Latest Posts
1 June 2015-06-01
Out This Week Selma (Pathe, cert 12) Martin Luther King’s life done as a triumph, not the usual tragedy, the focus being the series of marches King led from Selma to Montgomery in 1965. These effectively rode a coach and horses through the prevailing practice of disenfranchising Negros by making registering to vote all but impossible. Up in Washington DC are two tricky customers – the conniving though not entirely venal President Johnson (Tom Wilkinson, not over-reaching himself) and his homunculus, FBI boss J Edgar Hoover (another eel-like turn by Dylan Baker), while down in Alabama operates the strategically astute, tactically sharp King. Like last year’s Dallas Buyers Club, the success of the … Read more
27 July 2015-07-27
Out in the UK This Week Clouds of Sils Maria (Artificial Eye, cert 15) Olivier Assayas follows Something in the Air, his largely autobiographical personal meditation on the aftermath of the events of May 1968, with a different type of dramatic reflexivity. Clouds of Sils Maria is a meditation on acting, performed by a trio of actors at the top of their game. Juliette Binoche, Kristen Stewart and Chloë Grace Moretz are the three, all channeling vague versions of themselves. Stewart plays the personal assistant to Binoche, an actress now about to play the older role in a remake of the punishing two-hander that made her name years before. But who to play … Read more
20 July 2015-07-20
Out This Week Mommy (Metrodome, cert 15) In bad drama people say just what they think; in real life they rarely do. Xavier Dolan, usually referred to as a wunderkind, understands this, and in this grungy new drama he pushes that realisation to the max with a story about Steve, a disruptive ADHD kid and his flaky mother. It’s an urgently brilliant film, that never dips into the well of mawkishness reserved for “social issue” films. And that’s even with an extra “issue” added – the next door neighbour, a former teacher whose nerves are shot to shit, who becomes the friend of this dysfunctional duo. The performances are gritty, the dialogue shocking (“I’m … Read more
13 July 2015-07-13
Out This Week The Voices (Arrow, cert 15) Marjane Satrapi has made a good film about a man with appalling schizophrenia. That she’s chosen to make it into a comedy, and has cast Ryan Reynolds as the disturbed guy who believes his pet cat and dog are talking to him shows she doesn’t lack for ambition. I suspect a lot of people won’t like The Voices at all, because a comedy about a man who likes to dismember people, and who is shown sawing them up and packing them neatly into many stacked Tupperware boxes like so many packed lunches, is, let’s face it, a bit gruesome. And he’s the “hero”. But Reynolds is excellent … Read more
6 July 2015-07-06
Out This Week Still Alice (Curzon, cert 12) Most disease of the week films operate on the same principle as Facebook posters who ask you to Like something or sign a petition – they’re daring you to say you don’t like puppies, or don’t want a cure for cancer, to out yourself as horrible. In Still Alice we meet Alice, an intensely capable linguistics professor (Julianne Moore), as she’s struggling for the right word while delivering a lecture, this being the blood-in-the-hankie sign that something serious is amiss. Her condition goes rapidly downhill from there. Moore is predictably good – tough, believable, often head-on to camera – and is surrounded by agile actors, including Kristen Stewart as the … Read more
29 June 2015-06-29
Out This Week Appropriate Behaviour (Peccadillo, cert 15) The New York Neurotics Club – founder member Woody Allen, recent arrivals Lena Dunham (Girls) and Greta Gerwig (Frances Ha) – gets a new member in the shape of Desiree Akhavan, who gives us a smart, self-deprecating comedy about a slightly deadbeat woman struggling in a mumblecore world where everyone else seems to be doing OK. Playing, in Larry David style, a version of herself, Akhavan is Shirin, the bisexual daughter of immigrant parents who can’t or won’t come out to mum and dad, and whose private life is a shambolic mess like the rest of her life. The meat of the film is a chronologically … Read more
22 June 2015-06-22
Out This Week Fifty Shades of Grey (Universal, cert 18) This decade’s Da Vinci Code – the book read by people who don’t often read books – is a basic Mills & Boon/Harlequin story (masterful man, virginal girl) with an added belt, if that’s the word, of S&M. In this film adaptation Jamie Dornan glowers but brings no real life to the role of buff CEO Christian Grey whom Dakota Johnson’s Anastasia Steele meets as he’s buying cable ties in the shop she works in. Dakota looks like her dad, Don Johnson, and has the pluck of her mother, Melanie Griffith, which is handy because she is required to take off more clothes … Read more
25 May 2015-05-25
Out This Week Tusk (Sony, cert 15) After the wobble of Red State, Kevin Smith seems to have got his midlife crisis out of the way and now roars back to form with a brilliant, and brilliantly discomfiting, grotesque comedy that sees shock podcaster Justin Long surgically turned into a human walrus by mad Michael Parks. The fact that Long has it coming is signified by his douchebag cheating on his superhot girlfriend, played by superhot Genesis Rodriguez, but nothing can really prepare us for the sense of pathos that Long conjures when he cries big walrus tears from out of his big brown eyes on realising his old human form has been … Read more
18 May 2015-05-18
Out This Week Ex Machina (Universal, cert 15) Joining Gravity and Interstellar, as well as a host of lower budget films, Ex Machina shows we’re in a golden age of sci-fi, this film’s theme being consciousness and whether the Turing Test has been passed: that a robot has become intellectually indistinguishable from a human. Or is it the Test itself that’s being tested? Domhnall Gleeson is the geek brought in by his messianic megatech wizard boss (Oscar Isaac) to give the yay or nay, Alicia Vikander is the robot he clearly falls for the very first second he claps eyes on her – and with face, breasts and buttocks Vikander’s own, while the rest … Read more
11 May 2015-05-11
Out This Week Wild (Fox, cert 15) Apart from The Young Victoria (which was a hack job done for cash, I suspect), the Canadian director Jean-Marc Vallée has had a good run of interesting films since his breakthrough with 2005’s C.R.A.Z.Y, and then more recently with Café de Flore and Dallas Buyers Club. All have showcased his knack for allying music (often 1970s – he loves glam rock) with well crafted images. His lighting, composition and editing are generally exquisite. Vallée is a great storyteller, and uses all his skills brilliantly in Wild, a film that sounds potentially like either a monumental drag – a woman reconnecting with herself on a gigantic trek … Read more
4 May 2015-05-04
Out in the UK This Week Foxcatcher (E One, cert 15) Not unlike Steven Soderbergh’s Behind the Candelabra in many ways, Foxcatcher tells a similar true story of a young impressionable man being taken up by an older man and being groomed, things all falling apart when the young man says “enough”. With Soderbergh the spotlight was on strapping Scott Thorson and his gay relationship with Liberace, whereas Foxcatcher focuses on potential Olympic wrestler Mark Schultz and the strange grip that the super-rich amateur wrestler John du Pont, owner of the Foxcatcher gym, had over him. The hoo-haa surrounding the film is generated mostly by the really rather remarkable performance by Steve Carell as du … Read more
27 April 2015-04-27
Out in the UK This Week Birdman (Fox, cert 15) And coming right out of the sun to bag this year’s Best Picture Oscar, a director whose films had become increasingly up themselves, and a star whose career looked increasingly over, in one of the most purely enjoyable yet also intelligent films in years. It’s a reminder of the sort of film Hollywood used to produce in the 1930s, with screwball comedy clearly the inspiration for this backstage farce about a once-upon-a-time superhero actor (Michael Keaton) and his attempt to re-invent himself by acting in, producing and directing a stage performance of Raymond Carver’s What We Talk About When We Talk About Love. … Read more
