Jamie Smith

“Her soft mouth was the road to sin-smeared violence,” runs the blurb on the poster for Killer’s Kiss. Well, yes and no. The title of Stanley Kubrick’s second feature’s isn’t really that accurate either – which killer? which kiss? – but we get the idea. Film noir. The lone individual dwarfed by circumstance and environment became an abiding concern of Kubrick’s in later films and you can see it here in his story of atomised individuals trying to make a go of it in the big city. On one side Davey Gordon (Jamie Smith), a fighter who’s seen better days. On the other Gloria Price (Irene Kane), a taxi dancer wondering how it came … Read more