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On the Count of Three
Like a Butch and Sundance but with no glory days in the rearview, On the Count of Three is the story of two desperadoes riding towards their moment of reckoning, and opens with Val (Jerrod Carmichael) and Kevin (Christopher Abbott) taking aim at each other’s heads, in a moment of pre-planned mutual annihilation. They don’t go through with it. Spoiler. Well, kind of. This flashforward opener catches up with itself within about ten minutes of this film’s running time, leaving the two smalltown American dudes to spin out the rest of the time in an orgy of nostalgia, payback, bucket-list moments and re-appraisal of lives lived almost totally pointlessly. It’s billed as a … Read more
Cuba Libre
1996’s Cuba Libre is only Christian Petzold’s second movie, after 1995’s debut, Pilots (Pilotinnen), but already he’s got the formula and the team all in place. It’s a chilly thriller, in other words, with a man who’s losing his head over a woman, a woman who’s so otherworldly she might in fact be more metaphysical than real, and an overarching theme of escape, of existing in liminal space, of people perpetually on the way to somewhere else. Petzold insists that all movies are in a sense about transit, or transition, but he’s got a very particular way of doing it. It’s the sense of yearning he imparts. It suffuses everything, to the point … Read more
Morbius
Is Morbius, Marvel’s tragic brooding vampire, a bad guy or good guy? The eponymous movie strings a line between two opposing conceptions of the same individual and hangs Jared Leto out to dry on it – here’s a character and a movie that’s indecisive in a deadly way. So, no, Twitter, it’s not the bad special effects or Leto’s Method acting, or anything else that’s really wrong with the film. The effects are good enough, Leto is good enough – in an “I wish I were Loki” kind of way – but everything in this film just kind of hangs, caught up on the writers’ fatal decision to be faithful to all of Morbius’s history. … Read more
The Memory of a Killer
A hitman’s final job. A cop on the case. A paedophile network run by very well connected men. Corruption at the top end of the police. What could easily have been an identikit crime thriller comes out as something a bit more in The Memory of a Killer, thanks to intelligent direction by Erik Van Looy, fine playing, in particular by Jan Decleir as the conflicted gun-for-hire on the home straight, music by Stephen Warbeck that dives into the rhythmic when the going gets tense, and editing that lifts the whole production a notch and helps make it look like it’s got more than a TV budget behind it. You might know it … Read more
The Duke
The Duke is a great example of the sort of film that Brits make for domestic consumption and which often do pretty well internationally as well. Playing up to harmless stereotypes, they’re full of silly sausages with funny voices and odd, eccentric behaviours. Here for the most part it’s Northerners being earthy and honest and principled, while down South a different sort of daffy stereotype – posh, restrained, clean – are hauling on barristers’ outfits and judges’ horsehair wigs to use Latinate turns of phrase in the most rarefied of settings, the courtroom. Both export beautifully. Both reassure the natives even more. The stereotypes are diamond tooled in The Duke, a true story … Read more
Pilots
Pilots (Pilotinnen) was Christian Petzold’s graduation film, a short feature-length drama which he completed in 1995. At 35, Petzold was quite ancient as students go but he’d studied German and theatre already before switching into film at Berlin’s DFFB. Either way, his film got a showing on the German TV channel ZDF, which isn’t bad at all for a graduation movie. It’s clearly the work of someone who technically is still learning how the vehicle works but thematically knows exactly where he’s heading. It’s not so much Petzold in utero as Petzold in miniature. It’s a two-hander, in essence, and once Petzold has thrown us with an opening shot suggesting that his troubled … Read more
The Outfit
Why didn’t someone think of it sooner? The Outfit – could be a criminal organisation, could be something you’d wear. How about writing a drama that conflates and confuses the two, and make it about… er… a tailor who somehow gets caught up in the work of a criminal establishment. The conceit is worn transparent in Graham Moore’s debut as a feature director. Like a bespoke suit this is a handsomely assembled item, made from fine materials and put together with care and a conservative eye. It’s also more than slightly theatrical, and it would be easy to imagine events playing out in a darkened small theatre. Events? A bit of plot. We meet … Read more
100 Years of… Grandma’s Boy
A prime slice of Harold Lloyd, Grandma’s Boy isn’t as famous as Safety Last! (the one where he dangles from a clock), but it is just as good as an example of his skills. Like the other two members of the Big Three of silent funnymen, Lloyd, like Chaplin and Keaton, often found himself tangling with men much manlier than himself. But whereas Chaplin’s Tramp and Keaton’s Stoneface had a steely puckishness and an aggressive intelligence, Lloyd’s “Glasses” character (as he called the guy in the specs) did not. He was generally speaking more the have-a-go Ordinary Joe. In Grandma’s Boy, “Glasses” is also a weakling and a coward, a Mummy’s Boy squared, … Read more
BAC Nord
BAC Nord (released by Netflix as The Stronghold) tells the story of a case that’s notorious in the annals of French policing, when a unit of Marseille cops was hauled in and accused of drug trafficking and dealing. Their defence? They were part of an undercover and slightly off-limits operation ordered from higher up and now being officially denied. Whether that was or wasn’t the case is what the film is about, though it makes it clear from the beginning that it clearly was. And in the characters of the three main characters – granite-tough middle-aged leader Grégory Cerva (Gilles Lellouche), new family man Yass (Karim Leklou) and charming playa Antoine (François Civil) … Read more
The Souvenir: Part II
The Souvenir: Part II makes sense of Part I, which seems like an obvious thing to say. But some sequels genuinely are sequels (The Godfather: Part II), fleshing out and adding to the original. Others are merely retellings of a story that’s already been told (The Matrix Reloaded). Joanna Hogg’s film fits into a third camp, of sequels whose purpose can only be understood as a part of a whole. Which is a long-winded way of saying that if you didn’t quite go the massive appreciative bundle on Part I, as many in the commentariat did, Part II might finally convince you. A refresher: the story is essentially Hogg’s own, of going to … Read more
Paul Is Dead
Paul Is Dead. Depending on your age, most likely, the title of Henk Handloegten’s debut feature might suggest an entire landscape, maybe tickle a vague memory somewhere or pull up a complete blank. The Paul in question is Paul McCartney and the phrase refers to the bizarre conspiracy theory suggesting that at some point in the Beatles’ career, McCartney died, forcing the Beatles to get in a lookalike McCartney in order to keep the band going. The fact that the doppelganger also had the original McCartney’s ability to knock out million-selling tunes is not something the conspiracy theorists ever explain, but then, in the way of these things, who needs facts when you’ve … Read more
Brother 2
The gang’s all back together for the sequel to Brother – Brother 2, unsurprisingly. That includes the writer/director Aleksey Balabanov, star Sergey Bodrov, key members of the support cast, notably Viktor Sukhorukov as the titular brother, plus cinematographer Sergey Astakhov, editor Marina Lipartiya, composer Vyacheslav Butusov and even the chunky knit sweater that Bodrov wore through most of the first film. Amusingly, Balabanov starts off his sequel with a direct callback to the first film – a scene in which Bodrov’s Danila, an ex-soldier and hitman of the cool, unassuming sort, wanders on to a film set, just as he did first time out. This time, though, Danila is in Moscow rather than … Read more
