story about Tangier-domiciled Eve responding to an emergency call from … Read more
Hugh Jackman in The Wolverine

18 November 2013-11-18

Out in the UK This Week The Wolverine (Fox, cert 12, Blu-ray/DVD) The X-Men series has been lacklustre, with too many characters chasing too little plot (X-Men First Class being the exception). But The Wolverine bucks that trend thanks to its tight focus on Hugh Jackman as the wolfman with the salon-sational nails and its decision to just chuck us straight into the plot, just like the comic books do. Japan is the focus, a grungy dirty Japan, where bearded, trashed Wolverine is just trying to forget all that superhero stuff and get on with a normal life. But, as is the way with these things, his past comes back to get him, … Read more
Chloe Pirrie in Shell

8 July 2013-07-08

Out in the UK This Week Shell (Verve, cert 15, Blu-ray-DVD) This is a hell of a feature debut for director Scott Graham, whose eye for poetic desolation is the key feature of his drama about a lonely girl working at a struggling petrol station in the Scottish Highlands. Graham’s camera dotes on Chloe Pirrie, who has one of those faces that can flash from knowingly beautiful one second to fairly ordinary the next, depending on how much wattage its owner is generating. Shell is a simple, succinct drama with the tension of a thriller – is our heroine going to do something stupid with one of the rare regulars whose tanks she … Read more
Michael Douglas and Matt Damon in Behind the Candelabra

14 October 2013-10-14

Out this week in the UK Behind the Candelabra (E One, cert 15, Blu-ray/DVD) Most stars won’t touch an unsympathetic role, for fear of how it will play with their fans. Not so Michael Douglas. Again and again he’s waded in where others fear to tread, playing assholes, psychos and now Liberace, the gayest man in the world, if Steven Soderbergh’s film is to be believed. This is the movie that Hollywood wouldn’t fund, we are told, because of its gay subject. On the evidence of the movie it seems clear they wouldn’t fund it because of the way it portrays the flamboyant pianist – Douglas is majestically reptilian as Liberace and has clearly … Read more
Shane Carruth and Amy Seimetz in Upstream Color

6 January 2014-01-06

Out in the UK This Week Upstream Colour (Metrodome, cert 18, Blu-ray/DVD) Shane Carruth’s belated follow-up to his brilliant 2004 film Primer is a weird mix of body-horror and love story, the story of a woman (a rather good Amy Seimetz) infected by some parasitic worm who is hypnotised and then robbed while under the influence. Well, that’s the first bit anyway. After that she seems to be falling for some guy she’s met (played in a bit of Ben Affleck casting by Carruth himself), the whole thing told in the language not of film but of advertising – overlaps, quick cuts, montages, while a Sigur Ros-style soundtrack (a band advertisers love) bleeps … Read more
Tye Sheridan, Logan Miller and Sarah Dumont in Scouts Guide to the Zombie Apocalypse

7 March 2016-03-07

Out This Week Steve Jobs (Universal, cert 15) Walking in to watch this film on the last day of the London Film Festival, I was struck by the number of people in the cinema, waiting for the lights to go down, who were absorbed in their tablets, phablets, phones and whatever. We all live in Steve Jobs’s world now, and the case could be argued that collectively we have become those people in Apple’s famous Ridley Scott Big Brother advert of 1984, the ones striving to be freed from tyranny by technology. Coming at this film from the other direction, there’s the Google-financed movie The Internship, starring Vince Vaughn and Owen Wilson, which failed … Read more
Liam Walpole as Goob in The Goob

21 September 2015-09-21

Out This Week The Goob (Soda, cert 18) Films like to suggest that life is rawer, more elemental away from the cosmopolitan, metrosexual centres of civilisation. And in British films there’s often a suggestion that out in Norfolk, especially, things tend towards the Wild West. It was apparent in 1996’s Dad Savage, a film largely unseen except by Star Trek nuts, who seek it out to watch Patrick Stewart in a Stetson. And we get that with knobs on in The Goob. It’s a terrible title, but the film itself is excellent, a High Noon kind of affair about a lad having a showdown with his own stepfather (a loose use of a … Read more
Imogen Poots and Anton Yelchin, Green Room

12 September 2016-09-12

Out This Week Green Room (Altitude, cert 18) Jeremy Saulnier’s follow-up to his debut subjects a band of likeable punk nobodies to sustained extreme attack by a gang of neo-Nazi thugs. If it doesn’t quite suck the air out of the lungs as his brilliant Blue Ruin did, that’s because Saulnier to his credit is trying something new. Blue Ruin was an exercise in controlled, prolonged dread; in Green Room he’s seeing if he can pull the legs off the spider, re-attach them, then pull them off again. And repeat. Strangely enough he can. There are name actors here – Anton Yelchin, Imogen Poots and Patrick Stewart, who underplays nicely as the big daddy … Read more
Meryl Streep as Florence Foster Jenkins

5 September 2016-09-05

Out in the UK this week Florence Foster Jenkins (Pathe, cert PG) Tackled recently in the French film Marguerite, the story of Florence Foster Jenkins – the tone-deaf 1930s New York socialite who insisted she could sing – gets another trot around the block courtesy of Stephen Frears. Frears makes it a less pathetic, more screwball story, as if Fred and Ginger had stepped out for a minute, to be replaced by a non-dancing Meryl Streep and Hugh Grant – actually, there is a dance moment, and it’s there, deliberately, to underline what Frears and this film are about. As with Marguerite the joke is on us rather than her, her inability to … Read more
Mark Wahlberg, Nicola Peltz and Jack Reynor in Transformers: Age of Extinction

17 November 2014-11-17

Out in the UK This Week 22 Jump Street (Sony, cert 15, Blu-ray/DVD/digital) Since the undercover cops went to high school first time out, this time they must go to college. Directors Phil Lord and Christopher Miller and boss writer Michael Bacall clearly know the Jump Street premise is exhausted. More obviously, they know they spunked their best jokes on the first film. So a good 50 per cent of 22 Jump Street is referential humour about franchise exhaustion, things never being quite so good the second time around, including the outro credits, which push this concept to beyond funny and then back again. The rest of it is jokes about the almost … Read more
Saoirse the kelpie goes for a swim

9 November 2015-11-09

Out This Week Song of the Sea (StudioCanal, cert PG) The Irish tricolour is firmly nailed to the mast in the follow-up to Tomm Moore’s animation The Secret of Kells – opening and end credits are in Gaelic – a whimsical tale of a young lad unaware that his dumb younger sister is in fact a kelpie, a mythical sea creature. Moore has set out to do the things with animation that Pixar rarely does, using its possibilities in a more expressive, impressionistic way, recalling Studio Ghibli and Sylvain Chomet, though the resolutely 2D approach also contains echoes of Noggin the Nog and other Smallfilms productions. The story is pure Ghibli though – … Read more

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