Reviews
Hang on, A Quiet Place: Day One is the origin story, about how Earth is invaded by creatures who track humans using sound alone? Wasn’t that already covered in A Quiet Place Part II? Indeed it was, but if you are generous of spirit and reject the idea that A Quiet Place: Day One is … Read more
As good a portrait of what it means to be old and lonely as any you’ll see, 1967’s The Whisperers is an atypical British movie for the Swinging mid-Sixties, almost a return to the kitchen-sinkers of the early part of the decade. Bryan Forbes, who wrote and directed and was a smart man, understands the … Read more
Powerful to the point of punishment, The Devil’s Bath (Des Teufels Bad) is Austria’s contender for the Best International Feature Oscar in 2025. It won’t win. It probably won’t even make the shortlist. Too bleak. Too uncompromising. Seen one way, it’s a group portrait of the extremely grim existence hacked out by peasants in a … Read more
Five kids head for the coast in an old van in Gasoline Rainbow, the Ross brothers’ first feature since Bloody Nose, Empty Pockets, their intensely evocative film about the last day in the life of a Las Vegas dive bar. Bloody Nose looked like a documentary but there were suggestions at the edges that everything … Read more
Pilots (Pilotinnen) was Christian Petzold’s graduation film, a short feature-length drama which he completed in 1995. At 35, Petzold was quite ancient as students go but he’d studied German and theatre already before switching into film at Berlin’s DFFB. Either way, his film got a showing on the German TV channel ZDF, which isn’t bad … Read more
Humanist Vampire Seeking Consenting Suicidal Person does in six longish words what Snakes on a Plane does in four short ones – telegraphs a plot and a tone in a title. In the original French (or French Canadian, if you’re being picky), Vampire Humaniste Cherche Suicidiaire Consentant, it comes in one word shorter. So there’s … Read more
Cry Macho is the latest instalment in the Clint Eastwood series of movies you could loosely call the “old guy’s last hurrah”. Like Gran Torino and The Mule, it’s a moment to be reminded of past glories as well as be entertained, all the while marvelling at at Eastwood’s remarkable career and long life. Clint … Read more
“Major picture-making at its worst,” was the New York Times verdict on Nora Prentiss in 1947. Yes, but… It’s also a prime example of the sort of 1940s movie seemingly designed to put women back in their box once war was over. And for that reason alone it deserves a look. It’s a classic “rogue female” … Read more
Three’s a trend, so they say, and with Beau Is Afraid writer/director Ari Aster does just what his previous two films, Hereditary and Midsommar, did – he gets everyone talking. Terrible, some said. Brilliant, said others. Maybe it can be both at the same time, you could conclude, sitting right on the fence. And, fence-sitting … Read more
As handsome as its star, François Civil, The Three Musketeers: D’Artagnan was shot back-to-back with its bookend companion, The Three Musketeers: Milady, a pair of old-school spirited adventures full of flashing eyes and flashing blades. I read somewhere that it’s quite tonally different from other Musketeer movies. It didn’t seem so to me. I only … Read more
“Over 40% of the world’s population suffer from sleep paralysis,” the written preamble to Mara informs us, before going on with: “Two thirds of them describe being attacked by a demonic entity.” These fanciful statistics delivered, director Clive Tonge (who presumably wrote this nonsense with co-writer Jonathan Frank) gets his movie underway. It is, you … Read more
Let’s do a refugee drama, which no one wants to watch, as a haunted house movie, which everyone does. That’s the thinking behind His House, a canny mix of genres from writer/director Remi Weekes in his feature debut, which adds a further layer of originality by adding all sorts of weird African supernatural juju to … Read more