Latest Posts
Ghosts
The British film-maker Nick Broomfield is well known for his documentaries made in the teeth of adversity, his working practice often being to get into someone’s face and then stay there while they duck and dive (see The Leader, His Driver and the Driver’s Wife, the 1991 doc on South African white supremacist Eugene Terre’Blanche). Either that, or he “dead chairs” his subject – as news people do when an interviewee doesn’t or won’t turn up – and makes a documentary about the documentary he’s trying to make (see Tracking Down Maggie: The Unofficial Biography of Margaret Thatcher). In fact he’s made something of a specialty out of these two practices, to the point where … Read more
Candy
Though there’s plenty of people who take drugs for entirely recreational purposes and never go to hell in any sort of handcart, there’s not much drama to be had from making movies about them. So instead drugs movies tend to be about people hitting the buffers. Candy does at least do it with a roster of good Australian actors, who are required to pull out most of the thespian organ stops as they make the familiar journey – from “we’re just fooling around” to “oops, someone’s dead”, calling in between at all the usual stations on the degradation line. And luckily for us, it’s Heath Ledger and Abbie Cornish who brighten up the journey on … Read more
6 October 2014-10-06
Out in the UK This Week Joe (Curzon, cert 15, Blu-ray/DVD) I like Nicolas Cage in bad films, so going into this one, having heard it was good, I was slightly wary. But both him and the film are excellent – he’s the anger-prone decent guy who takes a young lad (up-and-coming Tye Sheridan) under his wing after he and his dad (Gary Poulter) pitch up looking for work on Joe’s (that’s Cage) tree-poisoning detail. Yes, tree poisoning. That’s a telling touch in a film that’s an exercise in the twisted Southern genre – derelicts and whores, low-lifes and attack dogs – director David Gordon Green back, to some extent, in George Washington territory, telling … Read more
Eragon
Here be dragons. Dungeons and Dragons, to be more specific. Because that’s what this British Lord of the Rings knock-off most resembles. The 2000 film also heavily featured Jeremy Irons, who moved heaven and earth to save it but could not ultimately fight the sheer dead weight of the script and its deadly fantasy game holdovers. Something similar is going on here, with Irons once again mustering all his considerable charisma to try and float a sodden barque, a tale of a fine-limbed young farm lad (Edward Speelers) who has somehow sprung noble from the poor lumpen volk, his nice-boy accent setting him off against the ooh-aarghs of fellow proles, a token of … Read more
The Night Listener
When he switches off the mouth, Robin Williams can be an incredibly effective actor. This is one of those turns, yet it’s ironically about a man who is a professional mouth, a DJ with a late-night show who uses his graveyard phone-in to tell and listen to stories. It’s another of Williams’s characteristics as an actor that he’s happy, let’s say willing, to play characters who either aren’t likeable or are downright nasty, One Hour Photo being the ultimate proof of that. Again ironically, he’s neither here, though he is playing a character despised in much of society – a gay man. There’s a dark almost Hitchcockian feel to the path that leads off … Read more
The Best Films of 2014
Of the 350+ films I saw this year, these are the best ones. Some of them were released last year and I’ve been a bit slow getting round to them. Some of them were released even longer ago. The criteria are – I watched them in 2014 and I liked them. That’s it. The Best Computer Chess (2013, dir: Andrew Bujalski) Andrew Bujalski, inventor of mumblecore, proved there’s life in the old beast yet with this retro-verité drama about geeks meeting in the 1980s to pit their programs against a chess-playing computer. Shooting on original video cameras in fuzzy-edged boxellated black and white, Bujalski catches the moment when the let-it-all-hang-out era died and our … Read more
Princes of the Yen
Halfway through watching this simple but fascinating documentary, by the same team that made the equally eye-opening 97% Owned, a friend turned up. Instead of saying “How are you?” or “Wanna cup of tea?” (I’m writing this in the UK), I said, “God, I’m watching this amazing documentary about economics in Japan and how the authorities there deliberately sabotaged the country’s economy, and the whole 1980s boom and bust was a fix, and the…” and on I burbled. It’s not the reaction you’d expect to what is essentially a PowerPoint presentation, delivered in steady-as-she-goes voiceover. Yet the story the film (subtitle: Central Banks and the Transformation of the Economy) tells is remarkable, and is … Read more
Enemy
If there is such a thing as “what the hellness” then Denis Villeneuve’s latest film absolutely has it. But then the French-Canadian does have form. With Incendies Villeneuve managed to turn the conflict in the Middle East into a thriller with a reveal that disconcerted and amazed. In Prisoners he made us feel bad for suspecting that a lank haired, stuttering, educationally subnormal Paul Dano was a paedophile, and then made us feel bad for cutting such an obvious wrong’un too much slack. The tricks are more playful in this latest exercise in duplicity. As with Prisoners, Enemy stars Jake Gyllenhaal, this time as Adam, a history professor who suddenly spots his spitting … Read more
29 September 2014-09-29
Out in the UK This Week Edge of Tomorrow (Warner, cert 12, digital) As hyper-aware of his position in the culture as he is of a camera in relation to his three-quarter profile, Tom Cruise knows that a lot of people want to see him taking a kicking. Edge of Tomorrow (or Live. Die. Repeat: Edge of Tomorrow as it seems to have become) answers that demand, with Cruise playing a cocky jumped-up PR guy pressganged into the army (which answers the “how come a guy over 50 is still in any army?” question) who then relives the same day over and over again, after he gets contaminated with alien blood. What plays out is … Read more
The Grandmaster
There are misgivings even during the opening scene of this decade-straddling epic about Ip Man, generally described as “the man who trained Bruce Lee”. There’s legendary martial artist Ip Man (the impassive Tony Leung) in a stylish straw hat taking on a phalanx of uglies in a torrential nighttime downpour. Slo-mo rain. It’s the sort of visual cliché you might expect from Uwe Boll rather than one of the most gifted film-makers in the world. But, a bit of plot. The film kicks off in the 1930s when, Leung’s voiceover tells us, Ip Man is about 40, a content, wealthy resident of Foshen with a lovely wife and a rich cultural life. This … Read more
The Page Turner
It’s often forgotten how much genre output the French make, and how well they do it. This icy thriller in a Chabrolesque mould has two brilliant performances at its centre. On the one side we have Déborah François as Mélanie, a young girl from a poor family whose ambition to become a pianist is ruined at an audition which goes so badly that she gives up playing for good. And on the other side we have Catherine Frot as the reason it went so badly, as Ariane, the famous pianist who is so blithely unaware of what the audition means for Mélanie that she signs an autograph for an adoring fan halfway through, … Read more
22 September 2014-09-22
Out in the UK This Week Of Horses and Men (Axiom, cert 15, Blu-ray/DVD/digital) The jacket photo of the DVD shows a man sitting on a mare that’s being mounted by a stallion. The look of passive acceptance on the mare’s face, randy enthusiasm on the stallion’s and stubborn resistance on the man’s says much of what you need to know about this instant classic, the debut by Benedikt Erlingsson. The mounting incident is the first of several discrete stories that eventually tie together, detailing life in rural Iceland, where a horse is still a valuable commodity and humans are seen, to a large extent, as at their best when they accept their … Read more
