Reviews
In The Platform (El Hoyo, in the original Spanish) a man wakes up in a place that isn’t familiar, a place full of dread and fear located in a world that seems to operate by different rules. He may not know where he is, but we know where we are: in one of those high … Read more
Wild Indian starts out looking like it’s going to be a film about a troubled kid, abused at home, struggling at school, who suddenly takes matters into his own hands and does something heinous. It turns out to be a film about the two grown-ups involved in that heinous event – the guy who did … Read more
Czech master film-maker Juraj Herz’s 1971 follow-up to The Cremator is a complete change of gears, pace, look, intent, the whole kit and caboodle, as if Herz wanted to say to the Communist authorities – look, I can do it straight too. Oil Lamps (Petrolejové lampy) is in colour, for a start, whereas The Cremator … Read more
Lots of things do battle in Piggy, but most of all it’s a story about a teenager at war with herself. Or is it a slasher movie? Or a coming of ager with a visceral psychology at work? Bit of all three, and possibly a few more things besides. Writer/director Carlota Pereda welds all the … Read more
Four people have a lazy day hanging out in the sun at a water-filled disused quarry in the Uruguayan film In the Quarry (En el pozo). Not all of them are going to make it to the end of this increasingly knuckle-whitening thriller, the feature debut of brothers Rafael and Bernardo Antonaccio, whose command of … Read more
Mock-serious bad times in New York City. Scorsese did it memorably in After Hours, and 40 years later Darren Aronofsky has a go with Caught Stealing, a gonzo nightmare missing a certain something. Comedy, I think, or the right comedic tone at any rate. Anyway, on the upside there’s Austin Butler as a dude in … Read more
The media’s love-in with “the wild man of theory”, the Slovenian philosopher Slavoj Zizek, continues with this documentary about the bear/clown himself. Starting with Zizek’s rhetorical question, “What would be my spontaneous attitude towards the Universe”, Astra Taylor’s film continues in a playful vein through a US lecture tour and ends up back in Zizek’s … Read more
In 2006 a Leeds-based American man called Asta Philpot visited a brothel while on holiday in Spain. He got laid. Nothing unusual there, except Asta was born with arthrogryposis, a condition that means he could barely move. Having enjoyed himself and suddenly realising that he didn’t necessarily have to live the sort of chaste life … Read more
Dark hair, dark shades, dark clothes, it’s Badass Charlize Theron who turns out for The Old Guard, a superhero adventure with a mournful air and an eye on a franchise. There are four distinct Therons – the actor (Monster, In the Valley of Elah), the babe (Gringo, The Devil’s Advocate), the snark (Young Adult, Tully) … Read more
Adam Morse’s feature debut, Lucid, is an ideas-driven supernatural drama that could almost double as an instructional video for shy boys who’d like to meet girls. In The Matrix style, it’s got a nerdy guy, Zel (Laurie Calvert) at its centre, an incel gamer whose mother (Sadie Frost) still hovers, concerned that her son isn’t … Read more
There are good things and bad things in The Doorman, a Die Hard retread that hands the Bruce Willis role to Ruby Rose, the onetime model and TV presenter who made her name in Orange Is the New Black and has played Batwoman with some aplomb in TV shows Supergirl, The Flash, Arrow and, unsurprisingly, … Read more
Reinventing a genre he had more or less invented in the first place, Fritz Lang’s 1960 movie The Thousand Eyes of Dr Mabuse (originally Die 1000 Augen des Dr. Mabuse) also revisits an established intellectual property. The character of Mabuse had already served Lang well, having taken centre stage as the arch-villain in Lang’s silent … Read more