Reviews
Episodes of The Avengers were often not shown in production order. But Lobster Quadrille was both the last one broadcast and the last one made in series three, going out on 21 March 1964, a day after it had been finished. It’s also Honor Blackman’s farewell episode, before she headed off to be Pussy Galore … Read more
Charlotte Rampling often gets a free pass in films. Sometimes that’s for all the right reasons, such as her association with great directors such as Visconti, Lelouch or Ozon. Sometimes for the wrong ones – the more generalised cultural cringe before the French, with whom she’s also had a long association. The films she’s in … Read more
After the camp fun of the previous week’s episode, The Grandeur That Was Rome, a bit of a bump as we touch back down on planet Earth for a much more realistic Avengers episode – The Golden Fleece. Warren Mitchell gets the first word, only three years from starring in the series that would make his … Read more
Horror? You might expect something with the title of I Want to Eat Your Pancreas to be about the eating of body parts. Instead it’s an animated terminal-illness weepie, along the lines of The Fault in Our Stars, and though it suffers from the big problem most of these things have – implausibly fragrant decline … Read more
One of the great benefits of the whole 1990s revival thing has been a run of movies inspired by the early Coens. Psycho Therapy does a bit of a number on Barton Fink, not the Coens’ funniest or weirdest film, and is a re-assessment of their re-assessment of Hollywood output in its golden age. Screwball … Read more
A tale of American white-picket suburbia, disturbia perhaps, from director Todd Field, opening out a touch from In the Bedroom, whose focus was all there in the title. Our heroine, a Madame Bovary figure called Sarah (Kate Winslet), scandalises the harpies at the school gate by striking up a relationship with the only hot male … Read more
Welcome to sex. The Boy behind the Door is the sort of film that a Freudian shrink could go to town on, being all about two boys cusping puberty who are abducted and taken to a remote property where they have to fight for their lives to get free. “Friends to the end,” Bobby (Lonnie … Read more
King Vidor’s first name really was King. It suited him. The master of the big Hollywood movie, here he is in 1925 with The Big Parade, laying down the template for all the war movies of the future. The Big Parade is the highest-grossing silent film of all time so it would be nice if … Read more
My dictionary defines “aporia” (from the Greek) as “an irresolvable internal contradiction or internal disjunction in a text, argument or theory”. In sci-fi movies such an internal, irresolvable contradiction – like a man who is his own father – is called a time paradox. Ironically, Aporia, a fascinating attempt to weld one aesthetic to another, … Read more
Having made films with more than a hint of the French about them – character driven, focused on metropolitan angst, loose, semi-improvised acting style, unafraid to let nothing happen – Ira Sachs finally gets almost all of the way there with Frankie, a drama set in Portugal but with plenty of French speakers in his … Read more
Wedding films can be a bit like wedding cake – lots of layers, too sweet, just enough is already a bit too much, not everyone is a fan. Given those caveats, and with the realisation that for every joyous wedding-themed movie like Bridesmaids there’s a steaming pile such as 27 Dresses, let’s wander up the … Read more
Is there anything more life-sapping than listening to a druggie talking about drugs? Yes, a film about one, and it’s not less boring but more if it also offers a redemptive ta-daa. To Write Love on Her Arms is a film about one such, a young woman, played twixt K-Stewart sulk and ScarJo pout by Kat … Read more
