Reviews
War is hell but also kind of fun in Confirm or Deny, one of a series of movies made by Hollywood when America was still a neutral power using emotional blackmail to counter isolationism and persuade the country to join the fray. Eventually Pearl Harbor and Hitler’s insane decision to declare war on the USA … Read more
Pupi Avati isn’t one of the big names of giallo and yet The House of Laughing Windows (La casa dalle finestre che ridono) easily stands alongside or even ahead of the best of Argento, Bava and Fulci. It’s a triumph not of concept or style, though it has both of those, but of a thousand … Read more
When he switches off the mouth, Robin Williams can be an incredibly effective actor. This is one of those turns, yet it’s ironically about a man who is a professional mouth, a DJ with a late-night show who uses his graveyard phone-in to tell and listen to stories. It’s another of Williams’s characteristics as an … Read more
Andrew Haigh’s debut feature Greek Pete, a biographical “year in the life” of a London rentboy, takes the documentary form and gives it a good pounding. Pete is an early-20s dark-haired, nice-looking guy who loves to talk. We meet him as if we’re eavesdropping, from a distance, through a doorway. He’s on a sofa with … Read more
How to describe Abigail without ruining it? It starts out looking very much like a heist thriller, except it’s not money the gang in question is trying to lift, but a young girl called Abigail, the daughter of a very rich man, we later learn, who is expected to pay out $50 million to get … Read more
Barely ever really funny, The Money Pit is something of a slapstick classic all the same, a triumph of a kind of Hollywood film-making and playing that’s so precise that you have to admire it… even though you’ll probably not laugh. The scenario is lifted wholesale from the 1948 comedy Mr Blandings Builds His Dream House, … Read more
In one of the first scenes in About Endlessness, a waiter brings a diner a bottle of wine, opens it, sniffs the cork to check the wine is OK, then walks over to the right hand side of the diner to fill his glass. Holding the bottle near the bottom, the way a practised waiter … Read more
Shu Qi and Chang Chen are the actors playing three different sets of lovers, in 1911, 1966 and 2005, in this unusually beautiful film from director Hou Hsiao-hsien. All three stories take place in Taiwan and focus on love in different manifestations – love in its glorious first flush, love thwarted, and love carnal – to … Read more
Soviet sci-fi from 1983, the year after Blade Runner, Moon Rainbow is as good an indicator as any of the gulf between the communist and capitalist blocs when it came to this sort of thing. The special effects are rudimentary and much of the actual sci-fi action takes place off screen! Bizarre. But if shots … Read more
Would Motor City be a better film without the gimmick? Which is? No dialogue. Or not much anyway. Five lines, the blurbs say, though even that might be an exaggeration. Director Potsy Ponciroli made Old Henry a few years ago, and I liked that. So I gave him the benefit of the doubt and waded … Read more
The thing to know going into The King of Staten Island, co-written by Judd Apatow, Dave Sirus and Pete Davidson, is that Davidson’s father was a fireman who lost his life in the call of duty (at the World Trade Center on 11 September 2001, in fact). The father of Scott Carlin, the character Davidson … Read more
In many ways a bog-standard bible flick given a cursory wipeover with a humanist rag in the figure of Harvey Keitel – doing penance for Bad Lieutenant all those years ago – Fatima is just dramatic enough, lavish enough and well directed enough to escape the “it is what it is” label. But first a … Read more