Reviews
Pausing momentarily from a binge-watch of the TV show Succession to watch something else with Brian Cox in it – Red, a 2008 movie which went largely unnoticed. For good reason, it turns out, though there is a good film lurking in here somewhere. It was beset by problems – original director fired, Cox’s original co-star … Read more
Avant-garde sci-fi stop-motion animation, anyone? French, as well, or made in France, at least, the only full-length feature made by Polish-born Piotr Kamler. “Full-length” is actually a bit of a stretch as a description. Chronopolis is only 52 minutes long, and the original version was 66 minutes, so hardly The Irishman. The shorter one is … Read more
Dark is writer/director Paul Schrader’s cut of Dying of the Light, the 2014 spy thriller that was taken from him, re-edited, de-kinked and reworked into something more akin to what the studio wanted – a Bourne movie. Schrader was not happy about it at the time and you might remember him, his stars Nicolas Cage and … Read more
A tale of American white-picket suburbia, disturbia perhaps, from director Todd Field, opening out a touch from In the Bedroom, whose focus was all there in the title. Our heroine, a Madame Bovary figure called Sarah (Kate Winslet), scandalises the harpies at the school gate by striking up a relationship with the only hot male … Read more
Cruella, like Maleficent, gives a female baddie an origin story, and ends up in the same cul-de-sac, insisting that here is one of the female baddies for the ages, while at the same time asking us to sympathise with a poor Disney dear who’s been badly treated. 101 dogs’ breakfasts is the result. Since Emma … Read more
“That penis is getting dusty” – a line of dialogue in wonky auteur Guy Maddin’s latest film, another arthouse exploration of arthouse themes delivered in high contrast monochrome, from a camera on a bungee and via an editor with attention deficit disorder. There are a couple of famous names too, just to lure in the … Read more
All Is Forgiven (Tout est pardonné) was the first feature Mia Hansen-Løve made, in 2007, when she was about 25/26. It’s an interesting debut and sets the tone for a career built on small, carefully crafted human-relationship dramas going for the slow burn rather than the big melodramatic bang. The Nordic name is a bit … Read more
Not having enjoyed the first Nolan/Bale Batman film (yes, he was traumatised by bats. I get it!) I wasn’t looking forward to the second. But, having been told how great it was, how awesome Heath Ledger was, how dark it all was, I was prepared to put prejudice to one side and settle back to … Read more
Would Motor City be a better film without the gimmick? Which is? No dialogue. Or not much anyway. Five lines, the blurbs say, though even that might be an exaggeration. Director Potsy Ponciroli made Old Henry a few years ago, and I liked that. So I gave him the benefit of the doubt and waded … Read more
The Humans started life as an Off Broadway show, won rave reviews and was soon on Broadway itself, where it won even more, picking up a Tony and a Pulitzer nomination on the way. Not bad for an old school “small” play with a cast of six and a simple, non-shocking premise – a family … Read more
The first thing to say about Coeur Fidèle (aka The Faithful Heart) is how brilliantly good the image is on this 100-year-old movie. I watched the Eureka Masters of Cinema version and it’s excellent. It’s important that it’s good because this is a highly visual movie. It certainly won’t win awards for storytelling. Wikipedia says … Read more
There’s an opaque quality to Divine Love (Divino Amor), as there was with Gabriel Mascaro’s last film, Neon Bull. But, subject matter to one side, the big difference between them is that Neon Bull didn’t explain itself, whereas Divino Amor does, only in the film’s last third revealing that it hasn’t really been explaining itself … Read more