Ratings on the UK system (ie U=universal, PG=parental guidance, 12, 15 and 18 are self-explanatory, E=excempt)
Pinocchio 70th Anniversary Platinum Edition (Disney, cert U)
From the days when the voice cast went uncredited, Walt Disney’s 1940 follow-up to Snow White gave us the Oscar-winning song When You Wish Upon a Star, a wooden boy with a Freudian nose and one of the studio’s darkest and finest animations.
The Boy in the Striped Pyjamas (Disney, cert 12)
The Holocaust through the eyes of a nice German lad (Asa Butterfield) whose dad just happens to be a death camp commandant. The everyday normality of the death camps and the mix of the sentimental, the melodramatic and the brutally direct often jars for the wrong and the right reasons.
Quarantine (sony, cert 18)
A fluffy TV reporter (Jennifer Carpenter) lucks into the biggest story of her career by accident as a TV news crew is trapped inside a zombie house. Aficionados will recognise this as a scene for scene, stroke for stroke English language remake of Spanish horror [REC]. How wise not to change a thing.
Generation Kill (HBO, cert 15)
Into the bafflingly busy Iraq War with an embedded Rolling Stone reporter in this multi-stranded, vibrant 7-part TV series adapted from journalist Evan Wright’s book and brought to the screen by the team behind The Wire. Another triumph.
LA Confidential Special Edition (Warner, cert 18)
One of director Curtis Hanson’s sweet run of great films in the 1990s and one of the must-watch movies of 1997. Russell Crowe, Guy Pearce and Kevin Spacey play cops up to the oxters in celebrity sleaze – hello Kim Basinger in Veronica Lake pose – in this lush, noirish evocation of the tawdry 1950s.
The Rocker (Fox, cert 12)
Full Monty director Peter Cattaneo keeps it feelgood in this harmless comedy about an old and rubbish rock drummer 20 past his sell-by joining a young band. Yes, it’s a School of Rock knock-off, and yes Rainn Wilson is working his way through Jack Black’s list of buffoonery and goofery.
Miss Pettigrew Lives for a Day (Momentum, cert PG)
Frances McDormand joins a crack team of British thespians (Stephanie Cole, Shirley Henderson, Mark Strong) to demonstrate how to strangle the English accent in a flimsy wannabe screwball comedy set between the wars and stolen comprehensively by Amy Adams.
3-Day Weekend (TLA, cert 15)
Following on from last year’s Back Soon, Rob Williams’s state-of-the-gay-nation outing sees eight men hopping beds and baring souls for a weekend in a drama avoiding waspish stereotypes as it follows its central relationship into meltdown. Warning: may contain nuts.
The Gene Generation (High Fliers, cert 15)
Chaotic throwback to cyberpunk 1980s – 2000AD comic, Brazil and Blade Runner – with a physically impressive if wooden Bai Ling as a ninja she-assassin. Quite what Faye Dunaway is doing here is a mystery.
Saw V (Lionsgate, cert 18)
Directed by Saw 1-4’s set dresser – a franchise this established will eventually direct itself – the gorno franchise finally runs out of wit, though the early DIY tracheotomy scene catches the breath and proves there’s still some ingenuity left in the tank, unpleasant though it is.
Repo! The Genetic Opera (Lions Gate, cert 18)
Talking of which, here’s what Saw II, III and IV director Darren Lynn Bousman’s been up to, a tin-eared Rocky Horror-ish trash-glam musical on nitrous. Motley crew Alexa Vega, Paris Hilton, Sarah Brightman, Anthony Stewart Head and Paul Sorvino make it oddity of the week.
The Lodger (Sony, cert 15)
Based on the same novel Hitchcock made into his 1927 silent classic, a lumpen Ripper tale set in LA, starring a wasted Alfred Molina as detective and Hope Davis as lonely housewife who let out a room to a mystery man (Simon West) who might be a killer.
The Lodger – at Amazon
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© Steve Morrissey 2009