Thelma
Thelma, a collaboration between director Joachim Trier and writer (and sometime director) Eskil Vogt, is another reminder of what a dynamic duo these two are, separately and together. And that they make powerful and suggestive, moody and magnificent dramas that are also sly as hell. Slo-mo gotcha movies of a very high order. Thelma starts with a tender scene of a father out with his six-year-old daughter in the snowy wintry wastes of Norway. By the end of this sequence the father is taking aim at his daughter’s head with his rifle, unbeknown to her. Why? Trier and Vogt tell us almost two hours later, right at the end. In between they follow … Read more