Reviews
The conceit of Daddio is that it’s just two people in a car driving from JFK Airport into New York City. It’s a yellow cab and the driver is played by Sean Penn, the passenger by Dakota Johnson. As the car rolls towards the city they talk. At first Clark makes cab driver smalltalk, kneejerk … Read more
A film of two halves, two time periods and, in fact, two films, Do Not Expect Too Much from the End of the World also tells two stories. In one the everyday travails of a production assistant driving around Bucharest auditioning injured people to appear in a public information film about workplace safety. In the … Read more
The spirit of Jim Thompson takes Thelma and Louise for a ride in Love Lies Bleeding, Rose Glass’s follow-up to her feature debut, Saint Maud. That was a tortured, angst-ridden tale about the overlap between mental illness and religious belief – with a helluva twist. This is a dark and gruesome story tale about sex, … Read more
1970s neo-noir doesn’t begin and end with Chinatown and The Long Goodbye. Here, for instance, is The Outfit, director John Flynn’s lean adaptation of one of the 24 novels Donald Westlake wrote under his Richard Stark pseudonym. Many Stark stories feature the no-nonsense career criminal Parker and in a mini-festival of Parker adaptations, The Outfit … Read more
Saint Maud joins the likes of Requiem (the 2006 film starring Sandra Hüller) and Stations of the Cross (the 2014 film starring Lea van Acken) on a shortlist of powerful recent films about Christianity’s downside
Henry James on the dancefloor! La Bête dans la Jungle (aka The Beast in the Jungle) sees the old Edwardian master throwing some pretty fly shapes in this fabulous and slightly mad adaptation of a James novella from 1903. The action may have shifted from London to France but the characters and plot are largely … Read more
All the King’s Men is, give or take, a potted history of the rise and fall of Huey Long, the populist, Depression-era senator and governor of Louisiana. The names have been changed to protect the innocent/guilty (delete according to political preference), party particulars have been redacted and so have references to any specific state or … Read more
In Memories of Murder, the South Korean director Bong Joon-ho made an interesting point about the police procedural – that no matter how “tortured” the cop/protagonist, no matter how broken his background, how fractured his family life, how severe his problem with drink, he always remains a hero. Not in Memories of Murder he doesn’t. … Read more
There’s a crusading aspect to Late Shift, made explicit in an on-screen endnote about the shortage of nurses worldwide. Focus on a particular to create the universal is the idea, Petra Volpe’s film following a single nurse for a single night as she deals with patients in an understaffed Swiss hospital. The writer/director is lucky … Read more
It turns out that one of the many uses of Killers of the Flower Moon is as a film for baby-friendly screenings. My daughter-in-law takes her new son to these on Tuesday mornings and recently reported back that the great thing about Martin Scorsese’s latest is that she could take the baby out of the … Read more
Horror films tend to be populated by sexy young things, but in Anything for Jackson the two protagonists are a pair of people in their 60s, played to the hilt by Julian Richings and Sheila McCarthy. Actually, Anything for Jackson is more trad than it at first appears, because the couple in question aren’t actually … Read more
Voskhozhdenie, the USSR movie from 1977, usually goes by the English title The Ascent, though The Ascension would be semantically and tonally closer to the mark, since this is a war movie done as an allegory for the passion of Jesus Christ. It’s a “lost patrol” movie. Or, to be strict, a lost patrol of … Read more
