Alida Valli

Suspiria, the original 1977 one not the 2018 remake (a treat for another day), pulls a version of the same trick on its audience that Orson Welles pulled on his crew while making Citizen Kane. “It’s a dream sequence,” Welles would sometimes shout, when he ran into resistance against whatever novelty he was trying out on any given day. Park your timeserved-craftsman’s logical objections, in other words, and give it a try. Armed with his “dream sequence” rationale Welles was able to experiment away to his heart’s content. If Welles had a dream, Dario Argento has a nightmare to deliver and everything in his film is shaped by it. Park expectations about “good” … Read more