Dark Passage

Vincent Parry with his hands up

“Completely preposterous,” is how the Chicago Tribune described Dark Passage in its 1947 review. No argument here. But did Delmer Daves, who wrote the screenplay and directed this bizarre noir, simply make a bad film, or was he saying something about the latent absurdities of the genre, in particular the way fate operates? Humphrey Bogart plays Vincent Parry, an innocent man doing time in San Quentin for murdering his wife, who we first meet breaking out by stowing away in a garbage truck. He’s soon been picked up by a man who quickly works out who he is. Ructions follow, but Parry wins out, and is then picked up by the very woman … Read more

Key Largo

Nora and Frank

If you liked Humphrey Bogart’s cynical romantic Rick in Casablanca, Key Largo gives you another go around the track with him. And if you liked the dynamite pairing of Bogart and Bacall in To Have and Have Not, The Big Sleep or Dark Passage, they get another outing too, in the last of the films they’d make together. He plays a major back from the war and in the sweltering Florida Keys on a courtesy visit to the father of one of his men, who died in the Italian campaign. But when Major Frank McCloud gets to the hotel owned by James Temple (Lionel Barrymore), he discovers that it’s been taken over by … Read more

Birth

Joseph and Anna in a happy moment

Birth doesn’t quite sit with Jonathan Glazer’s other films. As I write (February 2024), his latest, The Zone of Interest, is attracting awards like an MRI scanner attracts spoons. As did Glazer’s debut, Sexy Beast, in 2000, and the film that followed Birth, 2013’s Under the Skin. As for Birth, it was booed at its premiere at the Venice Film Festival and its current rating on Rotten Tomatoes puts it around 40% “fresh”. Rotten, in other words. People probably need to take another look. First thing: it’s brilliantly made. Second thing: it’s brilliantly acted, with a great cast all rising to the challenge. Third thing: the plot. This is where it does come … Read more

The Big Sleep

Boagart and Bacall sit on a desk

The older it gets, the better 1946’s The Big Sleep looks. When it was new, Howard Hawks’s adaptation of Raymond Chandler’s famously unfathomable story was rooted in reality – the clothes, the cars, the language, the streets of LA. Since then, as it’s become detached from the everyday, it has risen unimpeded into the mythic. The opening scene sets the tone. A detective, Philip Marlowe, arriving at the mansion of General Sternwood (Charles Waldron), where the sick old man lives in an orchid house, staying alive on the heat, while his daughters run wild with his money. One of them, the general informs Marlowe, has got into some trouble. Can Marlowe fix it? That’s … Read more