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The Importance of Being Earnest
Fifty years after the making of this quintessentially British comic classic it was remade starring Rupert Everett, Colin Firth, Judi Dench and the then almost incandescently famous Reese Witherspoon, to give it a bit of global appeal. That’s a great cast – three Oscar-winners and a scene-stealer par excellence (see Everett in My Best Friend’s Wedding for evidence of that). So no argument there. But they still couldn’t beat the original. That’s because they really, really don’t make them like this any more. No one speaks like Edith “a handbag” Evans. No one resembles Margaret Rutherford’s preposterously dotty, doting Miss Prism. As to direction, what hotshot these days would settle for the approach of … Read more
18 March 2013-03-18
Out in the UK this week Amour (Artificial Eye, cert 12, Blu-ray/DVD) Whatever you say about the director of Hidden or Funny Games, no one does “pitiless gaze” quite as well as Michael Haneke. In Amour he takes one of his standing obsessions, the life bourgeois, and yokes to it a subject rarely covered in film – the loss of dignity and disappearance of the self that happens to most of us as death comes close. Jean-Louis Trintignant and Emmanuelle Riva are the film’s focus, playing a pair of sprightly retired piano teachers whose quietly tasteful, cultured lifestyle is interrupted when one of them has a stroke. What follows is harrowing but almost inevitable, the … Read more
Dr T and the Women
If, as the old joke has it, gynaecologists are always up to their elbows in work, how much more taxing would that job be if you were Richard Gere? That’s the proposition that Robert Altman lays before us in a film that’s often dismissed, his last of a line of flops that lay between Short Cuts (1993) and Gosford Park (2001). But Dr T is really worth a second look because of what Altman is doing, possibly unbeknown to his cast. Scouring Hollywood, he’s found a handful of irritating, self-obsessed and unhinged actresses and cast them just as they are – or is it more the sort of type they very often play? … Read more
Dirty Pretty Things
Seventeen years after he made My Beautiful Laundrette, Stephen Frears washes London’s dirty laundry again. Dirty Pretty Things is an ambitious, worthwhile drama digging into the spoil heap of the capital’s invisible underclass. And if that sounds about as glamourous and interesting as council housing, it is – until its hero, Okwe (Chiwetel Ejiofor) discovers a human heart in a hotel toilet. Okwe is a Nigerian doctor exiled in a London that tolerates him just so long as he keeps his head down. By day he’s a minicab driver, doing the odd bit of illegal prescribing to keep his fellow drivers clear of the clap they’re transmitting to each other like a relay baton. … Read more
No
Robert LePage directs this exercise in dry wit and history, a French-Canadian comedy of manners cut down from his seven-hour play The Seven Streams of the River Ota. It’s set in Japan at the time of the 1970 Expo, 25 years after the end of WWII. Meanwhile back in Quebec the secession movement is reaching its high water mark and the national government is so rattled it is on the verge of imposing martial law. No is a clever, sophisticated film (and at times in a slightly self-satisfied way) whose title gives us a taste of things to come. No – a pun on the Japanese style of Noh theatre, was also the … Read more
11 March 2013-03-11
Out in the UK this week The Master (EV, cert 15, Blu-ray/DVD) Paul Thomas Anderson’s interesting rather than great follow-up to There Will Be Blood follows shell-shocked war veteran Joaquin Phoenix into the ranks of what looks like Scientology in its early days. Like his films Boogie Nights, Magnolia and There Will Be Blood, The Master deals with fakery and the narratives people live by, Philip Seymour Hoffman giving it lots of Orson Welles orotundity as the cult’s charismatic leader, while PTA lays on the period detail with a cultural anthropologist’s precision, demonstrating how you went about building a new religion from nothing in the mid 20th century – a cooky mix of patrician … Read more
They Nest
We’ve had them all – alligators, piranhas, anacondas, killer bees and most famously birds and sharks. So what’s left? Insects, of course. In 2000’s They Nest (aka Creepy Crawlers), the time is the present, the scene is the island of Maine off America’s east coast, and the action kicks off when a swarm of cliched, unbelievable and laughable B-list actors assemble and draw lots to see who’s going to suffer the first low-budget extermination at the hands, mandibles, whatever, of crazed crawling creatures. Meanwhile a brave, resourceful, wise and intelligent doctor (Thomas Calabro) is battling to get it through the skulls of the locals that they’re in more peril than they can possibly … Read more
Once Upon a Time in the West
By 1967, after countless Italian sword and sandal epics and three astonishingly successful spaghetti Westerns (A Fistful Of Dollars, A Few Dollars More and The Good, The Bad And The Ugly), director Sergio Leone was tired of men in period costume and was eager to try his hand at something more contemporary. It wasn’t to be. Paramount studios prevailed upon Leone to make one more western for them. In return they promised to fund his four-hour, four-decade overview of organised crime, Once Upon a Time in America. Leone’s fourth Western could easily have turned out to be a 90-minute contractual obligation, with Clint Eastwood, Lee Van Cleef and whoever was available squinting hard into the … Read more
Ginger Snaps
The last thing you want when it comes to scary films is something that’s had money lavished on it. You don’t want a famous director, and you certainly don’t want a big star, their exec-producer-status ensuring their make-up never gets smudged. You want something that looks cheap, smells cheap and is packed with cheap thrills. Something like Ginger Snaps is what you want. The plot is as straightforward as it is cheeky, taking the old werewolf myth and glossing it with the anxieties of a pretty young girl (played by Katharine Isabelle, 12 years before she’d turn up in the equally cult American Mary) as she is visited by her first period. Being … Read more
4 March 2013-03-04
DVDs/Blu-rays out in the UK this week Thale (Metrodome, cert 15, DVD) This tense fantasy thriller about a Norwegian police clean-up team finding a mythical creature in a hidden cellar is this year’s Troll Hunter. Unexpected, refreshing, atmospheric and tightly plotted, it’s beautifully shot with vivid colours and unusual deep-focus photography, oh the wonders of digital. Even if you hate this sort of thing, it’s worth watching, and if you do hate this sort of thing you’ll be happy to hear it’s only a short 75 minutes or so. I found some comments from its director, Aleksander Nordaas, over on Pirate Bay underneath the magnet and torrent links to Thale, pointing out to … Read more
25 February 2013-02-25
DVD/Blu-rays out in the UK this week On the Road (Lionsgate, cert 15, Blu-ray/DVD) Jack Kerouac’s Beat Generation urtext about real gone cats discovering sex, drugs and fun in 1940s USA looks never less than sensational in director Walter Salles’s translation to the screen. Riffing experimentally like the jazz on the soundtrack, it’s Grapes of Wrath-y in tone, nostalgic, perfectly capturing its protagonists’ assessment of themselves (like, way cool). In doing so it holds a mirror up to our own miserable times, mourning the loss of the energy that such self-centred optimism unleashes. Kristen Stewart, though a long way from the lead character, makes more of an impression than either Sam Riley (Kerouac) … Read more
Traffic
Traffic started life as Traffik, a 1989 mega-mini-series following the heroin trail from Pakistan through Germany and into the UK. It was brutal, it was gruelling and it was a cracker. The decision to remake it as a leg-knotting 2hr 20 min single film, and transfer the action to Mexico and the US, delivers an extra hit, a political one. After all, the US government advocates free trade and the pursuit of happiness as unalienable principles while at the same time banning the importation and enjoyment of drugs. It’s this fault line that Traffic patrols, as it follows four interwoven stories: the drugs czar (Michael Douglas) with the addict daughter; the feds trying … Read more
